Is there only one kind of book for Liu Gongquan? 10

Rongkai, line, grass, subordinate to one, self-contained, called "willow body", and Yan body and called "Yan willow". All of them were calligraphers in the Tang Dynasty.

Liu Gongquan not only wrote regular script, but also wrote a book, and his works include "Insult Post", "Fengrong Post", "Fu Trial Post", "Shengci Post".However, the achievement of his regular script is higher than that of his calligraphy

He's just willow body, but there are many works.

His cursive handwriting is really good.

Liu Gongquan has many works in his life, and his main representative works are "Tang Huiyuan View Bell Tower Inscription", "Diamond Sutra Carved Stone (Diamond Sutra Tablet)", "Mysterious Tower Tablet", "Feng Su Tablet", "Shence Army Tablet". "Meng's Edict" and "Wang Xianzhi's Pear Post" are also relatively famous.

Liu Gongquan's calligraphy is famous for regular script, Wang Xizhi learned at the beginning, and later looked at the calligraphy of famous masters in the Tang Dynasty, absorbed the strengths of Yan Zhenqing and Ouyang Xun, dissolved new ideas, and created a unique "willow body", which is known for its strength and strength, and has the reputation of "Yan muscle and willow bones" in later generations. With Yan Zhenqing, he is known as "Yan Liu", and is also known as the "Four Masters of Regular Script" with Ouyang Xun, Yan Zhenqing, and Zhao Mengfu. The hand-me-down stele is engraved with "Diamond Sutra Carved Stone", "Mysterious Tower Stele", "Feng Su Stele", etc., and the line and cursive script have "Fu Trial Post", "Sixteenth Post", "Humiliation Post" and so on.

In addition, the ink "Meng's Edict Post" and "Wang Xianzhi's Pear Post" have been handed down. Liu Gongquan also works on poems, and his poems are preserved in "All Tang Poems" and "All Tang Poems".

Because of the strength of the body, the strength of the bones, the structure is rigorous, the font is delicate, there are"Willow bones"called.

When it comes to Liu Gongquan, it is necessary to mention Yan Zhenqing, because Yan Zhenqing's "Yan Body" and Liu Gongquan's "Liu Body" are called "Yan Liu", which has the reputation of "Yan Muscle and Willow Bone", and describes a calligrapher's calligraphy metaphor as "tendon" and "bone", which shows that calligraphy is full of vitality and spirit, "Willow Bone" is the biggest feature of Liu Gongquan's calligraphy, so what is Liu Gongquan's calligraphy?

Liu Gongquan's "willow body" is known for its strength and strength, clear setbacks and turns, and is charming and decent, and is one of the outstanding representatives of "Tang Shushangfa".

Tang Taizong loved the calligraphy of the "two kings", and especially advocated Wang Xizhi's calligraphy, and established the supremacy of calligraphy in the visual arts in the concept of a generation of kings, so that the early Tang Dynasty, and even the entire Tang Dynasty, "Wang Shu" was popular all over the world, so that Liu Gongquan's calligraphy was also a beginner Wang Xizhi.

Liu Gongquan is studious since childhood, at the age of 12 has been able to chant poetry, known as the "prodigy", Liu Gongquan has his own unique views on learning calligraphy, he believes that "calligraphy with a pen in the heart, the heart is right, the pen is right, there is a law", his words are quite reasonable, the word is like its person, there is a backbone and justice, which is also one of the reasons why Liu Gongquan's calligraphy is called "willow bone".

Liu Gongquan is famous for regular script, one of the four masters of regular script, "Ouyan Liu Zhao"; His calligraphy is good in the characteristics of the image is realistic, has the reputation of "willow bone", I have to sigh "see the word as if to see the person", Liu Gongquan is attentive, with the whole body in the creation, calligraphy shows a strong sense of integrity, there is no bit of vulgarity, just as "art is natural, calligraphy is naturally formed".

1. "Huiyuanguan Bell Tower Inscription".

Huiyuanguan Bell Tower Inscription "Tablet is written by Liu Gongquan when he was 58 years old, and it is also the most complete of the existing willow tablets. This stele wind god shimmering, a meticulous stroke, its pen heavy bone force, mainly square pen, supplemented by round pen, strong and clear.

Its structure is often dislocated in the change, such as the left and right structure of the words "squat", "bell", "building", etc., the left side of the side to move upward, the formation of the left short and right long knots, in the imbalance to seek rhyme. This stele describes the historical evolution of the Tang Hui Yuan Temple, and concisely and vaguely mentions that the Hui Yuan View is the mansion that Xuanzong rewarded An Lushan.

2, "Feng Su Monument".

Feng Su Tablet (837, 60 years old) Wang Qi wrote, Liu Gongquan book and seal, the main book, forty-one lines, eighty-three characters, the stone is stored in Xi'an Stele Forest. His books are crisp and healthy, and his spirit is flying. It seems to indicate that a more refined "willow body" is about to be born.

3, "Shence Military Monument".

