Regarding the Peking Opera of Tang Seng recognizing his mother, what is the color of Li Kui, Tang Se

It's called "Tang Seng Recognizes Mother", and Xiao Wang Guiqing sang it in "Famous Appreciation".

Tang Seng: [Gao Dial Zi Guide] Jiangzhou Mansion thief Liu Hong is ruthless and ruthless, [Huilong] hates Liu Hong, he shouldn't have killed his father Tianlun, my mother was occupied, I was thrown into the river, I don't hurt when I think about it. 【Shake Board】Learned from Jiang Xin to save my life and raised Jiang Liu for 18 springs.

Thank you for your guidance, and you will find your mother in the back garden. I chanted the Buddha in my mouth, and the Buddha was coming to the west; Buddha Kashakti; Sariputta; Manjushri; Buddha of the Buddha; Buddha of Great Compassion; Cili Light Buddha; Nanhai Dashi Guanyin Buddha; Mida Buddha; Eight thousand eight hundred immeasurable Buddhas. There is no Amitabha Buddha in the south.

Tang Seng: [Xipi Flowing Water] When she mentioned the past, she burst into tears, and she couldn't help but think to herself. Pity me for not seeing my parents for 18 years, can she be my biological mother? Is it to go forward and interrogate carefully, you must ask whether it is false or true!

Southern Peking Opera repertoire, some time ago, **11 "Famous Section Appreciation" also broadcast a clip of Mr. Wang Guiqing's performance, and it is estimated that no one can perform it except the old gentleman now. The title of the play is "Tang Seng Recognizes His Mother".

This play is called "Tang Seng Recognizes His Mother", and the content is: After giving birth to Tang Seng, Tang Seng's mother put him in a wooden basin and drifted down the river. Adopted by an old monk, fifteen years later, Tang Seng came to find his mother.

This drama is basically out of action, on December 4, 2005, CCTV-11's "Famous Appreciation" once broadcast Xiao Wang Guiqing's singing, now it is difficult to find, wait for the replay in the future.

This recording is on old Chinese Peking Opera recordings.

Li Kui should be the face of the Black Shiling Split, the same as Zhang Fei. The characters are bold and rude; Tang monks are generally employed by Xiaosheng or Lao Li (yes, Lao Dan, not Lao Sheng), and many monks in Peking Opera will use Lao Dan to express the kindness and kindness of the characters. Jia Zheng is an old student.

The latter two do not hook their faces.

Episode 4 Trapped in the Five Elements Mountain The old monk turned into a bodhisattva heard a guest in the teahouse tell in detail the whole process from Chen Guangrui, the father of Tang Seng to the recognition of Tang Seng's mother and son.

The old people listened to the opera with relish, and it seemed to them to be a natural sound, and the children were bored. With the development of the times, more and more science and technology are flooding our lives, and some traditional cultures have reached the point of precariousness. The increasingly impetuous society makes it difficult for people to calm down and experience the stories in Peking Opera, and people would rather use their mobile phones more when they have time.

Under the impact of modern culture, Peking Opera gradually declined.

The art of Peking Opera is one of the most symbolic symbols of traditional Chinese culture and a quintessential model of Chinese opera culture. Whether it is the colorful long, young, good, evil vivid and distinct faces, or the colorful Peking Opera costumes with the characteristics of the times; Whether it is the colorful, melodious melody of Peking Opera; is still the "four skills and five methods" with great artistic charm; Whether it is a colorful and brilliant performance program, or a colorful and distinctive genre; Whether it is the famous characters with their own merits, or the colorful storylines that deeply portray historical figures, ......All of these are permeated with the artist's hard work and profound skills in one minute on stage and ten years off the stage, all of which have a unique and fascinating infinite charm.

The inheritance of Peking Opera must be operated according to the rules, and only oral transmission can make the genre flourish, and the inheritance of the genre can only be achieved through the teacher's persuasion, guidance and repeated demonstration. However, we must see that not all that can be handed down can be accepted by the audience, for example, her slow pace is not popular and loved by contemporary young people.

This is precisely the problem of the revitalization and inheritance of Peking Opera in front of us. The broad audience is the fertile soil for the revitalization and inheritance of all operas, and without the audience, they are all water without a source and a tree without roots. In turn, all successful works of art feed, delight, and educate the audience, and become an inexhaustible spiritual food for the audience.

This complementary relationship is irreversible and irreversible at any time. The short-sighted behavior of social impetuousness, fluctuating people's hearts, and eagerness for quick success has become a huge interference in the revitalization and inheritance of opera. For the sake of fame and profit, the upside-down values of the cast and crew also directly distort the audience's appreciation concept.

