How to deal with the overall picture effect of sketch still life?

I suggest you practice the line! Start with an HB pencil and lay a layer with an HB pencil! The performance of the large block, for example, first draw the projection or something, of course, from the main body to draw, I don't agree with the upstairs point of view, I suggest that the line should be played layer by layer!

A good painting should be repeated at least 3 times! Similarly, correct the posture of grasping the pen, you can use the finger to stand on the drawing paper to reduce the "touch" with the drawing paper, and finally open the relationship between black and white! I think what your teacher said should be saying that your relationship between black and white is not strong enough!

The relationship between black, white and gray is the most important thing in a sketch! Pulling back black and white is a must! Finally use the black and white to pull away!

Such a picture has a good sense of hierarchy and a rich picture! You don't have to wipe it with your hands, and when you draw a portrait, you can wipe it with your hand when the thin place is really not fine! In a still life sketch, a few more layers can cover the small white dots that are not delicately arranged!

Secondly, it must be a whole, and it is easy to have that situation if the painting is not as whole!

Finally, it's the final step, but it's important! For example, the edge of the bowl, the edge of the plate, the mouth of the bottle, the junction of light and dark or the junction of light and dark of the portrait and the facial features, must be carefully depicted! It's going to be exquisite! There is no roughness anymore!

As for comfort and peace, that's the problem of the transition between light and dark, and that part should be too natural, which will give people a comfortable feeling! Peaceful, it means that the tone of the gray part also has a sense of layering, rich variations, and the proportion of gray in a painting is greater than that of white and black, so you can't take gray lightly!

There are many others, of course, I am only responding to the questions you asked, the intention of painting is the key, there is no inspiration at all

Good luck! ～

What does it feel like to smoke, I guess you may not have finished finishing, you can finish drawing and tidying up the big relationship, with lines in the same direction.

In addition, when you draw, your hand is always on the screen, and when you draw, try to hang your hand in the air to solve the problem.

Gently wipe it with a napkin to lighten the picture and at the same time soften the image (the lines are weakened). Then work with a pencil and repeat it several times until you are satisfied.

The drawing of the edge can be drawn along the edge and then adjusted with a sketch eraser and napkin. Remember that the background should not be deeper than the subject's stuff. It is recommended that the deepest depth of the background can only reach the pale gray layer of the subject.

The line is not in the right direction when it comes to the background.

It's actually very simple, strengthen the contrast.

Yes, but rub well.

Sketching should pay attention to "loose", generally in the first half of the time to solve the problem, after painting the general light and shade after touching the napkin, and then to collect, dirty may be you did not "receive" well. The collection should not be too partial, if you stare at the details, it will be stiff and not whole.

Hehe, my painting was like this at the beginning It is said that the teachers from the northeast will say this I don't know where it came from, talk about the solution, it is to learn the skill of "flat", flat is not without levels, but clearly layered, especially the tone of the background, we must distinguish the level, you can't see what you paint, that's how the smoke comes about, there are too many changes in Beijing, there is no organization, so there is smoke, hehe, you can refer to Ingres's sketch, clean and neat, you can also copy some more studies from the middle school attached to the Central Academy of Fine Arts Different from Gome, their background is very comfortable.

By hand or with a paper towel"Wipe"One time.

Can't wipe it, it looks like smoke because your picture is gray as a whole, the focus is not prominent, the picture is dirty, it is recommended to use plastic eraser to finish the picture.

Hand! I think it's a problem with the hands, when drawing, especially when the painting is "self-forgetful", the hands will wipe on the drawing paper, and when you wipe it, it will bloom and become dirty! If you don't believe it, wipe it with an eraser in a place where there is no light or shade, and a clear white horizontal line will come out

Solution: Correct the posture of grasping the pen, you can use the small finger to stand on the drawing paper to reduce the "touch" with the drawing paper

Also, when making lines, don't play too many layers, you can choose a deeper pen The angle of different lines should not be too different, otherwise it will make the picture messy!

Practice more lines! ～

Yes, you can draw lines in two directions. Pay attention to the posture of holding the pen and do not press your hands to the drawing.

Smoke? Is it because the lines are in the wrong direction when you draw the background? Or if you have too dense lines around the object but it will soon fade and there will be a feeling of smoke, pay attention to the whole, you can deepen the background a little bit, don't deliberately draw too dense lines around the object, there should be no "smoke" feeling.

After finishing the pattern, draw the line between light and dark, and then draw the tone for the first time, and then wipe it with a tissue or a pen to separate the light and dark sides, so that the painting will be more whole.

It depends on the situation to draw the background, the background on the bright side of the object should be darker than the bright side of the object, and vice versa, and then gradually excessive. To line up the tune along the object. This gives you a sense of space. Rubbing and rubbing can be, but it should be even, excessive, not one piece black and one white. Otherwise, it will be dirty.

Kiss! We'll be happy to answer for you. 1. Still life sketching should enhance the dynamic feeling of still life through sketching techniques, so that still life can also show the level and sense of space of the object.

2. Still life sketches can be adjusted from the relationship between color sense and brightness: (1) Color sense and lightness: Three elements of color:

Hue loses sailing, purity, and lightness, each of which has a corresponding brightness and presents a corresponding difference. Yellow has the highest brightness, purple has the lowest, and the other hues are gray with different brightness. Although the sketch is a "monochrome" painting, in the sketch modeling, the color sense of the object can only rely on the difference in the brightness of the color of different objects to express.

2) Brightness of the relationship between sedan friends and color sense of expression Sketching is to shape the body with the help of rich layers of light and early darkness. The change of light and darkness of an object under the illumination of light is comparative. It is impossible and unnecessary to realistically express the absolute intensity of light and color of objective objects, what it needs is to correctly represent the proportional relationship between light and dark levels, that is, the relationship between lightness.

Think of sketches as color paintings.

Paint color as a sketch.

A good picture. A lot of ash is used.

Love your own preferences.

I'm not good at painting still lifes.

I'm more inclined to landscapes. Scenery.

How to say it. It's still up to you to figure it out.

Draw your own style! ~

I wish you success in your studies.

In short, keep in mind: the front is real and the back is virtual, and the contrast between the front and the black is stronger than the black behind

If you learn color, you can prepare for the paint, the pen, and the frogIt would be nice to know a little more about the principles and basics of light and shadow color...The master will hand it over anyway

The boundary between light and dark should be emphasized, and the distance should be integrated with the background, but there should also be a hierarchy.

First of all, the picture must be as a whole. It is necessary to highlight the subject objects in the picture, and to control the progress of the still life. If you feel that the picture is not complete, you can use paper or a pen to work on the picture.

A lot of people follow the sketch when they sketch.

In fact, it is necessary to understand and draw.

Don't look black.

It's all black. When you see white, you draw all of them.

This is a misconception.

Take plaster, for example.

Many people see the light.

Almost all of them are left blank and not processed.

This is not right.

The closest place to the light source.

It can be completely white.

We see that there are actually layers of highlights.

The same goes for the dark and gray parts.

It depends on understanding to draw.

The same goes for still lifes