How to explain the wind, Ya, Song What does the wind mean?

The Book of Songs is the earliest collection of poetry in China. "The Book of Songs" was originally called "Poems", with a total of 305 poems (there are 6 other poems with titles and no content, that is, there are eyes and no words, called Sheng poems), so it is also called "three hundred poems". Since the Han Dynasty, Confucianism has regarded it as a classic, so it is called the Book of Songs.

Mao Heng and Mao Chang of the Han Dynasty once commented on the Book of Songs, so it is also called "Mao's Poems". The authors of most of the poems in the Book of Songs are no longer verifiable.

Regarding the classification of poems in the Book of Songs, there is a saying of "four beginnings and six meanings". "Four beginnings" refers to the four poems that are listed first in "Wind", "Daya", "Xiaoya", and "Song". "Six meanings" refers to "wind, elegance, song, endowment, comparison, and xing".

"Wind, elegance, and song" is the classification of the "Book of Songs" according to the different **, and "Fu, Compare, and Xing" is the expression of the "Book of Songs".

Wind, elegance, song.

"Wind", also known as "National Wind", has a total of 15 groups, and "Wind" is the collective name of the music. The 15 sets of national styles are not the music of 15 countries, but the music of more than a dozen regions. The national style includes the music songs of Zhounan, Zhaonan, Shao, Hu, Wei, Wang, Zheng, Hui, Qi, Wei, Tang, Qin, Feng, Chen, and Cao, with a total of 160 pieces.

Guofeng was a popular local song at that time, with a local color. In terms of content, most of them are folk songs. Most of the authors were folk singers, but there were also individual aristocrats.

There are different opinions on the understanding of Ya. One view is that it refers to the ** of the region directly ruled by the Zhou Dynasty, and "Ya" has the meaning of "Zheng", and this ** is regarded as "Zhengsheng", which is intended to show the difference from other places. It is also said that "Ya" is associated with "Xia", and Xia is the name given to the region directly ruled by the Zhou Dynasty.

There is also a view that "Ya" refers to the elegance that everyone can understand**. There are a total of 105 articles in "Ya", which are divided into 31 articles in "Daya" and 74 articles in "Xiaoya". Most of the works of "Ya" are works of court officials and ministers, and a small part is folk songs.

The content is almost always about politics, some praise good people and good governance, and some satirize bad governance. There are only a few poems that express personal feelings. But there are no love poems.

"Ode" is a piece of music for nobles to worship ghosts and gods in their family temples and praise the merits of the ruler, and it is played with a dance. It is divided into "Song of Zhou", "Song of Lu" and "Song of Shang", a total of 40 articles. Among them, there are 31 articles of "Song of Zhou", which are believed to be works of the Western Zhou Dynasty, mostly written before King Zhao of Zhou and King Mu of Zhou; 4 articles of "Lu Song", which are thought to be the works of Lu Xun; "Shang Song" is believed to be a work of the Song Kingdom before the Spring and Autumn Period.

Endow, compare, and rejuvenate.

"Fu, Compare, Xing" is the expression of poetry. "Fu" is to state things directly, describing the process of an event. "Compare" is an analogy, using one thing as a metaphor for another. "Xing" is to associate one thing with another.

It is divided into three categories: "Wind", "Ya" and "Song": "Wind" has the style of 15 countries, "Ya" has "Daya" and "Xiaoya", and "Song" has "Song of Zhou", "Song of Lu" and "Song of Shang".

In addition to "The Book of Poetry, Zheng Feng, Zijin", "The Book of Poetry, Qin Feng, Pujia", "The Book of Poetry, Zhou Nan, Guan Ju", "The Book of Poetry, Zhou Song, Hee", "The Book of Poetry, Xiaoya, Caiwei", "The Book of Poetry, Weifeng, Shuoren" and other famous articles, there are also the following famous sentences:

1 "The Book of Poetry, Wei Feng Qi Ao".

Such as cutting, such as learning, such as grinding.

The original meaning of cutting and learning is to process bone and horn jade into utensils, and by extension, it is a discussion and study of knowledge. The original meaning of "pondering, grinding" refers to the fine processing of jade, which is a metaphor for the decoration of virtue or articles to make it exquisite.

2 "The Book of Poetry, Weifeng, Papaya".

Vote for me with a peach, and repay it with Qiong Yao.

Vote] here refers to gifting. Peach] is a peach. rebate. Qiong Yao] Meiyu.

3 "The Book of Poetry, Zheng Feng, Wind and Rain".

The wind and rain are like obscurity, and the roosters are crowing.

It was as dim as night. Ended.

4 "The Book of Songs, Xiaoya, Lu Woo".

Yo yo deer chirping, eating wild apples. I have guests, drummers and shengs.

呦呦 (yōuyōu) ] deer whine.

5 "The Book of Poetry, Xiao Ya Tang Tang".

Brothers are against the wall, and they are insulted from the outside.

The meaning of the whole sentence is that the brothers quarrel at home, but they resist foreign invasions and insults together. [阋 (xì)] quarrel.

6 "The Book of Poetry, Xiaoya, Che Xing (Jurisdiction)".

The mountains look up, and the scenery stops.

High Mountain] is a metaphor for moral exaltation. Jingxing] road, metaphorical behavior is bright and bright.

