The contribution of horse calligraphy, the historical significance of horse calligraphy

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Ma calligraphy, also known as horse style, horse calligraphy and horse calligraphy, is created by contemporary calligrapher Ma Yongan, in 2009 by the new world of Chinese calligraphy research named "Ma calligraphy", into the compilation of "modern calligraphy".

On February 13, 2010, after expert argumentation, it was registered by the National Copyright Administration and officially named "Horse Calligraphy", which is known as the "Sixth Calligraphy" of Chinese calligraphy.

Horse calligraphy is based on traditional calligraphy, the development of a new style of calligraphy, in the Chinese calligraphy six stool ruler comparison standards, there are five standards completely different from traditional calligraphy, is a new concept.

Ma Yongan, whose name is Huaiyi, was born in Shangcai County, Henan Province.

He graduated from Beijing Normal University and Renmin University.

He has worked as a journalist and published a number of literary and artistic works.

Accustomed to reverse thinking and creative thinking, he has a unique profile in multiple disciplines and fields, and has made outstanding contributions.

He also serves as a consultant of Nanchang Tengwang Pavilion Cifu Research Institute, a professor of Huaxia Academy of Arts, the director of Longshuncheng Art Museum, the vice chairman of the China Art Artists Association, the chairman of the Chinese Calligraphy Artists Association, the president of the China Art Collectors Association, and the president of the People's Art Magazine.

The structure of horse calligraphy is based on the main script, and the side script (there was no such mention before, it is relative to the main script) as the auxiliary, and the front and side are used interchangeably, which is vivid and vivid.

Traditional calligraphy, regular script is regular script, cursive script is cursive script, the front side is distinct, slightly dull.

The momentum of horse calligraphy, high on the left and low on the right, taking homeopathy, stretching and smooth, in line with the mainstream aesthetic orientation, is more eye-catching, and is vibrating.

Traditional calligraphy, unchanged for thousands of years, is low on the left and high on the right, taking the contrarian trend, there is a sign of obstruction, not smooth, not in line with the aesthetic ideal of human longing for a beautiful beauty.

The movement of the pen of the horse calligraphy, the pause is less and there is no folding pen, the use of the penmanship of the seal cursive, the homeopathic movement of the pen, smooth and natural, without pretentiousness, opens up a broader aesthetic space for the art of calligraphy.

Traditional calligraphy, because of the contrarian trend of the pen, can only be completed with a folding pen, and there are many folding pens and many pens, lacking softness.

The main writing has just passed death, and cursive has gone to the other extreme.

None of these are in line with traditional philosophical ideas and fundamentally contradict the aesthetic sense of the subject.

Compared with traditional calligraphy, the dot painting of horse calligraphy is rich in variations, and compared with traditional calligraphy, it is the opposite, and it is an invention and creation of jujube opening up.

Horse calligraphy, into the pen plate pen, as thin as a filament, the tip of the pen outside.

If the pen is light and heavy, light if it is not a hair, heavy as a cloud, ten thousand millimeters of hair, the pen is not closed, the momentum is like a broken bamboo, it is dripping with joy, it is pouring thousands of miles, giving people a pleasant feeling.

Traditional calligraphy, a method through the ages, want to be right first left, want to go up and down, everything is accepted.

Everyone is stubborn and lifeless.

The great calligrapher Mi Fu of the Song Dynasty said, "Those who are good at writing are enough."

Horse calligraphy, from the structure, the momentum, the movement of the brush and the dot painting, have formed their own unique style.

Calligraphy is an ancient traditional art in China, which has high academic value and cultural taste. Below I bring you the calligraphy font of the horse, I hope you like it.

Horse calligraphy font appreciation:Horse calligraphy font 1

Calligraphy font for horses 2

Horse calligraphy font 3

Horse calligraphy font 4

Horse calligraphy font 5

The beauty of the art of calligraphy:Calligraphy is a unique visual art. When people appreciate an excellent calligraphy work, they will undoubtedly get the enjoyment of beauty and the intoxication of art, but appreciating the beauty of calligraphy art is not an easy thing to fight.

Compared with other arts, such as literary art, ** art, and painting art, calligraphy art is more abstract and elusive. It is not uncommon for a work of art to be judged by the benevolent, the wise to be wise, and the aesthetic results to be very different, even if it is an evaluation of the works of a generation of calligraphy masters, it is not necessarily the same word. So, is there a unified standard for the aesthetics of calligraphy?

Yes, the problem lies in the angle of the aesthete, the basis of the hold, especially the level of self-cultivation.