The art of Peking Opera must have a foundation firmly rooted in the soil of the people, in order to give people eternal power and open the buds that will last for centuries.

Peking Opera, also known as Ping Opera and Peking Opera, is the most influential type of opera in China, with Beijing as the center and all over the country.

Since the 55th year of Qianlong in the Qing Dynasty (1790), the four major Hui troupes of Sanqing, Sixi, Chuntai and Hechun, which had been performed in the south, entered Beijing one after another, cooperated with Han tune artists from Hubei, and at the same time accepted some repertoire, tunes and performance methods of Kunqu Opera and Qin dialect, and absorbed some local folk tunes, and finally formed Peking Opera through continuous exchanges and integration.

Peking Opera has a set of standardized artistic expressions in literature, performance, stage art and other aspects. The singing cavity of Peking Opera belongs to the plate variant, with two reeds and Xipi as the main vocal cavities. The accompaniment of Peking Opera is divided into two categories: the Wenchang and the Wuchang, with the Huqin as the main instrument and the Wuchang as the main instrument.

The roles of Peking Opera are divided into Sheng, Dan, Jing, Chou, Miscellaneous, Wu, Liu, etc., and the last three lines are no longer specialized. Each profession has a set of performance procedures, and the skills of singing, chanting, doing and playing have their own characteristics. Peking Opera mainly focuses on historical stories, with more than 1,300 traditional repertoire, and more than 3,400 are often performed.

Peking Opera has spread throughout the country and has a wide influence, and is known as "National Opera". The Peking Opera performance system named after Mei Lanfang is regarded as a representative of the Oriental drama performance system and is one of the three major performance systems in the world. Peking Opera is an important form of expression of the traditional Chinese culture, and a variety of artistic elements in it are used as symbols of traditional Chinese culture.

In May 2006, Peking Opera was approved to be included in the first batch of national intangible cultural heritage list. In 2010, it was inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity (UNESCO).

Peking Opera is one of the theatrical dramas formed in Beijing, with a history of more than 200 years. On the basis of Hui opera and Han opera, it has absorbed the advantages and specialties of a series of opera operas, such as Kunqu opera and Qin dialect, and evolved from it. There are more than 1,000 repertoire of Peking Opera, and its content is based on historical romances and scripts.

The role of Peking Opera is to play the role of Shengdan and the four elements of ugliness, and the face is painted with powder, symbolizing the person's character characteristics and beggars.

Peking Opera has many names, such as: "National Opera", "Pi Huang" and so on.

Peking Opera, also known as "Peking Opera", "National Opera", "Pi Huang".

Peking Opera is the quintessence of our country and has many years of history.

You are in Beijing, what kind of information to watch, watch a play, how boring the information is.

Peking Opera is one of the opera genres formed in Beijing, with a history of nearly 200 years. It is formed on the basis of Hui tune and Han opera, absorbing the advantages and specialties of some opera genres such as Kunqu opera and Qin dialect.

Peking Opera ** belongs to the board cavity, and the main singing cavity has two systems, Erhuang and Xipi, so Peking Opera is also called "Pi Huang". Peking Opera also commonly used singing voices include Nanbangzi, Siping Tune, Gao Bazi and Blowing Tone. There are about 1,000 traditional repertoire of Peking Opera, and about 3,000 or 400 are often performed, among which in addition to those from Hui Opera, Han Opera, Kunqu Opera and Qin Opera, a considerable number of them have been written by Peking Opera artists and folk writers one after another.

Peking Opera is good at showing political and military struggles with historical themes, and most of the stories are taken from historical romances and scripts. There are not only the whole plays, but also a large number of excerpts, in addition to some stage plays.

In the early days, it was divided into seven elements: Sheng, Dan, Jing, Mo, Chou, Wuxing, and Popular (Dragon Set), and later it was classified into four major lines: Sheng, Dan, Jing, and Chou, and there was a detailed further division of labor within each line. "Sheng" is a general term for male characters other than big flower faces and harlequins, and is divided into old students (Xu Sheng), small students, martial arts students, and doll students. "Dan" is a general term for female characters, and it is internally divided into Zhengdan, Huadan, Boudoir Dan, Wudan, Lao Dan, and Cai Dan (揺丹) Dao Ma Dan.

"Net", commonly known as flower face, is mostly played as a male character with some peculiarities in personality, quality or appearance, with makeup and face, loud timbre and rough style. "Net" is divided into big flower faces that are mainly singing, such as Bao Zheng; The workmanship-based two-flower face, such as Cao Cao. "Ugly", playing a comedy role, because he smeared a small piece of white powder on the bridge of his nose, commonly known as a small flower face.

