The text of Dream of Red Mansions about the description of female portraits! Distress!!!

The portrait depictions of welcoming spring, exploring spring, and cherishing spring in "Dream of Red Mansions" are very classic. "The first skin is slightly plump, the body is in shape, the cheeks are condensed and new, the nose is greasy and goose fat, gentle and silent, and the view is amiable. The second has shaved shoulders and a thin waist, a long figure, a duck egg face, handsome eyes and eyebrows, looking forward to Shenfei, the essence of literature, and forgetting the vulgar.

The third is not large enough and is still small. Its hairpin ring skirt is the same decoration for all three people. ”

This paragraph is written in Sanchun, not to mention "cheeks condensed new li", "greasy goose fat", "handsome eyes and eyebrows", "looking forward to Shenfei" these rhetoric, only with "the view of amiable" and "see the forgetfulness" of these two strokes have been written, in **, the characteristics of the spring is affinity and cowardice, Tanchun is sensitive and atmospheric, only these two strokes are already a portrayal of the two daughters. The portrait description of the character can be written from three perspectives: appearance, god, and ornamentation, appearance refers to appearance, god refers to charm and temperament, and ornament refers to clothing.

Under normal circumstances, when describing the portrait of a character, these three angles will actually be written, "the skin is slightly plump, the figure is in the middle, the cheeks are condensed, the nose is greasy, the goose fat is greasy", "the shoulders are thin, the waist is long, the duck egg face, the eyes are handsome, and the eyebrows are trimmed", "the body is not enough, and the description is still small" are the appearance of Sanchun; "Gentle and silent, amiable to view" and "looking forward to the flying of God, the essence of literature, and forgetting the vulgar when you see it" are to write about God; And the last sentence "its hairpin ring skirt, the three of them are all the same decoration" is written about their outfits.

And the author is not just blindly pursuing the accumulation of rhetoric when writing about the three people, writing about the spring and the spring, although there is not much pen and ink, but a few strokes have outlined the character's appearance very distinctly, and wrote to the end of the cherished spring, but only used the words "not enough, the description is still small", the advance and retreat are well-founded, the details are appropriate, and they do not fall into clichés.

Jia Baoyu - the male protagonist of the book Dream of Red Mansions, the plot in the book is mainly centered on him, and the story is written from his previous life, almost writing about the enlightenment of his life. Some people believe that Jia Baoyu has a deep and broad humanist thought, and can give his feelings to people, things, and things that have no feelings.

Lin Daiyu - generally considered to be the heroine of Dream of the Red Chamber, contrasting with Jia Baoyu, is a typical image of sexual spirituality in classical Chinese literature. Fat Yan Zhai commented on Lin Daiyu's use of the word "affection", referring to Lin Daiyu's ability to give her feelings to the person she loves.

Xue Baochai - Jia Baoyu of Red Mansions - the male protagonist of the book Dream of Red Mansions, the plot in the book is mainly centered on him, and the story is written from his previous life, almost writing about his life of enlightenment. Some people believe that Jia Baoyu has a deep and broad humanist thought, and can give his feelings to people, things, and things that have no feelings.

Lin Daiyu - generally considered to be the heroine of Dream of the Red Chamber, contrasting with Jia Baoyu, is a typical image of sexual spirituality in classical Chinese literature. Fat Yan Zhai commented on Lin Daiyu's use of the word "affection", referring to Lin Daiyu's ability to give her feelings to the person she loves.

Xue Baochai - another heroine of Dream of Red Mansions, opposite Lin Daiyu, is the so-called "golden and jade good fate". He is a typical figure who thoroughly maintains and always implements feudal ideology. Because the manuscript was lost after 80 times, I don't know what Cao Xueqin's comments were, but there are repeated metaphors in the book, such as:

Leng Xiangwan, the courtyard where he lives "Wuyuan" in front of the large stone closure and the cold environment without flowers seem to be "ruthless".

Wang Xifeng is generally considered to be the most vivid character in the Dream of Red Mansions, with a strong secular atmosphere.

Dream another heroine, opposite Lin Daiyu, is the so-called "golden and jade good fate". He is a typical figure who thoroughly maintains and always implements feudal ideology. Because the manuscript was lost after 80 times, I don't know what Cao Xueqin's comments were, but there are repeated metaphors in the book, such as:

Leng Xiangwan, the courtyard where he lives "Wuyuan" in front of the large stone closure and the cold environment without flowers seem to be "ruthless".

Wang Xifeng is generally considered to be the most vivid character in the Dream of Red Mansions, with a strong secular atmosphere.

This little girl is looking for someone to deal with her homework all day long?

There are a lot of them in the third episode. For example, write Baoyu, Daiyu, Xifeng. It's all exquisite! You should read carefully. Don't tell me you don't have books!

Do you think he can have books? Go and borrow one from someone else (* hee-hee......

Lin Daiyu: When you are quiet, it is like a beautiful flower shining on the water, and your action is like a weak willow supporting the wind. The heart is more than the dry, and the disease is like Xizi winning three points.