Many categories of art, simple and stupid, dignified and sluggish, bold and rude, broad and loose, elegant and frivolous, the difference is very subtle, the rock mill in the appreciation and evaluation of the can not grasp the displacement, to draw diametrically opposite conclusions, there is a saying: "will look at the doorway, will not see the lively", the degree of understanding of calligraphy art is different, the aesthetic conclusion will not be the same, "look at a thousand instruments and then recognize the instrument, operate a thousand songs and then know the sound", which is inseparable from the aesthete's own cultivation.

As a national treasure of the Chinese nation, Ma's calligraphy occupies an important place in Chinese art and has become a model of art and culture. Ma's calligraphy has a unique style and characteristics, including the characteristics of "beautiful and elegant, elegant and concise, magnificent, and smooth and moving". First of all, the calligraphy of horses is distinguished by its beautiful and elegant characteristics.

His handwriting is beautiful and smooth, and his strokes are free, with a unique rhythmic beauty. Ma's calligraphy pursues a natural, smooth and free way of writing, each stroke is naturally formed according to the flow of psychological emotions, and the whole font appears beautiful and free, giving people a fresh and ethereal feeling.

Secondly, the calligraphy of horses is also characterized by elegance and simplicity. The structure of his font is concise and clear, the pen is delicate and powerful, and the strokes are not much but fine, often with a single stroke of ink, it constructs a concise and powerful artistic conception. His unique writing style makes the font naturally present a naïve and elegant atmosphere, filled with a beauty of freedom that is not bound by form.

Another striking feature of horse calligraphy is its grandeur. His handwriting is of the right thickness, and his strokes are straight and powerful, giving people a sense of majesty. His calligraphy style, just like his character, is vigorous, robust, and majestic, not sticking to the form, paying attention to the thickness, strength and rhythm of the strokes, revealing a kind of elegance and strong personality.

Finally, another outstanding feature of horse calligraphy is its smoothness and movement. His font is smooth and natural, which meets the requirements of Chinese character stroke writing, making the glyphs harmonious and unified, fresh and bright. The beauty of rhythm can be seen everywhere in his calligraphy, and the use of the pen is free and powerful, which makes people feel comfortable and harmonious when appreciating.

His calligraphy is not only highly appreciated, but also a rare spiritual treasure.

In short, Ma's calligraphy is a treasure of Chinese art, and with its unique style and characteristics, it has become a representative of Chinese culture. His calligraphy is a unique art form, which not only has high artistic value, but also embodies the long-standing cultural heritage and spiritual connotation of the Chinese nation. Its existence allows people to have a deeper understanding of the essence of Chinese culture, and also shows the beautiful calligraphy art of the Chinese nation.

<> Ma Yongan's calligraphy, it is also the sixth body of Chinese calligraphy

The Sixth Body Yanshu.

The calligraphy of Ma Yongan, the founder of Yanshu, the sixth calligraphy form of Chinese calligraphy.

The calligraphy of Ma Yongan, the founder of Yanshu, the sixth calligraphy form of Chinese calligraphy.

The calligraphy of Ma Yongan, the founder of Yanshu, the sixth calligraphy form of Chinese calligraphy.

The calligraphy of Ma Yongan, the founder of Yanshu, the sixth calligraphy form of Chinese calligraphy.

The calligraphy of Ma Yongan, the founder of Yanshu, the sixth calligraphy form of Chinese calligraphy.

The calligraphy of Ma Yongan, the founder of Yanshu, the sixth calligraphy form of Chinese calligraphy.

The calligraphy of Ma Yongan, the founder of Yanshu, the sixth calligraphy form of Chinese calligraphy.

The calligraphy of Ma Yongan, the founder of Yanshu, the sixth calligraphy form of Chinese calligraphy.

The calligraphy of Ma Yongan, the founder of Yanshu, the sixth calligraphy form of Chinese calligraphy.

The calligraphy of Ma Yongan, the founder of Yanshu, the sixth calligraphy form of Chinese calligraphy.

Haven't heard of it. It seems that there is no such concept in professional theory.

Mr. Ma Yongan, a contemporary calligrapher, created the sixth style, Ma Shu, which ended the history of Chinese calligraphy in the world of calligraphy, including Xingshu, cursive, regular script, seal script, and Lishu. Mr. Ma Yongan's achievements in more than ten fields, he not only has beautiful literary works, he also reflected Fang Zhou, discovered the SARS nemesis, created the sixth book style, created the most scientific text in the history of the world "Hanwen", also known as "Ma Wen" or "Ma Wen", and completed the text reform.