What does the Song of Wind in the Book of Songs refer to?

According to the different tunes, it is divided into three categories: wind, elegance and song.

Wind. It's a different region of the place**. The poems of "Wind" are folk songs collected from 15 regions, including Zhounan, Zhaonan, Shao, Hu, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Hui, Cao, and Feng. A total of 160 articles. Mostly folk songs.

Elegant. It is the ** of the area directly under the jurisdiction of the Zhou Dynasty, that is, the so-called Zhengsheng Yale. "Ya" poems are the music songs of the court banquet or court meeting, and are divided into 31 "Daya" and 74 "Xiaoya" according to the difference of **, a total of 105 pieces.

Except for a small number of folk songs in "Xiao Ya", most of them are works of aristocratic literati.

All are the works of aristocratic literati. From the perspective of time, most of the "Song of Zhou" and "Daya" were produced in the early Western Zhou Dynasty; A small part of "Daya" and most of "Xiaoya" were produced from the late Western Zhou Dynasty to the eastward migration; Most of the "National Style" and "Lu Song" and "Shang Song" were produced in the Spring and Autumn Period. From the point of view of ideological and artistic value, the three songs are not as good as the two elegances, and the two elegances are not as good as the fifteen national styles.

The Book of Songs has a total of 305 articles, composed of three parts: wind, elegance and song, and there are various sayings about the interpretation of wind, elegance and song, which are generally considered to be divided according to **, because the poems of the Book of Songs were originally music songs, due to the different characteristics of the tunes, divided into three categories, after the score was lost, only the lyrics remained, what we see today is just the base of the lyrics of a music.

Wind, local tunes, this part of a total of 15 countries and regions of the tunes, called the style of 15 countries, a total of 160 articles, the content is folk songs, the wind of these 15 countries is: Zhou Nan (between Shaanxi, Henan), Zhaonan (between Henan and Hubei), Ye, Yong, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Juni, Cao, Feng Among them, Zhounan and Zhaonan are produced in the middle reaches of the Han River and the Yangtze River, and the rest are the middle and lower reaches of the Yellow River. Most of the styles of the fifteen countries were written from the eastward migration of the Zhou dynasty to the middle of the Spring and Autumn period, and most of them were folk songs.

"Ya" poem is the tune of Wang Ji of the Western Zhou Dynasty. Wangji, the capital area, is the Weishui Basin area, Yashi is the music tune of this region, the reason why this is so, there are two explanations: 1, Ya, the same as "Xia", Zhou called Wang Ji of the Western Zhou Dynasty "Xia" Yale is "Xia Le", Xia Le is Wang Ji music tune 2:

Ya, Zhengye, Yale is Zhengle, at that time called the place of the vassal state ** for the vulgar music, the capital of Zhou Tianzi is the center of the country, out of the concept of respecting the king, the music of Wang Ji is called "Zhengle" Both explanations can be understood. "Ya" poems are divided into big and small, and the big and small elegance are similar to the large and small songs of the later generations, and the big and small tunes, of which the small Ya is closer to the "national style" may be the Wangji place that has not been transformed by the aristocracy**. 31 articles for Daya and 74 articles for Xiaoya, a total of 105 articles.

Most are the work of the aristocracy, and a few are the people. Regarding the production date, most of the works of "Daya" are works of the early Western Zhou Dynasty, and a small part of "Daya" and most of the works of "Xiaoya" are works of the Western Zhou Dynasty.

Song", Song is a sacrificial religion, the content is divided into praise of the gods, the merits of the ancestors, 31 ode to the Zhou Dynasty, produced in the Wangji area, Weishui Basin, is the work of the early years of the Western Zhou Dynasty. There are 4 Lu songs and 5 Shang songs, all of which are works from the middle of the Spring and Autumn Period after the eastward migration, produced in the Lu State and the Song State (Song is the descendant of Shang).

The Book of Poetry is divided into 305 articles, which are produced in the areas of today's Shandong, Shanxi, Henan, Hebei, Shaanxi, and Hubei, and are written in about 500 years from the early years of the Western Zhou Dynasty to the middle of the Spring and Autumn Period.

Wind, Ya, and Song are the three parts of the Book of Songs, which are divided according to the different **. "Wind" consists of 15 parts, most of which are folk songs from the Yellow River Valley, called "The Wind of the Fifteen Kingdoms", with a total of 160 pieces. "Ya" is divided into "Xiao Ya" and "Da Ya", which is a court song, with a total of 105 pieces.

Wind, elegance and ode generally refer to the three parts of the first collection of poetry in China, the Book of Songs.

1. "Wind" is a place in different regions, mostly folk songs, a few are aristocratic works, and are folk songs collected from 15 regions such as Zhounan, Zhaonan, Shao, Hu, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Hui, Cao, and Feng.

2. "Ya" is the music song of the court banquet or court meeting in the Kyoto area of the Zhou Dynasty, and it is divided into "Daya" and "Xiaoya" a total of 105 articles according to the difference of **. "Daya" 31 articles, most of which are works for court banquets; "Xiaoya" has 74 articles, most of which are personal lyrical works. Except for a small number of folk songs in "Xiao Ya", most of them are works of aristocratic literati.

3. "Song" is the dance music and lyrics of the temple sacrifice, the content is mostly to praise the merits of the ancestors, divided into 31 articles of "Song of Zhou", 4 articles of "Song of Lu", 5 articles of "Song of Shang", a total of 40 articles. All are the works of aristocratic literati. From the perspective of time, most of the "Song of Zhou" was produced in the early Western Zhou Dynasty.

The verse of the wind number back key Yasong refers to the following:

1. "Wind" refers to the national style, that is, the folk songs of various countries in the Western Zhou Dynasty.

There are 15 groups in total, and "wind" is a general term for music. The 15 sets of national styles are not the music of 15 countries, but the music of more than a dozen regions. The national style includes the music songs of Zhounan, Zhaonan, Shao, Hu, Wei, Wang, Zheng, Hui, Qi, Wei, Tang, Qin, Feng, Chen, and Cao, with a total of 160 pieces.

2. "Ya" is the music song of King Jinggi of Zhou, King Jinggi of Zhou is called Xia by the Zhou people, and Ya and Xia are common in ancient times, so it is called. "Ya" is divided into big and small, which means similar to the big song and potato small song of later generations.

There are various points of view of Ya's understanding. One view is that it refers to the direct rule of the Zhou Dynasty, and "Ya" has the meaning of "Zheng", and this ** is regarded as "Zhengsheng", which is intended to show the difference from other places. It is also said that "Ya" is associated with "Xia", and Xia is the name given to the region directly ruled by the Zhou Dynasty.

There is also a view that elegance refers to elegance that everyone can understand.

3. "Song" is the meaning of describing and praising the praise, and it is the music song of the ruler when he performed sacrifices.

Song is a piece of music that worships ghosts and gods and praises the merits of the ruler in the family temple, and is performed with a dance. It is divided into "Song of Zhou", "Song of Lu" and "Song of Shang", a total of 40 articles. Among them, there are 31 articles of "Song of Zhou", which are believed to be works of the Western Zhou Dynasty, mostly written before King Zhao of Zhou and King Mu of Zhou; 4 articles of "Lu Song", which are thought to be the works of Lu Xun; "Shang Song" is believed to be a work of the Song Kingdom before the Spring and Autumn Period.