Ancient gilded bronze statue of Guanyin

This Buddha statue is made in the shape of a Tibetan Buddhist Buddha statue, Buddha Amitayus. I'm not specifically in this business, but it doesn't feel real. First of all, there is one point, I can't see it clearly, you see if there are three fine lines on the neck of the Buddha statue or it looks like a fold of flesh, if the neck is bare, there is nothing, then the following one does not have to look at it, it must not be true.

The reason to say that he is not true is:

Clause. First, the brass itself is not pure, and the gold on it is not like gold at all, like chemical gold, and it is very inferior to chemical gold.

Clause. Second, the green embroidery and black things on the above that seem to be covered with pulp are obviously dyed by old age, and the green ones are very unnatural, and even look dirty.

Clause. 3. Buddha statues can't be in such a dirty state, and to be honest, I have basically never seen such a Tibetan Buddha statue corroded, because it is usually cleaned and maintained.

Clause. Fourth, the carving of the Buddha statue is too rough, the whole image is very rigid, the streamer does not have a sense of elegance at all, the crown, Yingluo, etc., are very rough, especially the carving of the two arms, the action is too unnatural.

Clause. Fifth, the lotus seat, that seat is also very badly done, I have never seen this style of lotus seat, very rough.

I think the above points are enough to judge that this Buddha statue is imitation, and it is low imitation.

If you have any doubts, you can go to the Internet and search for "Ming Bronze Gilt Amitayus Buddha" or "Qing Dynasty Bronze Gilt Amitayus Buddha".

My humble opinion: since you have a Buddha fate, why don't you stay! Don't sell it for any amount of money, you listened to me.

If you make offerings, he will bring you countless sources of wealth, remember! You're going to sell, no matter how much you have! Think about it yourself, which one is lighter and which one is heavier!

If you don't want it, you will cut off your own financial route, you can give it to someone who is destined, and you must not sell it for money, otherwise you will not be able to plug that big hole with this money!

It is a bronze statue of Sakyamuni, with a bun of hair and a blue Buddha's head. The whole body is gilded, the eyes are slightly closed, the ears are hanging down the shoulders, the knots are sitting, the magic seal is cast, and the light and close-fitting robe is exposed, and the right shoulder is exposed. The body is well-proportioned and beautifully shaped.

Gold and bronze Buddha statue 1 is a Buddha statue cast in copper or bronze with gilded surface. Han and Tibetan are its two pillars.

The number of Buddha statues produced by the Qing Palace Office is quite large, especially in the Qianlong Dynasty, the Buddha statues are innumerable, and there are also many casts with year models, compared with the early Qing Dynasty standard utensils are few. The Buddha statue in Kangxi has a wide forehead and a wide face, and the body is full, but the dynamic full type is slightly dull and dignified, the rosette is gorgeously decorated, and the two ends of the streamer are hung down from the two sides of the rosette after winding the forearm, this style is rare in the Ming Dynasty, it is popular in the early Qing Dynasty, and it is still visible until the Qianlong period. Qianlong made a large number of Buddha statues, and there are still a lot of left.

The production of Buddha statues is often carried out by Zhang Jiaguo and the Great Living Buddha in person, Emperor Qianlong is proficient in Buddhism, likes to understand and pursue the Chinese-Sanskrit translation, so the Buddha statues made at this time can be called the era of standardization. On the whole, the Buddha statue in the Qianlong period is more neat and round, like the official kiln porcelain, more than neat, and the aura is insufficient. The posture of the Buddha statue is mostly straight sitting or standing, lacking a sense of movement, although the body proportion is accurate, but dare not exaggerate, flat and stable, heavy and stocky.

