Famous sentences for children fishing, poems for children of fishing

Kid fishing. The unkempt child learns to hang Lun, and sits on the side of the berry moss.

Passers-by beckoned by asking Yao, and they were so frightened that they were shocked.

The Tang Dynasty poet Hu Lingneng's "Children's Fishing" is like a beautiful hibiscus out of the water, without gorgeous colors and deliberate carvings, revealing a bit of innocence and infinite childlike fun in the plain and easy narrative.

The first and second sentences focus on the writing form, and the third and fourth sentences focus on expressiveness. The poet does not whitewash the appearance of this fishing child, and writes directly about the original face of the unkempt hair of the mountain child, which makes people feel natural and lovely, real and credible. "Sitting sideways" means to sit down at will.

From this, you can also imagine the scene of children focusing on fishing without any informality. "Grass Reflection" is not only a portrait of children, but also a foreshadowing for the next sentence of "passers-by asking". Because passers-by asked him, because they could see him.

The subject of "remote beckoning" in the last two sentences is still a child. The reason why he wanted to use action instead of answering was because he was afraid of startling the fish away. His gesture is "waving from afar", indicating that he is not indifferent to the questioning of passers-by.

As for how he whispered to the "passer-by" after "beckoning", that was something in the reader's imagination, and the poet had no need to explain, so after explaining the reason for "beckoning from afar", the poem came to an abrupt end. This poem depicts the children's fishing expressions vividly and vividly, full of life, and can be called a masterpiece!

The unkempt child learns to hang Lun, and sits on the side of the berry moss.

Passers-by beckoned by asking Yao, and they were so frightened that they were shocked.

This is a poem about children's lives. In Tang poetry, there are very few subjects written about children, so they are valuable. The first and second sentences focus on the writing form, and the third and fourth sentences focus on expressiveness.

"Lun" is fishing wire, and "Lun" is the "fishing" in the title, that is, fishing. The poet does not whitewash the appearance of this fishing child, and writes directly about the unkempt hair of the mountain child, which makes people feel natural and lovely, real and credible. "Sitting sideways" means to sit down at will.

This can also be imagined as a child concentrating on fishing without any formality. "Berry moss" refers to the lower plants that grow in the shade and damp places close to the ground, from the "berry moss" can not only know that the place where children choose to fish is in the place where the sun is rare and people are rarely reached, but also an ideal fishing place where the fish are not frightened and people are not exposed to the sun, which paves the way for the later "afraid of the fish". "Grass Reflection" is not just a portrait of children, it is structural, and it has a direct relationship with the "passer-by borrowing and asking" in the next sentence - passers-by ask him because they can see him.

The subject of "remote beckoning" in the last two sentences is still a child. The reason why he wanted to use action instead of answering was because he was afraid of startling the fish away. His gesture is "waving from afar", indicating that he is not indifferent to the questioning of passers-by.

After he "beckoned", how he whispered to the "passerby" was something in the reader's imagination, and the poet had no need to explain, so after explaining the reason for "waving from afar", the poem came to an abrupt end.

Through the above brief analysis, it can be seen that although the first two sentences focus on the posture of children, "side sitting" and "berry moss" are not simple depictions of the scene; Although the last two sentences focus on the child's expression, there is still a vivid pen and ink describing the action in the third sentence. It is a masterpiece that blends scenes and depicts children with both form and spirit.

Hu Lingneng is unkempt and childish, and sits on the side of the berry moss.

Passers-by beckoned by asking Yao, and they were so frightened that they were shocked.

Children's Fishing Hu Lingneng.

The unkempt child learns to hang Lun, and sits on the side of the berry moss.

Passers-by beckoned by asking Yao, and they were so frightened that they were shocked.

Fishing children's verses: unkempt children learn to weeping, and sit on the side of the berry moss. Passers-by beckoned by asking Yao, and they were so frightened that they were shocked.

From the ancient poem "Children's Fishing", it is a poem written by the Tang Dynasty poet Hu Lingneng. This poem describes the scene of a child concentrating on fishing by the water's edge, and through the description of typical details, it reproduces the serious, innocent childlike innocence and childlike fun of children very vividly.

Translation: A small child with unkempt hair is learning to fish, sitting sideways on the moss, with the green grass reflecting his figure. When someone asked for directions, he beckoned his little hand from afar, because he didn't dare to answer loudly, lest the fish be scared away.

Appreciation of ancient poems:

When the passer-by asked, the child was afraid to answer the startled fish, and beckoned from afar. This is to portray children from the action and psychological aspects, scheming, strategic, alert and intelligent. The reason why the child wants to use action instead of answering is that he is afraid of scattering the fish.

The child's action is "waving from afar", which shows that the child is not indifferent to the questions of passers-by.

After the child "beckoned", how to whisper to the "passerby" was something in the reader's imagination, and the poet had no need to explain, so after explaining the reason for "beckoning from afar", the poem came to an abrupt end.

This poem is written about children's fishing, which is very interesting. There are no gorgeous colors in the poem, no deliberate carving, just like a beautiful hibiscus out of the water, revealing a bit of innocence, infinite childlike fun and some concentration in the plain and easy narrative.

Pediatric Fishing Don Hu Lingneng.

The unkempt child learns to hang Lun, and sits on the side of the berry moss.

Passers-by beckoned by asking Yao, and they were so frightened that they were shocked.

The poem describing the child's fishing is most famous, the unkempt child learns to hang the lun, and sits on the side of the berry moss. Passers-by beckoned by asking Yao, and they were so frightened that they were shocked.

Children's fishing [Tang].

Hu Lingneng is unkempt and childish, and sits on the side of the berry moss.

Passers-by beckoned by asking Yao, and they were so frightened that they were shocked.

Unkempt: The appearance of unkempt hair. Child:

Young, ignorant children. Hanging Lun: Hanging with a silk line for fishing, referring to the fishing side sitting:

Refers to sitting on the floor at will. Berry moss: refers to plants such as wild grasses and mosses that grow close to the ground in shady and humid places.

Ying: Shaded. Borrow ask:

Ask someone. Beckoning: Waving your hand from afar.

No one: no one.

A child with unkempt hair is learning to fish by the river, and sits casually on the grass by the river. Passers-by asked him for directions, but he hurriedly waved his hand from a distance, but he didn't answer because he was worried that the fish would be frightened and run away.