The full name of the Shence Military Monument is "The Emperor's Patrol Lucky Left Shence Military Ji Shengde Tablet", Tang Wuzong Huichang three years (AD 843) stood in the forbidden place of the palace, the size of the stele is unknown, Cui Xuan wrote, Liu Gongquan book. The inscription records the fall of the Uighur Khanate and the surrender of Anji Wusilai, which has important historical value.

This monument was written by Cui Xuan, a bachelor of Hanlin, and Liu Gongquan, a judge of Jixian Academy, which added to the artistic value of this monument. The inscription written by Liu Gongquan, its calligraphy structure is rigorous, fully embodies the characteristics of the "willow body" regular script skeleton opening, stable and symmetrical, and this tablet is well-carved, the rubbing is no different from the real handwriting, so it is regarded as the representative work of the willow book in later generations.

4, "Liu Wei Monument".

Liu Wei Tablet", Liu Gongquan's calligraphy works, written by Wei Bo, Yuan Du copy and seal, 37 lines of regular script, 65 characters.

5, "Gao Yuanyu Monument".

Gao Yuanyu Monument", the full name of "The Ancient Officials of the Tang Dynasty Shangshu Presents Shangshu to the Right Servant Shoots the Bohai Gao Gong Shendao Monument". Written by Xiao Ye, written by Liu Gongquan. The stele was engraved in the seventh year of Tang Xuanzong (853). The stele is more than one foot high, four feet wide, 33 lines in regular script, and 79 characters in line.

Liu Gongquan's representative works include "Shence Military Monument", "Mysterious Tower Monument" and so on. The book "Shence Military Tablet" was written in the third year of Huichang (843). The original stone is early, and only the first volume of the Song Tuo book remains.

The ink book "Meng's Imperial Post" was written in the first year of Changqing (821), and it was passed down as his work, and it was also written brilliantly, and the Yellow Valley and other countries were influenced by it.

"Mysterious Tower Tablet".

The full name is "Tang Dynasty Zuo Street Monk Record in the Enshrinement of the Three Religions to Talk About the Introduction of the Great De Anguo Temple on the Throne of the Purple Dada Master Mystery Tower Inscription and Preface", which is the first year of Tang Huichang Huzhou Yu (841) written by Pei Xiu, who was the prime minister at the time, and the calligrapher Liu Gongquan's deeds are made of the almanac, which is a regular script calligraphy work.

As a milestone in Liu Gongquan's calligraphy career, this marks the complete maturity of "Liuti" calligraphy, which has always been regarded as an authentic model for beginners in calligraphy, and has had a profound impact on later generations.

Introduction: A total of 28 lines, each line of 54 words. The grace received by Master Xu Dada in the three dynasties of Dezong, Shunzong and Xianzong is to commemorate the deeds of Master Dada and inform future generations.

Its knots are tight, the brushwork is sharp, the muscles and bones are exposed, the masculinity is full, the handwriting is like a knife carving, and the thickness of the strokes is varied, and the style characteristics are remarkable.

Liu Gongquan's representative works: "Diamond Sutra Carved Stone", "Mysterious Tower Tablet", "Shence Army Tablet". Filial piety.

Liu Gongquan was able to resign at the age of 12, and became a jinshi in the early years of Xianzong Yuanhe. Mu Zong ascended the throne, worshiped the right to pick up the remains, served as a scholar of Hanlin, moved to the right to fill the que, and sealed the outer lang. Wenzong Dynasty, moved to the right Shilangzhong, Hongwenguan bachelor, for the counselor.

Wenzong likes the literary talents of public power, and often summons them to talk about it, and extends it to the depths, "the words are still not finished".

1. "Diamond Sutra Carved Stone".

Diamond Sutra engraving stone engraving printing is the earliest form of printing in China, probably about 2,000 years ago. Liu Gongquan is in the book, carved as a horizontal stone, a total of 12 pieces, 11 characters per line, the original stone was destroyed in the Song Dynasty.

2, "Mysterious Tower Tablet".

The full name of the "Mysterious Tower Stele" is "The Ancient Left Street Monk Skillfully Returns to the Record of the Three Religions to Worship the Three Religions to Talk About the Inscription and Preface of the Mysterious Tower of the Purple Dada Master on the Throne of the Great De Anguo Temple", Tang Pei Xiu wrote, Liu Gongquan wrote and sealed, Shao Jianhe, Shao Jianchu engraved. Standing in December of the first year of Tang Huichang (AD 841), the regular script has a total of 28 lines, the world file line is 54 words, and it is now in the stele forest of Xi'an.

3, "Shence Military Monument".

The original stone rubbings of Tang Liu's public power book "The Emperor's Patrol Zuo Shence Military Ji Shengde Tablet". Cut strips. There is 1 volume, the text is the first half, 27 pages, 54 pages, each page is 23 centimeters long, and the width is centimeters.

This stele is written by Liu Gongquan when he was 66 years old, the calligraphy is refined and vigorous, the layout of the knot is stable and symmetrical, it is one of the masterpieces in the book of Liuti today, and the carving is excellent, and the rubbing is no different from the real handwriting. <>