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Maoist calligraphers: Dang Ronghua, Guo Shengxia, Hu Xiaosuo, Zhang Jinjin, Li Ying.
1. Party Ronghua.
Born in November 1951, he is a native of Luoyang, Henan. Since childhood, he has loved calligraphy, and he is good at all bodies, especially hair. He is currently the president of the China Mao Calligraphy Research Institute, the vice president of the China Advanced Culture Promotion Association, the consultant of the China Mao Calligraphers Association, the vice president of the Bayi Painting and Calligraphy Institute, the invited expert consultant of the Chinese Studies Society of Peking University, and the honorary chairman of the China Huishang Painting and Calligraphy Institute.
2, Guo Shengxia.
Guo Shengxia is a famous contemporary Mao calligrapher in China, the chairman of Hong Kong Oriental Culture Group, the general leader of the national tour exhibition team of "Serving the People", a member of the Chinese Calligraphers Association, the vice president of the China Calligraphy Research Institute, the consultant of the China Calligraphy Research Institute, and the founder and vice president of the Henan Mao Calligraphy Research Association.
3. Fox lock.
A native of Hongdong, Shanxi, pen name Mu Feng, born in 1963, university culture, party committee worker. In recent years, he has studied calligraphy in his spare time and is a Mao calligraphy enthusiast. He is currently the vice president and secretary general of the Hongdong Mao Calligraphy Association, and the deputy secretary general and executive director of the Elderly Calligraphy and Painting Research Association.
4. Zhang Jinjin.
Male, born in 1955 in Wen'an County, Langfang City, Hebei Province, since childhood, he has been fond of calligraphy art, and has always adhered to the research and exploration of calligraphy theory since more than 10 years of teaching, and has a unique perception and cognition of traditional Chinese culture, and often participates in calligraphy art exchange activities.
In 2014, he won the "Excellence Award" in the calligraphy exhibition of the three southern counties and cities of Langfang City, Hebei Province (Wen'an, Dacheng and Bazhou), and was highly praised and praised by people from all walks of life. Over the years, he has studied hard, collected the strengths of hundreds of schools, enriched his own calligraphy, and gradually formed his own style in calligraphy. He is mainly good at grass and hair, and is now a member of the Hebei Maoti Calligraphy Association.
5, Li Ying. A native of Xuzhou, Jiangsu, Mr. Li Ying is currently the director of the Chinese Poetry and Calligraphy Research Association and the executive director of the China Mao Calligraphers Association. Over the years, he has devoted himself to the research and creation of Mao calligraphy.
In terms of artistic creation, the pursuit of Mao's calligraphy is strong, full of spirit, full of charm, and full of spirit.
His works have been included in the "First Collection of Excellent Works of Mao Calligraphy", "Collection of Red Classic Calligraphy and Painting", "Collection of Modern Calligraphy and Painting Artists", and the entry is included in "Who's Who in the Circle of Modern Chinese Calligraphy and Painting and Seal Carving". His works have been collected by many collections such as *** Memorial Hall, *** Library, Jinggangshan Memorial Hall and so on.
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From the point of view of each square foot of Runge, the military calligrapher and painter Cao Guofu 2500 3500 square feet, Li Ming 1500 3000 square feet, Wang Liang 2000 3500 square feet, belongs to the first level of Mao calligraphers.
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Tang Guoqiang in the entertainment industry is also good.
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1. Jiang Lin Jiang Lin, Jiang Lin, male, No. Runzhitang, ancestral home in Rizhao, Shandong, born in Ulanchabu City, Inner Mongolia in the 60s, graduated from Changchun Armored Forces Academy, and is a famous Mao calligrapher in China. Since childhood, he has studied the art of calligraphy and literature and poetry, and has his own strengths. Studied at the People's Liberation Army Academy of Arts, calligraphy started with Yan Liu, and later learned from the two kings, tracing back to the Qin Seal, Wei Monument and Han Li.
He studied under calligraphy masters such as Shen Peng, Li Duo and Yang Zaichun. Good calligraphy, li, seal and other fonts, especially like the cursive and widely collected, eclectic, unique and frank. Actively follow the essence of culture, and be the first in China to apply a large number of Mao calligraphy to Chinese poetry and poetry, and is committed to carrying forward Mao calligraphy!
2. Li Ming and Li Minghe were formerly the director of the Foreign Affairs Office of the People's Republic of Xintai City, a famous Mao calligrapher, whose works are fresh and natural, beautiful and smooth, such as high mountains and flowing water, flying straight down, unstoppable. In his early years, he studied the inscriptions of famous masters such as Wang Xizhi, and then was influenced by the cursive calligraphy of Huaisu and Zhang Xu, and specialized in cursive. He is currently a member of the Chinese Calligraphy Association, a member of the Chinese Celebrity Association, a calligrapher of the China Federation of Literary and Art Circles, a director of the China Painting and Calligraphy Society, the deputy secretary-general of the China International Academy of Calligraphy and Painting, the honorary president of the China Academy of Calligraphy and Painting, the consultant of the New Calligraphy Association, and the vice president and secretary-general of the Xintai Branch of the China Painting and Calligraphy Society.
3. Gao Jian.
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Mao calligraphy is a style of Chinese calligraphy, which conveys the profound meaning of Chinese Hushen culture with horizontal and vertical strokes of the brush, thick and varied strokes and steady and atmospheric brushwork. Here are a few Maoist calligraphers who represent the essence of Maoist calligraphy and whose works enjoy a high reputation in the calligraphy art world.