The classification of Peking Opera masks includes: whole face, hero face, six-point face, crooked face, fairy face, harlequin face, etc.

Tang Seng and the four of them took a plane to travel, and the plane crashed on the way, but there were only three parachutes So, Tang Seng said, everyone come to answer the question, and jump down if you can't answer Tang Seng: Wukong, how many suns are there in the sky?

Wukong: One

Tang Seng: Okay, I'll give you a handful

Tang Seng: Sha Seng, how many moons are there in the sky?

Sha Seng: One

Tang Seng: Okay, I'll give you a handful too

Bajie on the side is so happy, such a simple question

Tang Seng: Bajie, how many stars are there in the sky?

Bajie jumped

Tang Seng: Wukong, when was the People's Republic of China founded?

Wukong: 1949

Tang Seng: Okay, I'll give you a handful

Tang Seng: Sha Seng, how many people died in the Liberation War?

Sha Monks: 2.5 million

Tang Seng: Okay, I'll give you a handful too

Tang Seng: Bajie, what is the name of the 2.5 million people Bajie had to jump again The third time, the four of them took a plane to travel again, and there was an accident on the way At this time, Bajie said: Master, you don't need to ask, I will jump by myself Then he jumped

Tang Seng joined hands: Amitabha, there are four parachutes this time.

I know, haha, I remembered it once I saw it. Because the hand hit me briefly.

The first time: in addition to the breakdown, the plane had to parachute, but there were only three.

Tang Monkey asked: How many suns are there in the sky.

Answer: 1 pc. Asked Sha again: How many moons are there in the sky?

Answer: 1 pc. The pig smirked, such a simple question.

Q: How many stars are there in the sky?

The pig was speechless and jumped down.

The second accident is the same as above.

Ask the Monkey: When was China founded?

Answer: 1949

He asked Sha again: How many people died in the Anti-Japanese War.

Answer: 4 million.

The pig snickered again. Ask the pig: What are the names of the 4 million people?

Pig. Jumped off.

3rd. Ditto.

Tang Gang wanted to speak. The pig said, "Master, don't ask." I'll just jump.

Then Don said: Ah, Mituo Buddha, I just wanted to say that this time I brought 4 parachutes.

The first time: in addition to the breakdown, the plane had to parachute, but there were only three.

Tang Monkey asked: How many are there in the sky?

Sun. Answer: 1 pc.

Asked Sha again: How many moons are there in the sky?

Answer: 1 pc. The pig smirked, such a simple question.

Q: How many stars are there in the sky?

The pig was speechless and jumped down.

The second accident is the same as above.

Ask the Monkey: When was China founded?

Answer: 1949

He asked Sha again: How many people died in the Anti-Japanese War.

Answer: 4 million.

The pig snickered again. Ask the pig: What are the names of the 4 million people?

Pig. Jumped off.

3rd. Ditto.

Tang Gang wanted to speak. The pig said, "Master, don't ask." I'll just jump.

Then Don said: Ah, Mituo Buddha, I just wanted to say that this time I brought 4 parachutes.

The blue face is a symbol of fierceness, integrity and defiance.

Peking Opera Mask is a special makeup method with Chinese cultural characteristics. Because each historical figure or a certain type of character has a general notation, just like singing and playing music must follow the musical score, it is called "face music".

Representative figures. Shan Xiongxin was a famous general in Wagangzhai at the end of the Sui Dynasty. After the failure of the Wagangzhai uprising, Shan Xiongxin's sworn brothers Qin Qiong, Luo Cheng, Cheng Yanjin and others surrendered to the Tang Li family, while Shan Xiongxin took refuge in King Zheng Wang Shichong. When Li Shimin led the army to attack Wang Shichong, Shan Xiongxin broke into the Tang camp and was captured.

Li Shimin admired his skills and persuaded him to surrender, and his former righteous brothers also persuaded him to surrender.

But Shan Xiongxin remembered that Tang King Li Yuan had killed his brother's great revenge, and vowed not to surrender, and was finally killed. Shan Xiongxin hooked a blue floral face, using blue to represent his strong, brave, and unruly character, and also sketched a yin and yang knot on his head, symbolizing Shan Xiongxin's resentment and perseverance until death.

Shows a strong, courageous, and scheming character.

Peking Opera Mask is a special makeup method with Chinese cultural characteristics. Because each historical figure or a certain type of character has a general notation, just like singing and playing music must follow the musical score, it is called "face music".

There are three main characteristics of the face: the contradictory unity of beauty and ugliness, which is closely related to the character of the character, and its pattern is stylized.

Blue indicates a strong, courageous, and scheming character, such as Dou Erdun.