Drunken Penglai A brief introduction to Chaoyun, information about TA

Drunken Penglai - Author Huang Tingjian Huang Tingjian (1045-1105) was a poet, lyricist, and calligrapher of the Northern Song Dynasty. The word is straight, the number is Fu Weng, and the number is the valley Taoist. Originally from Jinhua (now Zhejiang), his ancestors moved to Fenning (now Xiushui, Jiangxi), so he was a native of Fenning.

Zhiping was a four-year jinshi and was awarded the rank of Ye County Lieutenant. Xiningwu was a professor at Guozijian in Beijing (now Daming, Hebei). Yuanfeng knew Taihe County in Jizhou for three years (now Taihe, Jiangxi).

Zhe Zongli was called as the secretary Lang. In the first year of Yuanyou, he was the reviewer of the "Records of the Divine Sect", edited the "The Records of the Divine Sect", moved the book to Zuolang, and added the school management of Jixian. Shi Zhang Lei, Qin Guan, and Chao Bu were all masters of Beijing, and they traveled to the gate of Su Shi with Ting Jian, and were known as the "Four Bachelors of Sumen".

The Records of the Divine Sect were completed and promoted to the living house. Zhezong was pro-government, and was degraded to Fuzhou (now Fuling, Chongqing) and resettled in Qianzhou (now Pengshui, Chongqing) on the charge of repairing the truth and making false records. Shaosheng moved to Rongzhou (now Yibin, Sichuan) in the fourth year.

In the first year of Chongning, he moved to Taiping Prefecture (now Dangtu, Anhui), and was dismissed after nine days in office, and was in charge of Hongzhou Yulongguan. The following year, he was removed from the list of Yizhou (now Yishan, Guangxi). Chongning four years, died in the debasement, at the age of sixty-one, Mr. Wenjie.

History of the Song Dynasty. He is especially good at poetry, and is called "Su Huang" with Su Shi. His poems mostly write about personal daily life, pay attention to rhetoric and sentence formation in art, and pursue novelty.

Gong calligraphy, and Su Shi, Mi Fu, Cai Xiang and called "Song four". He is the author of 30 volumes of "Mr. Yu Zhang's Anthology" and 3 volumes of "Valley Qin Fun External Edition". "The Whole Song Ci" contains more than 190 poems.

The Supplement to the Whole Song Dynasty received two more poems from "Shiyuan".

Drunk Penglai - Original text Towards the clouds, the twilight rain is slight, and the peaks are leaning on each other. Wuxia Gaotang, lock Chu Palace Zhucui. Painting halberds to move spring, beautiful makeup to welcome horses, to a Sichuan metropolis.

Thousands of miles into the wilderness, a hanging shadow, what a joy! Go all the way to Qiannan, go to Tianqi Five, look at the extreme Shenzhou, and ten thousand heavy smoke and water. Bottle wine hall, there are Chinese and Korean Jiashi.

The lychee cheeks are red and deep, the musk navel is fragrant, and the drunken dance is singing. Du Yu's voice is urging people to know, it is better to return.

To the clouds, the twilight rain is slight, and the chaotic peaks are leaning on each other. Wuxia Gaotang, lock Chu Palace Zhucui. Painting halberds to move spring, beautiful makeup to welcome horses, to a Sichuan metropolis.

Thousands of miles into the wilderness, a hanging shadow, what a joy! Go all the way to Qiannan, go to Tianqi Five, look at the extreme Shenzhou, and ten thousand heavy smoke and water. Bottle wine hall, there are Chinese and Korean Jiashi.

The lychee cheeks are red and deep, the musk navel is full of fragrance, and the drunken dancing and singing are triumphant. The sound of Du Zi urged people to tremble, it is better to return.

叆叇, pronunciation: [ài dài ] Interpretation: The appearance of clouds is very thick, describing the thick clouds covering the sun;

裀, pronunciation, jacket, mat;

The lower film and the upper film are the same machine. The first four sentences carry on the last meaning of the film and are generated. "A hanging shadow, what kind of joy" above, pouring out the sorrow, has been poured out, how to go deeper into the layer?

The valley skillfully crosses the scene in front of it, and imagines the pain of longing for the homeland in the degraded land, which is also a kind of foil, that is, the nostalgia of the future in turn sets off the real detachment.

Singing and dancing, drunk and hazy, the more enthusiastic the scene is written, the more it can reflect the sadness and loneliness in the heart of the valley. Being in the high hall of the banquet, facing the staggered selection of the guests of honor, will make people feel more strongly the taste of "the people are alone and haggard". So at the end of the word, in the deep nostalgia, only the cuckoo's cry of "It's better to go back" accompanied him all night long.

Wang Fuzhi said: "Write mourning with music, write music with mourning, and double its sorrow." (Jiang Zhai's Poems) This phrase is the concrete application of this artistic dialectic.

It is manifested in the structure of the word: the upper and lower pieces are divided into three levels, first writing pathos, then folding into the description of cheerful scenes, and finally turning into the expression of pathos, and the upper and lower pieces are written in different ways, so as not to make them the same. The so-called "Changshan Snake Potential":

Hit its head and tail will come, hit its tail will be the first to come, and hit it all the way. (Sun Tzu.) In order to form a sharp contrast, the color contrast of the words used to write sadness and happiness is also very large:

The former is simple and natural, almost colloquial, and straightforward; The latter is rich and rich, elegant and elegant, and focuses on laying out.