1. What is a lyric poem and what does a lyric poem mean Explanation of lyric poetry

It has been 3,000 years since the birth of Chinese poetry, but there has been a long process of development, stereotyping and rhythmic poetry in the poetic style.

Lyric poetry is also known as near-style poetry and modern poetry. In the Tang Dynasty 1,300 years ago, the poetic genre was gradually produced and stereotyped; Pay attention to the fixed number of words, sentence structure, leveling, rhyme, battle and sticking rules. From the five-character poems and seven-character poems of the Han and Wei dynasties, they gradually formed a neat form, and only evolved into mature rhythmic poems about 700 years in the early Tang Dynasty.

They have their aesthetic standards such as structural beauty, musical beauty, language beauty, artistic conception beauty, etc., and since the Tang Dynasty, there have been many chanters and have endured.

The so-called rhythmic poetry is a poetic style that pays attention to sound rhythm. Each sentence with five words is called five words, and those with seven words are called seven words. The lyric is composed of five and seven sentences; The five-word rhythm poem tube is called the five laws, the seven-word rhythm poem tube is called the seven laws, each poem has eight sentences, and the more than eight sentences are called the row rhythm, also known as the long law.

In addition, there are six-word poems, eight-word poems, etc., but there are very few people who write them, and the vast majority of poets are prevalent in writing five-word and seven-word poems, which may be considered from the perspective of sexuality.

Second, the format of the flat.

There are basically four kinds of rhythmic poems that pay great attention to the rhyme of the metrics

1. Equal into the rhyme rhythm of the blue wave eagle Bao Dezhen pen.

Ping Ping, Raise your head straight up to the colorful clouds, Ping Ping Ping, For knowing the sky and not hearing it, Ping Ping. Fight the sky with great spirit. It's mediocre. Silently always cultivated.

Peaceful, rainstorm, fearless, peaceful, peaceful, peaceful, Thunder and lightning are even higher. It's mediocre. Shocked Wuyue clouds.

Flat and flat, sharp hooks and claws like sharp knives, Ping Ping Ping, Ping Ping, Fiery eyes like bayonets. It's mediocre. To the moon.

Ping Ping Ping, A majestic and majestic, Ping Ping, Mo Hai set off wild waves, Ping. How can the rotting rats in the world abscond? It's mediocre. Co-authored with you.

2. Equal and not rhymed with the rhythm of Bao Dezhen, Lei, Bibo, Xifu Dajiang interception.

Pingping, Gongs, Rain, Drums, Pingping, Pingping, Three Gorges, Pingping, Pingping. Breaking through the gates of heaven is angry. It's mediocre. The sound shook the sky.

Straight down to Qinhuai and Wanling, Leader Ambition, Peaceful. Swallow Wu Chu and plunder thousands of forests. It's mediocre. The center commands the attack.

Ping Ping, escaped Shuo Rats should know the mistake, Ping Ping Ping, All the people shook their iron arms, and they were peaceful. Luckily, the greedy man Mo Ziqin. It's mediocre. A dam locks the dragon.

It's a lot of peace, and then it's a good tune, and it's a good thing, and it's a lot of power, and it's a lot of power. Success is yet to be heard. It's mediocre. The torrent slowly moves eastward.

What are quatrains and rhythmic poems.

1. Interpretation: Lyric poetry is a genre of Han poetry popular in the Tang Dynasty, which belongs to a kind of near-style poetry, and is named because of the very strict requirements of the rhythm. There are three common types: five-law, seven-law, and arrangement.

Lyric poetry is a precious treasure of Han literature, and it is of great significance, and there are generally a few words to say.

2. Characteristics: Rhythmic poetry originated from the Southern Dynasty Qi Yongming Shen Yue and other new style poems that pay attention to sound rhythm and duality, and began to appear in the early Tang Dynasty in the generalized five laws, and the Shen Yan period in the Wu and Zhou dynasties, the Song Dynasty and the Song Dynasty stereotyped the narrow seven laws, which matured in the middle and late Tang dynasties. Lyric poetry requires the number of words in the poem to be uniform, and each poem is five words and seven words respectively, referred to as five rules and seven laws.

The usual lyric verses stipulate 8 verses per poem. If there are more than 8 sentences, that is, more than 10 sentences, it is called a row or a long law. It is customary to call the first couplet (the first couplet), the second couplet is the jaw couplet, the third couplet is the neck couplet, and the fourth couplet is the final sentence (tail couplet).

Every song. The upper and lower sentences of the second and third couplets (i.e., the jaw couplet and the neck couplet) are used to be battle sentences. In addition to the first and last two couplets, the middle couplets must be in the upper and lower sentences. Lyric poems require a rhyme throughout the poem, and lyric poems usually rhyme flat; Clause.

Two, four, six, and eight sentences rhyme, and the first sentence can be rhymed or not. Broad rhythmic poems are allowed to lose stickiness, and narrow rhythmic poems are not allowed to lose stickiness. There are two types of "Qi Qi" and "Ping Qi". In addition, the metrical requirements of the lyric poems also apply to quatrains.

In the Tang Dynasty, the poetry was also known as the near-style poetry. The Tang people used to use the lyric poem as the general term for near-style poems, and near-style quatrains were also included, and they were later divided.

Lyric poetry is a genre of Han poetry popular in the Tang Dynasty, which belongs to a kind of near-style poetry, and is named because of the very strict requirements of the rhythm. The common types are the Five Laws and the Seven Laws, which generally have a few words to say a few words. The generalized rhyme is very inclusive, it allows the existence of paradox, and allows the three tails.

For example, Cui Hao's "Yellow Crane Tower" is a typical representative. The narrow rhythm of poetry is very strict, and there are strict rules in terms of words, rhymes, flatness, and battles.

Lyric poetry originated from the new style poems of Shen Yue and other new styles of poetry that paid attention to sound rhythm and confrontation during the Qi Yongming period of the Southern Dynasty, and further developed and stereotyped in the early Tang Dynasty and Song Dynasty, and prevailed in the Tang and Song dynasties.

Lyric poems usually have eight lines each, and if they exceed eight lines, they are called rows or long rhythms. The poem that ends in eight lines is divided into a couplet for every two sentences, which is a four-couplet. It is customary to call the first joint the first joint, the second joint the jaw joint, the third joint the neck joint, and the fourth joint the tail joint.

The upper sentence of each couplet is called the outgoing sentence, and the next sentence is called the couplet, and the two sentences constitute the couplet relationship; The relationship between the couplet of the preceding couplet and the outgoing sentence of the posterior couplet is called the adjacent sentence relationship.

The number of words in the sentences of the poem is uniform, and each sentence is either five words or seven words, which are respectively called five-word poems and seven-word poems. The five laws stipulate five words per sentence, and the whole head has a total of four crosses; The Seven Laws stipulate that each sentence is seven characters, and the whole poem is fifty-six characters in total. There are also six characters per sentence, and the whole poem is forty-eight words, which is called a six-character poem, and there are very few works handed down.