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The 16-85 bar is much larger than the 24-85 wide angle, with stabilization, and better digitally optimized. 24-85 is just a large aperture, and the image quality is mediocre on a digital camera, not a big value. In fact, 16-85 is not worth the 4000 ** relative to 18-55, so I think 18-55 is good and can be kept.
It might be better to use funds with 35f two fixed focuses. Or the original 70-300VR Tamron 70-300VC USD to expand the telephoto. Or consider out 18-55 and buy F-300.
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It is recommended that you switch to the 24-85 lens, which is a high-performance standard zoom lens suitable for shooting a variety of landscapes and people. The maximum aperture is f at a focal length of 24 mm, providing a maximum remake ratio of 1:2 in the 35-85 mm focal range.
Built-in hybrid and molded glass aspherical lenses, 9 circular diaphragm blades. Imaging is good at all focal lengths, sharpness is satisfactory, and maximum aperture imaging is good.
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16-85 and 24-85** are about the same? ~
24-85 Don't buy a new one I only sold 24-85 at the end of last year, and I only sold it for more than 1k dollars. Even if the color is good, 24-85 is only in the early 2ks. Comparatively speaking, 16-85** has always been high.
Although the D50 is an old machine, the 24-85 is even older than the D50... After all, it's a product of the film era. But it's nice to have a little macro.
So if you don't have a bad money, you must prefer 16-85If you want to make a good start instead of 18-55, go for 17-55.
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The newbie Nikon D5100 body is a good fit.
18-55 That sleeve is really not good; But 55-200 isn't good.
55-200mm belongs to the standard focal length to the medium telephoto focal length of the large zoom ratio lens, shooting portraits and flowers is okay, but the humanities documentary, wide-angle scenery is a bit inconvenient. If you use this head hang-up, there is no wide angle to the standard focal length (the most commonly used focal length), and it will be very inconvenient in many occasions, and there is no 18-55mm commonly used.
I personally have a suggestion: don't buy a set of machines, only buy the fuselage, and match a good hang-up head, the following plan for you to choose according to your economic situation:
2. A better configuration: Nikon AF-S DX16-85mm F ed VR image stabilization, the hanging head of APS format cameras commonly used in the original ordinary lens, although it is not a constant aperture, but the imaging quality is good, about 4600;
3. What's better: Nikon AF-S DX 17-55mm F, constant large aperture lens, Nikon's original APS format mirror, close to 10,000 yuan;
4. Cost-effective configuration: Tamron B005 is Tamron SP AF 17-50mm F XR DI II VC LD anti-shake lens, a high-quality constant large aperture APS format hang-up head specially created for civilians, about 3800, and the user response is very good. The premise is that you don't reject sub-factory shots.
5. A lazy configuration that goes all over the world with one lens: Nikon DX18-200VR, wide-angle to telephoto are available, and the performance is good, about 5600.
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It is recommended to play the set of machines, there is a good saying, bull head, dog head, the key is the head behind the machine,
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