How do you convert the tones in the guzheng? Please, 3Q

Let's take a simple example. For example, the song Peacock Flying Southeast is in the key of F, and we are going to tune it to the key of F now. Turn the tuner on, Automatic Project Selection:

There is this item, "auto" is a fixed mode when D and G are tuned, and the other keys use the "project selection" item, after adjusting here, there is the "manual" item, manual and automatic are two relative concepts, right? Press "Manual" and the LCD will display symbols such as "A", "B", "C", "D", "E", "F", "G" and "D", "F", "C", "A", "AB", etc. Now it's time to tune in.

Press the "Manual" item, when the LCD is displayed as "D", the first string is tuned, and the highest and lowest notes in F are both of the D frequency.

D key: The one above the colored string is in D key"Mi"tone. And the key of G:

The string above the colored string is in the key of G"Pyridox"tone. In the key of D to the key of G, you just have to move the yard of that string to the right until it hits"Pyridox"So far, G to D is also to move the yard to the right. Wish.

The original tone of the guzheng is the key of D.

Guzheng D to F key.

Convert D to G by moving strings 4, 9, 14, and 19 (the note on the string is the 3 of the low, low, middle, and high registers of D) to the right to the minor second to 4 notes, which is also equal to 1 note of G, and the scale is all in G key.

The commonly used 21-string guzheng standard string is set in the key of D. To switch from D to G, simply raise all 3 tones in the D tone column by semitones. Similarly, if all 3 tones in the G tuning column are raised by semitones, it is the C key.

Accordingly, if you convert the D-key guzheng to C, you can convert D to G in the first step and G to C in the second step.

On the basis of the C key, the strings 5, 10, 15, and 20 of the Zheng code (the note on the string is the 3 of the lower register, lower register, middle range, and high register of the C key) can be shifted to the right to the minor second to 4 tones, and the scale is all in the key of F. In the same way, raising all 3 tones in the C tuning column by a semitone is the F key. That is, first from D to G, then from G to C, and then from C to F.

The saddle of the string is shifted to the right. The first string of the F scale (one string does not move) is changed from the original treble 5 to treble 6, and the 2nd string is moved to the right to treble 5Hear mainly by your ears.

D key and the commonly used one is G to G to G:

Move strings 4, 9, 14, and 19 by half a note to the right, i.e. raise all the 3s in D to 4 in D. After the transposition, the original 4 in D (which is the string position of the Zhengma that has just shifted to the right) becomes 1 in the new key of G, and the rest of the scales are analogous. Hehe, now you can also buy a transposition kite, there is a transposer, and you can transpose it by turning it.

When D is transferred to C, the right is shifted to the right, and the difference between the adjacent keys is a small two, that is, the 3 (mi) tone of the previous key is fixed to 4 (fa), then the 4 (fa) of the original key is equal to the 1 (do) tone of the next key. Adjust D to G, and then turn 3 to 4 in G.

The pitch order is 2 1 6 5 3, and the C pentatonic scale: d-e-g-a-c (2-3-5-6-1).

The method of transposing the guzheng in the playing is as follows:

Guzheng is a pentatonic scale to set the strings, and the commonly used keys are to "shift the column" to achieve the purpose of "transposing". The order of modulation of the commonly used keys of the guzheng is as follows: f <-b <-e <-a <-d --g --c --f --bb --bed is the basic key.

Move all the do tones in D key in the direction of Houyueshan, lower the semitone and become si, and this si becomes the mi of the new key A, and the change from D to A is completed;

In the same way, from A to E, from E to B, from B to F, it is necessary to first find the DO tone of the original first key, lower the DO tone group, move all the Zheng blocks of the DO tone group to the direction of Houyue Mountain, reduce the semitone into the SI tone, and the tone becomes the MI tone of the transposed scale, so that it is transferred to the new key.

Put the mi note in the pentatonic scale in the key of d, that is, the first.

Four, nine, ten.

Fourth, the nineteen-string zither code moves in the direction of Qianyue Mountain, and the raised semitone becomes the fa tone, which becomes the main tone of the G key after transposition, and becomes the pentatonic scale of the G key, and the D key to the G key is completed;

In the same way, from G to C, C to F, F to BB, and BB to Be, it is necessary to find the mi tone in the original key, move all the Zheng yards of the mi tone group in the direction of Qianyue Mountain, raise the semitone into the fa tone, and as the DO tone of the new key, the transposition is completed.

