Li Qingzhao s words are as short as possible In order to deal with the teacher, please help Thank yo

Words are like dreams.

I often remember the twilight of the Creek Pavilion, I am drunk and do not know the way back, I return to the boat at night, and I strayed into the depths of the lotus flower.

Fighting, fighting, startling a shoal of gulls and herons.

Li Qingzhao "Slow Voice, Looking for and Seeking"-

Looking for and seeking, cold and lonely, miserable and miserable. When it's warm and cold, it's the hardest to breathe. Three glasses and two light wines, how can he be in a hurry? The geese are also sad, but they are old acquaintances.

The yellow flowers are piled up all over the ground, haggard and damaged, who can pick them now? Guarding the window alone, how can you be born dark! Sycamore is more and drizzle, to dusk, bit by bit. This time, what a sad word!

Purse your lips. Lonely and deep, soft intestines are sorrowful.

Cherish the spring and spring, and what time is it to urge flowers and rain.

Leaning all over the bar, it's just emotionless!

Where are the people? Even the sky is declining, and the way back is cut off.

Purse your lips. Kick off the swing and get up and straighten your slender hands.

Lunon is thin, thin and sweaty, and light and transparent.

When he saw someone coming, he slipped away with a sock shovel and a golden hairpin, and walked away with shame.

Leaning on the door and looking back, he sniffed the green plums.

Like a dream. Last night, the rain was sparse and the wind was sudden, and the heavy sleep did not kill the wine.

I tried the curtain people, but the begonias were still the same.

Did you know? Did you know?

It should be green, fat, red and thin.

Personally, I think it's very short

Qingpingle In the snow every year, he often gets drunk with plum blossoms, and has no good intentions to kill plum blossoms, and wins full of tears!

This year, Xiao Xiao has two temples.

Look at the late wind, so it should be difficult to see plum blossoms.

Like a dream, I often remember the twilight of the Creek Pavilion, and I don't know the way back.

Returning to the boat at night, he strayed into the depths of the lotus flower.

Fighting, fighting, startling a shoal of gulls and herons.

Wood floats gently in the water, and the sky rises in the sky.

It is plain, transparent and cool, and hazy at the beginning. The sun is hidden in the clouds for a while, and the time is in a hurry. Seven days and five days lingering, wandering, the wind swept red. Dreams also go, looking at the west window, the years can pick the sycamore.

A remnant lotus is overwhelmed, the warmth is still there, but the eyes are cold and stagnant! I feel sorry for the breeze, and my eyes are full of sadness and hatred! The red plum is decorated with white snow, dyed in early spring, and falls and melts. This time, how can there be a wisp of lovesickness?

"Slow Voice".

Dissolving, hazy, cool and empty. The clouds are hidden for a while, and things are changed in a hurry. Seven days and five nights lingered, wandering, the wind swept red. Dreams also go, looking at the west window, the years can pick the sycamore.

A pool of residual lotus pours into autumn, frost eyes are stagnant, but the residual temperature is getting colder! I feel sorry for the breeze, and my eyes are full of hatred and sorrow! The red plum is decorated with white snow, dyed in early spring, and falls down. This time, how can there be a wisp of lovesickness?

Even if the balance in the sentence is ignored, the balance and rhyme at the end of each long sentence still have to be rhymed; In addition, in the same poem, unless it is specially arranged to achieve a certain effect, the repetition of words should be avoided as much as possible, such as "day hidden" and "five days", "one moment" and "fear of time"; I won't say much about the rest of the changes, you can look at it and feel whether the artistic conception is appropriate

The most classic overlapping part of the preceding part does not rhyme.

rhyming in the original text.

It still needs to be modified. The other parts are good, or pay attention to the problem of leveling.

Li Qingzhao's most famous words are "A Cut of Plums".

Li Qingzhao (March 13, 1084 - May 12, 1155), known as Yi'an Jushi, Han nationality, was a native of Zhangqiu, Qizhou (now Zhangqiu, Shandong). The female lyricist of the Song Dynasty (the turn of the two Song Dynasty), the representative of the graceful word school, is known as the "first talented woman in the ages".

Born in a scholarly family, she had a prosperous early life, and her father, Li Gefei, was a wealthy book collector, and she laid a literary foundation in a good family environment when she was a child. After getting married, he and her husband Zhao Mingcheng worked together to collect and sort out calligraphy and paintings. When the Jin soldiers entered the Central Plains, they lived in the south and were lonely.

The lyrics are mostly written about his leisurely life in the early stage, and lamenting his life experience in the later stage, and the mood is sentimental. In terms of form, he makes good use of white drawing techniques, and finds his own way to set sail in the year, and the language is clear and beautiful. The Analects emphasize harmony, advocate elegance, put forward the theory of "not being a family", and oppose the method of composing poems and essays.

Noh poems, not much remains, some of the chapters are time-sensitive, and the words are generous, which is different from its style of words.

There are "Yi'an Jushi Anthology" and "Yi'an Ci", which have been dispersed. Later generations have a compilation of "Shuyu Ci". Today, there is "Li Qingzhao's Collection of Proofnotes".

Zhongyuan imitation name: Li Qingzhao.

Alias: Yi'an Jushi.

Nationality: Song Dynasty.

Nationality: Han nationality.

Place of birth: Zhangqiu, Qizhou (now the mountain to accompany the East Zhangqiu).

Date of birth: March 13, 1084.

Date of death: 12 May 1155.

Profession: Poet, lyricist and stupid.

Main achievements: poetry creation, poetry theory.

Representative works: "Slow Voice, Seeking and Seeking", "A Cut of Plum, Red Lotus Fragrance and Jade Residue in Autumn", "Summer Quatrain", etc.

Spouses: Zhao Mingcheng, Zhang Ruzhou.

Li Qingzhao Hengxian (March 13, 1084 - May 12, 1155), known as Yi'an Jushi, Han nationality, was a native of Zhangqiu, Qizhou (now Zhangqiu, Shandong). The Song Dynasty (the turn of the two Song Dynasty) female lyricists, the representative of the euphemistic word school, is known as "the first talented woman in the ages". Douchang.

1 I am afraid of the Shuangxi boat, and I can't carry a lot of sorrows.

2 The word "frightened" not only implicitly describes the speed of the boat, but also vividly describes the panicked state of the gulls and herons perched on the small island.

3 Previous song: Happy, cheerful, love of life; The latter song: sadness, sorrow, loneliness and loneliness.

Just do it).

<>1) The three sentences are all expressing the hostess's sadness and boredom, loneliness and sadness, but each has its own emphasis, the first sentence writes the demeanor, the second sentence writes the environment, the third sentence writes the mood, the second source is next to the third sentence, and the third sentence is the result of the first sentence "looking for and seeking". miserable and miserable, I felt it in my heart and entered a sad situation". These three sentences alone set a sad and poignant tone. (The words "seek, seek, seek" are used to reflect the state of mind that is lost.)

The environment is lonely, the mood is empty, there is no discharge, there is no sustenance, as if something has been lost. "Cold", the four characters not only refer to the environment, but also allude to the mood, or in other words, infected by the environment to the mood, from the outside to the inside. Then "miserable and miserable relatives" is purely a depiction of inner feelings.

2) It is a unique way to use the sentence "how can I get a sad word" to collect hail and accompany the oak. Since Gengxin, poets have written about sorrow, most of which are extremely much. Here, he turned more into less, and only said that his thoughts were vast and complex, and how to cover them with only one word "sorrow".

Miao does not explain what mood there is in addition to the word "sorrow", that is, it ends abruptly. On the surface, there is a trend of "wanting to talk about it", but in fact it has been poured out.