7 "The Book of Songs, Xiaoya, Crane Woo".

It is a stone of the mountain, which can be used to attack jade.

8 "The Book of Songs, Xiaoya, Xiaomin".

Trembling, as if facing the abyss, as if walking on thin ice.

Pro] came. Shoes] step on, go.

9 "The Book of Songs, Xiaoya Felling".

From the valley, moved to the arbor.

Glen] deep valley.

10 "The Book of Songs, Daya Dang".

There is no beginning, and there is an end.

There is no one. 鲜 (xiǎn)] less. g] can. The original sentence is to the effect that no one has a beginning for good, but it is rare to persevere to the end.

The wind of Feng Ya Song refers to the place of different regions**. The wind in the "Book of Songs" includes 15 regions such as Zhounan, Zhaonan, Shao, Hu, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Hui, Cao, and Feng.

What does the wind refer to?

The wind of Feng Ya Song, also known as the national style, refers to the folk songs from 15 different regions in the Book of Songs. The elegance of the wind and elegance refers to the ** of the area directly under the jurisdiction of the Zhou Dynasty, which is different from the wind as a folk song, and the elegance is a music song dedicated to court banquets and court meetings. Guofeng is the folk poetry of various regions from the beginning of the Zhou Dynasty to the Spring and Autumn Period, and it is also the essence of the Book of Songs, which is the source of Chinese realist poetry.

The national style includes "Zhou Nan", "Zhao Nan" and "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", "Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", "Chen Feng", "Junifeng", "Cao Feng", "Feng Feng", a total of 15 national styles, a total of 160 articles, reflecting the artistic achievements and emotional expression of the ancient Chinese nation.

Wind, elegance and ode refer to the three parts of the first collection of poetry in China, the Book of Songs.

1. The wind is a place in different regions**. The poems "Wind" are folk songs collected from 15 regions, including Zheng, Qi, Wei, Tang, Qin, Chen, Hui, Cao, and Feng. A total of 160 articles. Mostly folk songs.

2. Ya is the ** of the area directly under the jurisdiction of the Zhou Dynasty, that is, the so-called Zhengsheng Yale. The poem "Ya" is a musical song during a court banquet or court meeting. Except for a small number of folk songs in "Xiao Ya", most of them are works of aristocratic literati.

3. The song is the dance music and lyrics of the temple sacrifice, and the content is mostly to praise the achievements of the ancestors, all of which are the works of noble literati. From the perspective of time, most of the "Song of Zhou" and "Daya" were produced in the early Western Zhou Dynasty; A small part of "Daya" and most of "Xiaoya" were produced from the late Western Zhou Dynasty to the eastward migration; Most of the "National Style" and "Lu Song" and "Shang Song" were produced in the Spring and Autumn Period.

The so-called wind, elegance, and song refer to the three categories divided by ** in the Book of Songs.

"Wind" refers to the national style, that is, the folk songs of various countries in the Western Zhou Dynasty. "Ya" is the music song of King Jinggi of Zhou, King Jinggi of Zhou is called Xia by the Zhou people, and Ya and Xia are common in ancient times, so it is called. "Ya" is divided into big and small, which means similar to the big and small songs of later generations.

"Song" is the meaning of description and praise, and it is the music song of the ruler when he performed sacrifices.

The so-called endowment, comparison, and rejuvenation are the main expressions of the Book of Songs. "Fu" is the meaning of laying out, directly stating things, without metaphors. "Compare" is a metaphor, comparing the other with the other. "Xing" is association, touching the scene, and exerting because of things.

This artistic expression is the main visualization method of poetry creation, and has had a profound and far-reaching impact on the creation of poetry in later generations.

Who made the "Book of Songs", what are the wind, elegance, and song? Listen to Mr. Ji Lianhai talk about the real knowledge.

Wind, elegance, and ode are the genres of poetry, which originated from the Book of Songs, which is divided into three categories: wind, elegance and ode according to the different tunes

Wind, elegance and song refer to the three components of the first collection of poetry in China, the Book of Songs, which are classified according to the different regions and **. Together with the three artistic expressions of the Book of Songs, "Fu Bixing", they are collectively called "Six Meanings".

1. Wind. The wind is also called the national style, which is a place in different regions, with a total of 160 articles of fifteen national winds, most of which are folk songs, and a few are aristocratic works. The poems of "Wind" are folk songs collected from 15 regions, including Zhounan, Zhaonan, Shao, Hu, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Hui, Cao, and Feng.

3. Ode. Song is a dance song of the temple sacrifice, and the content is mostly to praise the deeds of the ancestors. The poems of "Song" are divided into 31 "Song of Zhou", 4 pieces of "Song of Lu", and 5 pieces of "Song of Shang", a total of 40 pieces.

All are the works of aristocratic literati. From the perspective of time, most of the "Song of Zhou" and "Daya" were produced in the early Western Zhou Dynasty; A small part of "Daya" and most of "Xiaoya" were produced from the late Western Zhou Dynasty to the eastward migration; Most of the "National Style" and "Ode to the First Song of Lu Xianju" and "Ode to Shang" were produced in the Spring and Autumn Period.

From the point of view of ideological and artistic value, the three songs are not as good as the two elegances, and the two elegances are not as good as the fifteen national styles.