Thank you for Guo Moruo s historical drama

Updated on history 2024-05-26
5 answers
  1. Anonymous users2024-02-11

    Guo Moruo's historical dramas include "Qu Yuan", "Tiger Fu", "Gao Gradually Leave", "Peacock Gall", "The Flower of Tangtang", "Cai Wenji", "Wang Zhaojun" and so on.

    On November 16, 1892, Guo Moruo was born in Shawan, Leshan, Sichuan. In 1919, he wrote poems such as "Hug and Child Bath in Hakata Bay" and "Phoenix Nirvana". In 1931, he completed the treatises "Research on Oracle Bone Characters" and "Research on Bronze Inscriptions of the Yin and Zhou Dynasties", and in 1924, he completed the historical drama "Wang Zhaojun".

    In December 1941, he wrote a five-act historical drama "The Flower of Tangtang". In 1942, he completed the historical drama "Qu Yuan", "Tiger Fu", "Gao Gradually Leave", and "Peacock Gall", and in 1943, he completed the historical drama "Nanguan Cao".

    CreationFeatures:

    Guo Moruo has absorbed the essence of the West's modern philosophy of life, from classical humanism to Bergson and Freud, and has begun with the cultivation of a perfect self-personality with the enterprising way of the endless flow of life in nature, and eagerly calls for the arrival of a perfect social order.

    His works are filled with the worship and praise of force, vitality and creativity, showing readers Guo Moruo's knowledge and understanding of life and society, and he uses the natural laws of life impulse and metabolism shown by life phenomena to deny the existing unreasonable order and system, and expresses the pursuit of life development and evolution with the pursuit of perfect life ideals.

    The above content reference: Encyclopedia - Guo Moruo.

  2. Anonymous users2024-02-10

    Although the number of Guo Moruo's plays is small, the importance of the place in all his works is not diminished.

    His six plays, "The Flower of Tangtang", "Qu Yuan", "Tiger Fu", "Gao Gradually Leave", "Peacock Gall" and "Southern Crown Grass", have opened up a new path in the field of historical dramas. His plays are not only about personal feelings, but consciously use them as a special struggle. Several of his scripts based on historical stories seem to be far away from reality in form, but the content fully shows the role of "using the past to illustrate the present", and the effect is deep and huge compared with those who are superficial and powerless although they are based on reality.

    It was because of the strict literary network in the Kuomintang at that time, and the reactionary rulers who wanted to turn the rear into a "silent China" were often blamed, and under such a cloudy curtain, the literary artists had to change their way of writing and borrow historical themes in order to more effectively achieve the goal of "borrowing the past as a metaphor for the present." By adopting this style of combat, it is better to hit the enemy's vital points without being counterattacked by the enemy. Guo Moruo uses his own historical drama to practice this spirit.

    With his rich imagination, meticulous study of materials and profound understanding of reality, he writes historical dramas in a way that interpenetrates each other. Therefore, his historical drama is both historical and realistic. To say that it is historical is that its content "does not completely contradict the facts of history".

    To say that it is realistic is that he does not see the word "reality" very narrowly.

  3. Anonymous users2024-02-09

    Guo Moruo's historical script:

    Qu Yuan, "Southern Crown Grass".

    Wu Zetian "Tiger Fu".

    Zhuo Wenjun "Nie Yan".

    The Flower of Tangtang "Wang Zhaojun".

    High Fade Away "Peacock Gall".

    Cai Wenji".

  4. Anonymous users2024-02-08

    Guo Moruo created six large-scale historical dramas, including "The Flower of Tangtang", "Qu Yuan", "Tiger Fu", "Gao Gradually Leave", "Peacock Gall" and "Southern Crown Grass". Among them, "Qu Yuan" is the most popular.

  5. Anonymous users2024-02-07

    The six historical dramas created by Guo Moruo during the Anti-Japanese War (after the Southern Anhui Incident) are "The Flower of Tangtang", "Qu Yuan", "Tiger Fu", "Gao Gradually Leave", "Peacock Gall" and "Southern Crown Grass". "Tang Tang Cong Qinghua" tells the story of the righteous warrior Nie Zheng stabbing Han Xiangxia during the Warring States Period. "Qu Yuan" tells the story of the historical figure Qu Yuan, and Guo Moruo completed this five-act drama in ten days.

    Tiger Fu The play depicts the story of Xinling Jun, one of the four gentlemen of the Warring States Period, stealing the talisman to save Zhao. "High Gradual Departure" is a work by Guo Moruo in 1942, formerly known as "Building". "Peacock Gall" tells the story of Yuan Meng Zheng Bu Mo and King Liang poisoning Duan Gong with peacock gall.

    "Nanguan Grass" tells the story of Xia Wanchun's resistance to the Qing Dynasty in the late Ming Dynasty.

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