1.Zhu Xuanxian: Known as the "Grandmaster of Mao", he is the leader of the Maoist calligraphy school, and his representative works include "Lü's Spring and Autumn" and "Mencius".
2.Yan Zhenqing: Tang Dynasty scholar and skin, especially good at hair, representative works include "Manuscript of the Sacrifice of Nephews", "Yan Qin Gong Monument" and so on.
3.Ouyang Xun: A calligrapher in the Tang Dynasty, he was good at regular script and cursive script, and also had excellent Mao calligraphy, and had written "Jiucheng Palace Liquan Ming" and so on.
4.Wang Xizhi: A calligrapher of the Eastern Jin Dynasty, he was good at cursive and official calligraphy, and also left some Mao calligraphy, and produced "Mysterious Tower Tablet", "Orchid Pavilion Preface" and so on.
The works of these calligraphers are all classics of Maoist calligraphy, and they have a very high status and influence in the calligraphy world.
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Summary. Hello, about the origin of Maoti calligraphy, the best ancient style should be Qin Jian. Qin Jian is one of the earliest writing materials that appeared in Chinese history, and it was a written recording tool during the Qin Dynasty, which has high historical and cultural value.
On Qin Jian, we can see many exquisite Mao calligraphy works, which are not only historical witnesses of brush characters, but also an important part of Chinese calligraphy art. In addition to Qin Jian, Mao calligraphy also has many outstanding representative works in the Han Dynasty, such as "Han Jian", "Han Tomb Calligraphy" and so on. These works have attracted extensive attention and research in history, and are of great significance for the research and inheritance of Maoti calligraphy.
In addition, Maoist calligraphy is also an important part of traditional Chinese culture, it is not only an art form, but also a cultural symbol and spiritual symbol. In modern society, Maoti calligraphy still has a high appreciation and collection value, and it is also one of the important ways for people to understand traditional Chinese culture. I hope mine can be helpful to you.
Hello, about the origin of Maoti calligraphy, the best ancient style should be Qin Jian. Qin Jian is one of the earliest writing materials in the history of Chinese history, it is a kind of writing tool in the Qin Dynasty, and has high historical and cultural value. On Qin Jian, we can see many exquisite Mao calligraphy works, which are not only historical witnesses of brush characters, but also an important part of Chinese calligraphy art.
In addition to Qin Jian, Mao calligraphy also has many outstanding representative works in the Han Dynasty, such as "Han Jian", "Han Tomb Calligraphy" and so on. These works have attracted extensive attention and research in history, and are of great significance for the research and inheritance of Maoti calligraphy. In addition, Maoist calligraphy is also an important part of traditional Chinese culture, it is not only an art form, but also a cultural symbol and spiritual symbol.
In the modern society, Mao calligraphy still has a high appreciation and collection value, and it is also one of the important ways for people to understand the Chinese cave culture. I hope mine can be helpful to you.
In brush calligraphy, the commonly used ancient styles include seal tour good trembling script, official script, regular script, etc. Among them, regular script is the more commonly used style of calligraphy, and the Chinese characters in regular script have different forms such as regular script, line script, and cursive script. For beginners who are defeated in brush calligraphy, it is recommended to start with the line and cursive italics, because these two fonts are more free to write and the strokes are more natural, which is suitable for beginners to quickly improve the level of practicing socks and plum characters.
Mr. Liu Guoqing's elaborate record of the huge work "Qinyuan Spring Snow" was collected by the Great Hall of the People. His 10-meter-long scroll "Hainan Fu" (curated by Qu Jinxing, a famous journalist in Beijing and written by Jia Yubao, a famous journalist in Lingnan) written on Wei tablets, was collected by the Boao Forum for Asia. Emperor Xuanyuan's hometown, China Hanyuan Stele Forest, Kaifeng Baogong Ancestral Hall, Nanjing Confucius Temple, Shanghai Duoyunxuan, Beiyue Heng Mountain, Hangzhou West Lake, Xibaipo, the Holy Land of Revolution, Shanxi Jin Temple Museum, Pingyao Ancient City, Qiaojia Courtyard and other scenic spots have Mr. Liu's ink treasure or works collection, carved monument. >>>More
The stories of celebrities who practice calligraphy diligently are as follows: >>>More
Top ten calligraphers in ancient China: Wang Xizhi, Ouyang Xun, Yan Zhenqing, Liu Gongquan, Su Shi, Huang Tingjian, Mi Fu, Cai Xiang, Zhao Mengfu, Dong Qichang, etc. The details are as follows: >>>More
Wang Xizhi, Ouyang Xun, Yan Zhenqing. Wang Xizhi is good at calligraphy, and good at subordination, grass, Kai, line of each body, fine study of the body, heart copy hand chasing, widely learn from the strengths of others, prepare all the bodies, smelt in a furnace, get rid of the Han and Wei pen style, become a family, far-reaching influence. The style is peaceful and natural, the gestures are euphemistic and subtle, and the style is beautiful and beautiful. >>>More
With the continuous development of Chinese calligraphy, from the early oracle bone inscription to the formation of calligraphy forms such as small seals, official scripts, and regular scripts, each historical period has produced different forms and styles of writing. It may be due to the change of dynasties, or it may be a change in people's customs and feelings. In fact, the history of Chinese calligraphy also has a subtle aspect to Chinese history, and among the many Chinese calligraphers, many of them have their own works and are well known to everyone, let me give you a few examples. >>>More