Nowadays, it is common to see works from the Ming and Qing dynasties on the market, with Tibetan Buddha statues being the majority. The Han tradition mainly accepted several statue styles and techniques such as Gandhara and Matura during the popular period of Indian manifestation, with relatively simple shapes, generous and gentle images, most of them with one head and two arms, and most of them were silent statues; Tibetan Buddhism is mainly influenced by several art schools such as East India, Nepal, Swat, and Kashmir during the Esoteric period of India. 1) Houses where metal is stored must be kept dry and free of dust and air pollutants.

The temperature is 18 to 24 and the relative humidity is 40% to 50%.

2) It is necessary to prevent contact with substances that can produce harmful chemical effects on metals, such as acids, greases, chlorides, etc. When handling metal antiques, you must wear cotton gloves, and do not directly touch the metal with your hands to avoid the sweat on your hands corroding metal cultural relics and antiques.

3) In order to prevent dust, metal utensils should be placed in sealed cabinets or glass cabinets, and small and medium-sized utensils should be made into a brocade box for each piece, and then the box should be placed in the cabinet; If it is placed on an open shelf or on an indoor floor, special attention should be paid to keeping the house clean.

4) Dust on metal utensils should be wiped off with a clean and soft cloth, and those items that require special care (such as soft metal, fine workmanship, fragile parts, etc.) should be brushed off with a soft squirrel brush or vacuumed or blown away.

5) It is necessary to prevent mechanical damage to metalware, do not stack and stack, and be especially careful with finely crafted and easily damaged metal items.

6) If the metalware is inlaid with other materials (gemstones. pearls, bones, tortoise shells, enamels, etc.), attention should be paid to the way in which these materials are stored (see the relevant sections).

7) For the unearthed metal relics, under normal circumstances, it is necessary to remove the harmful rust and unsightly thick rust and corrosion traces on it, and these works are carried out by relevant professionals, and the custodians try not to do it themselves.

8) If air pollution in the city and chlorine in coastal areas cannot be avoided, in order to prevent corrosion of metal cultural relics, it is necessary to apply a protective film, which can play a role in protecting cultural relics, and the appearance has not changed.

This statue is cast in bronze, high centimeters, gilded on the surface, cast in the fourth year of Zhao Taizu Shihu Jianwu after the Sixteen Kingdoms (338 years), now in the collection of the Asian Art Museum of San Francisco, USA. The Buddha seat is a four-legged square seat, the Buddha statue has a high meat bun, a wide forehead, both hands make a meditation seal, wear a shoulder coat, the folds of the clothes are carved out symmetrically from the center line of the body to the left and right, the carving method is simple, and the clothing pattern is formalized. The golden and bronze Buddha statues began to be recorded in the late Eastern Han Dynasty, and they were mostly called golden people in the early transmission period of Buddhism.

It is generally developed with the rise of Buddhist temples, mostly offered in palaces or Buddhist temples, and flourished from the Northern and Southern Dynasties to the Tang Dynasty. There are very few early gold and bronze Buddha statues, and this gold and bronze Buddha statue of Later Zhao is the earliest Buddha statue in China with a clear date. Anqing Museum collection, height 12 4 cm, base width 10 cm.

The existing Chinese gold and bronze Buddha statues include heirlooms and excavated cultural relics, some of which are also famous as representatives of early Chinese Buddha relics. Some of the boutiques have been stolen abroad in the early years. There are two existing gold and bronze Buddha statues in the Southern Dynasties, which are made during the Yuanjia period of Emperor Wen of the Song Dynasty, which can be its early representatives.

One is the 14th year of Yuanjia (437) Han Qian built a sitting Buddha statue, with shoulder clothes, meditation seals, and boat-shaped backlighting, etc., which still adhere to the earlier traditional techniques. The bare back is decorated with flame patterns, a layer of girdle Sumeru is added to the four-legged square seat, the clothing pattern is standardized, and the gold and bronze Buddha statues in the north are more elegant features. The other is the 28th year of Yuanjia (451) Liu Yuan built a sitting Buddha statue, the form is the same as before, only the sitting Buddha has a sitting Buddha on the left and right and the head light.