The phonemic arrangement of the guzheng is arranged according to the fifth scale (12356), and the standard string of the 21-string guzheng commonly used at present is set to the key of d, the lowest note is set to the large character group d, and the highest note is set to the small character three groups of d (d3).

D Tone Arrangement (21 strings - 1 string from low to high) Order:

Bass 1 (d), Bass 2 (E), Bass 3 (f), Bass 5 (a), Bass 6 (b).

Bass 1 (d), bass 2 (e), bass 3 (f), bass 5 (a), tone 6 (b).

Alto 1 (D1), Alto 2 (E1), Alto 3 (F1), Alto 5 (A1), Alto 6 (B1).

Treble 1 (D2), Treble 2 (E2), Treble 3 (F2), Treble 5 (A2), Treble 6 (B2).

Treble 1 (d3).

Note: The corresponding sound names in () are the corresponding sound names.

The above D scale is the most basic key that beginners should master first.

The method of guzheng transposition is to transpose by moving the zither code. If you change from D to G, you only need to raise all 3 tones in the D tuning column by semitones, and then the G key phoneme arrangement (21 strings - 1 string from low to high) is as follows:

Subwoofer 5, Subwoofer 6

Bass 1, Bass 2, Bass 3, Bass 5, Bass 6

Bass 1, Bass 2, Bass 3, Bass 5, Bass 6

Alto 1, Alto 2, Alto 3, Alto 5, Alto 6

Treble 1, treble 2, treble 3, treble 5

If all 3 tones in the G tuning column are raised by semitones, it is the C key, and its scale is arranged as:

Bass 2, Bass 3, Bass 5, Bass 6

Bass 1, Bass 2, Bass 3, Bass 5, Bass 6

Alto 1, Alto 2, Alto 3, Alto 5, Alto 6

Treble 1, treble 2, treble 3, treble 5, treble 6

Tweeter 1, Treble 2

If all 3 tones in the C tuning column are raised by semitones, it is the F key, and its scale is arranged as:

Subwoofer 6x Bass 1, Treble 2, Bass 3, Bass 5, Bass 6

Bass 1, Bass 2, Bass 3, Bass 5, Bass 6

Alto 1, Alto 2, Alto 3, Alto 5, Alto 6

Treble 1, treble 2, treble 3, treble 5, treble 6

If all 3 tones in the F tuning column are raised by semitones, it is B flat, and the scale is arranged as:

Bass 3, Bass 5, Bass 6

Bass 1, Bass 2, Bass 3, Bass 5, Bass 6

Alto 1, Alto 2, Alto 3, Alto 5, Alto 6

Treble 1, treble 2, treble 3, treble 5, treble 6

Tweeter 1, tweeter 2, tweeter 3

At present, the guzheng cannot be transposed at will, and the above transpositions are carried out in the relationship modulation.

D key: The one above the colored string is in D key"Mi"tone. And the key of G:

The string above the colored string is in the key of G"Pyridox"tone. In the key of D to the key of G, you just have to move the yard of that string to the right until it hits"Pyridox"So far, G to D is also to move the yard to the right.

The modulation of the guzheng refers to raising or lowering the original key to change it into another key. Specifically, the pitch positions of the 21 strings were rearranged.

Guzheng is a pentatonic scale to set the strings, and the commonly used keys are to "shift the column" to achieve the purpose of "transposing". Put the "3" (mi) sound in the D pentatonic scale, i.e. the first.

Four, nine, ten.

The 4th and 19th strings move in the direction of the mountain in the direction of the front mountain through the zither yard, raising the semitone (fa), and as the main note of the G key, "1" (do), it becomes the pentatonic scale of the G key. In the same way, you can convert G to C. Please refer to the table below

Chart 1: List of the D tuning positions of the twenty-one string guzheng.

Figure 2: List of G tuning positions of the twenty-one string guzheng.

The "3" (mi) sound in the G pentatonic scale is the first.

