An understanding of a short passage from Dream of Red Mansions .

Yes! Indeed it is!

Landlord: Listen to me!

Dream of Red Mansions horizontally tells the love story between Jia Baoyu, Lin Daiyu and Xue Baochai, which is a bright line, which fully reflects the ups and downs of feudal aristocratic families. And vertically, that is, from the dark line, it also writes the vicissitudes of the four feudal families of King Jia and Shi Xue, and the process of gradual decline, revealing the historical truth of the inevitable demise of feudal society. At the same time, a large number of slaves and maids were involved in the Red Mansion, which in essence is a true portrayal of the ancient Chinese working people under feudal oppression, allowing people to see the development of society, the changes of history, and the warmth and coldness of the world.

It's an encyclopedia of a wide range of disciplines!

I am a senior high school graduate, and we took the college entrance examination for Dream of Red Mansions, so there is a detailed study, please be sure to believe it!

The history of prosperity to the end refers to the decline of the Qing Dynasty, and then the prosperity of the Grand View Garden deeply implies the beauty of desolation.

I can't say a lot clearly, I can only understand it, but I can't express it.

It is said that the Red Mansion is based on the background of feudal society, and it has written about the vicissitudes of wealth and wealth, and the gathering and dispersion of love. It's a summary of **.

Is there this in the Dream of Red Mansions? I'm afraid it's a preface, it's funny

Thousands of people have their own dreams

and such precedents

Shame on him

Originally, I would have said something first, but at my college level, I can't help you, so as not to mislead people. Huh

Individuals have their own understanding, and they should not be encircled by the so-called red science, but use their imagination to make their own understanding.

The face is like the moon of the Mid-Autumn Festival, the color is like the flower of spring dawn, the sideburns are like a rotten knife, the eyebrows are like ink paintings, the face is like peach petals, and the eyes are like autumn waves" Of course, it is Jia Baoyu. It reflects that Jia Baoyu's appearance is very outstanding, and his handsome is almost not like a boy. His face was bright and bright.

The moon and flowers are beautiful, and the moon of the Mid-Autumn Festival is particularly round and clear, and the flowers of spring dawn are particularly bright and moist.

Sorrows and joys are the same as dreams, and dreams are absurd in ancient and modern times.

Dream of Red Mansions", the first of the four classical Chinese masterpieces, is a long story written by the Qing Dynasty writer Cao Xueqin. In the early period, only the first 80 manuscripts were circulated, and the last 80 manuscripts were partially unfinished and the original manuscript was lost. The original name was "Fat Yan Zhai Re-evaluation of the Stone Record".

Cheng Weiyuan invited Gao He to co-organize and publish the 120th edition of the book, which was named "Dream of Red Mansions". There is also a version of "Golden Jade Yuan".

Dream of Red Mansions is a world-influential work of human feelings, recognized as the pinnacle of Chinese classics, an encyclopedia of Chinese feudal society, and a collection of traditional culture. **With the rise and fall of the four major families of Jia, Shi, Wang, and Xue as the background, with the family trivialities of Jiafu and the leisure of the boudoir as the center, and the love and marriage story of Jia Baoyu, Lin Daiyu, and Xue Baochai as the main line, it describes the human beauty and tragic beauty of the lovers of good and evil centered on Jia Baoyu and the twelve hairpins of Jinling, praises the rebellious characters who pursue light, and foresees the inevitable demise of feudal society through the tragic fate of the rebels, revealing the crisis of the last days of feudalism.

Wealth and wealth are floating clouds, and beautiful jade falling into the world will inevitably be covered with red dust.

Cao Xueqin's own words were full of absurd words and a handful of bitter tears

The land is so clean.

The paper is full of absurd words, a handful of bitter tears.

Sorrows and joys are the same as dreams, and dreams are absurd in ancient and modern times.

How the big family fell apart.

With the love entanglement of Baoyu, Daiyu, and Baochai as clues, the whole process of Jiafu from prosperity to decline was written, and the social state at that time was hidden.

This book focuses on the love and marriage tragedy of Jia Baoyu, Lin Daiyu, and Xue Baochai. With the history of the rise and fall of the four major families of Jia, Wang, Shi and Xue as the axis, it condenses the content of the times of the entire feudal society.

wrote the love story of Jia Baoyu, Lin Daiyu, and Xue Baochai, and also wrote about the weakness of the Jia family.

The story of a man and several women.

The Four Families Dashed.

The paper is full of absurd words, a handful of bitter tears, all of them are stupid, who understands the taste.

The paper is full of absurd words, a handful of bitter tears.

Main content:

"Dream of Red Mansions" tells the story of people and things that happened in a feudal family of an unknown dynasty, in which the emotional entanglement between Jia Baoyu, Lin Daiyu, and Xue Baochai is the main line, and through the description of some daily events, it reflects the love and hatred of the women in the Grand View Garden of Jiafu with the twelve hairpins of Jinling as the main body.

Dream of the Red Chamber is an encyclopedic novel**, centered on the upper-class aristocratic society, which is extremely realistic and vividly describes the entire life of feudal society in late China in the first half of the eighteenth century. It makes full use of calligraphy, painting, poetry, songs, and other excellent traditional techniques of various literary arts, showing a social tragedy of life.

Dream of Red Mansions comprehensively and profoundly reflects the characteristics of the era of feudal society. What it depicts is not a love story of "flowers and candles in the cave room and the title of the gold list"; Instead, he wrote about the love and marriage tragedy between the feudal aristocratic young Jia Baoyu, Lin Daiyu, and Xue Baochai.

**The great social significance lies in the fact that it does not describe this love tragedy in isolation, but takes this love and marriage tragedy as the center, and writes the rise and fall of the four representative families of Jia, Wang, Shi and Xue at that time, which takes Jiafu as the center, exposing all kinds of darkness and evil in the later period of feudal society, and its insurmountable internal contradictions.

It is a powerful critique of the decaying feudal ruling class and the feudal system that is about to collapse, and makes the reader feel that it is bound to come to an end. At the same time, it also expresses a new hazy ideal through the praise of the aristocratic rebels.

Dream of Red Mansions exposes all kinds of darkness and evils in the later period of feudal society, as well as its insurmountable internal contradictions, and makes a powerful critique of the decadent feudal ruling class and the feudal system that is about to collapse, so that readers have a premonition that it will inevitably go to the fate of destruction. At the same time, it also expresses a new hazy ideal through the praise of the aristocratic rebels.

In the history of Chinese literature, there is no work that can write the tragedy of love as emotionally powerful as "Dream of the Red Chamber"; There is no other work that can reveal the social roots of love tragedy so comprehensively and profoundly as it does, thus making the most profound and powerful critique of feudal society.

About the author: Cao Xueqin, the name of the name, the word Mengruan, the name Xueqin, also known as Qinxi, Qinpu, the author of the Chinese classic masterpiece "Dream of Red Mansions", his ancestral home is Tieling, Liaoning, born in Jiangning (now Nanjing), Cao Xueqin was born in the Qing Dynasty Internal Affairs Department is the white flag of the clothing family, he is the grandson of Jiangning weaving Cao Yin, the son of Cao Fu (the son of Cao Fu).