II. VII. X.

2. The seventeenth string moves in the direction of Qianyue Mountain through the Zheng yard, raising the semitone, and as the main note of the C key, "1" (do), it becomes the pentatonic scale of the C key. Please refer to the table below

Figure 3: List of twenty-one string guzheng C tuning positions.

If it is said that you have learned to switch from G to D, then it means that you have already played to level 5 and are starting to level 6. By studying from level 1 to level 5, the ear sound should be good. Transposition is the focus of Level 6, so you need to practice more.

It's the ear sound. There are no more tricks, just practice more and listen more.

The method of transposing the guzheng in the playing is as follows:

The modulation of the guzheng refers to raising or lowering the original key to change it into another key. Specifically, the pitch positions of the 21 strings were rearranged.

Guzheng is a pentatonic scale to set the strings, and the commonly used keys are to "shift the column" to achieve the purpose of "transposing". Put the "3" (mi) sound in the D pentatonic scale, i.e. the first.

Four, nine, ten.

The 4th and 19th strings move in the direction of the mountain in the direction of the front mountain through the zither yard, raising the semitone (fa), and as the main note of the G key, "1" (do), it becomes the pentatonic scale of the G key. In the same way, you can convert G to C.

Guzheng usually uses a close relationship transposition, that is, the relationship between two tones is only one sharp or one falling tone.

Guzheng is a pentatonic scale to set the strings, and the commonly used keys are to "shift the column" to achieve the purpose of "transposing". The order of transposition of the commonly used tonal of the guzheng is as follows: f

b<--

e<--

a<--

d---g---

c---f---

The BB---bed key is the basic tone.

Move all the do tones in D key in the direction of Houyueshan, lower the semitone and become si, and this si becomes the mi of the new key A, and the change from D to A is completed; In the same way, from A to E, from E to B, from B to F, it is necessary to first find the DO tone of the original first key, lower the DO tone group, move all the Zheng blocks of the DO tone group to the direction of Houyue Mountain, reduce the semitone into the SI tone, and the tone becomes the MI tone of the transposed scale, so that it is transferred to the new key.

Put the mi note in the pentatonic scale in the key of d, that is, the first.

Four, nine, ten.

Fourth, the nineteen-string zither code moves in the direction of Qianyue Mountain, and the raised semitone becomes the fa tone, which becomes the main tone of the G key after transposition, and becomes the pentatonic scale of the G key, and the D key to the G key is completed; In the same way, from G to C, C to F, F to BB, and BB to Be, it is necessary to find the mi tone in the original key, move all the Zheng yards of the mi tone group in the direction of Qianyue Mountain, raise the semitone into the fa tone, and as the DO tone of the new key, the transposition is completed.

You can quickly shift the frame, but at most move one or two, for example, sometimes C to G or D to G to an octave only need to move one... There are many restrictions on fast frame shifting, and it is generally not possible to transfer. Either press the strings to transpose, press the strings with the left hand to raise the specific note, and the hand is faster.

Think about how that could be. Guzheng modulation needs to tune the piano yard, string shaft, and listen to the pitch is right, how to do it without stopping?

Who told you that you can transpose while playing the guzheng? If you don't understand it, it's just **.

Fast frame shifting. It has to be very fast and the amplitude is accurate. If the yard falls, it will be miserable! I've done it! Don't listen to the nonsense from upstairs!

It is recommended to use a tuner for beginners, and the ears will naturally hear it after turning too much.

Guzheng transposition method: (The following string order, with the thickest as the one.)

The first string) D tuning of the zither is 12356 for each octave (1st to 5th strings as an example).

D to G – Move the saddles of the first string towards Yueshan, and all four strings are raised by semitones, and the scale of each octave becomes 56123.

D to C - Move the first string to Yueshan, and all eight strings are raised by semitones, and the scale of each octave becomes 23561.

D to A – Move the saddle of the first string towards the tail of the zither, and all four strings are lowered by semitones, and the scale of each octave becomes 35612.

D to A is generally used on G to Kither, and G to D is first converted, and then the method in the previous paragraph is used. I haven't tried this method on the D tuning.

If I need other ways to convert the key, I can add that.

D key: Each green string is a staff "5".

G: Tighten each "3" in D to "1".