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Tang poems are mainly near-style poems, which are very particular about rhythm, and require five or seven words in terms of the number of words. It is divided into verses and quatrains.
Each poem has eight sentences and four rhymes, one or two sentences are called the first couplet, three or four two sentences are called jaw couplets, five or six two sentences are called neck couplets, and seven or eight two sentences are called tail couplets. The last sentence of each couplet is called a sentence, the next sentence is called a couplet, and the middle two couplets should be fought (that is, a stricter duality, and the parts of speech of each word must be correct), and the first and last two couplets can be right or not. Each capital has.
Fixed Pingqian format (Ping refers to the first and second tones in Hanyu Pinyin, and 仄 refers to the third and fourth tones).The balance between a couplet and the couplet must be opposite, which is called right, and if this rule is violated, it is called unpaired. However, there is a saying that there are three or five words in the poem, so only the two or four or six words of the sentence are opposite, and the second word is particularly strict.
For example, the previous sentence"It's mediocre'', the next sentence must be"It's mediocre''.In the lyric poem, the sentence of the latter couplet (one couplet and two sentences) and the couplet of the previous couplet must be the same, which is called"Sticky''.
There is also the question of pressure rhyme: 1can only use flat rhyme to rhyme, and must rhyme to the end, not to change the rhyme; 2.The first sentence can be pressed or not; 3.Each poem must be pressed; 4.Three-five-seven sentences cannot be pressed.
Let's talk about quatrains again, there are no first four sentences and two couplets, and it is required that one couplet and two sentences must be evenly opposed, and the two couplets must be sticky to each other, flattening the sound rhyme, which is the same as the rhyme. As for the battle, the quatrain can be right or not.
Poets of the Tang Dynasty, such as Li Bai and Du Fu, also wrote some ancient style poems, but they were no longer Tang poems in the strict sense, so I will not repeat them.
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Poetry and rain are still reasonable, and they are in the body.
Beauty is in it, smooth in the limbs.
Zhou Yi's recitation of "Three Hundred Poems" can enable people to obtain the most elegant artistic enjoyment of oriental characteristics, calmly think about the past and have a new understanding, have a beautiful yearning for the future and make an objective grasp, so as to be more full of courage and self-confidence, calmly face everything, and achieve the highest state of life of "learning to gather, asking to distinguish, being wide to live, and being benevolent to act".
Over the years, from inside and outside the Great Wall to the north and south of the Great River, from school-age children to centenarians, more and more people have taken "Three Hundred Poems" as a channel to connect their hearts and deepen their feelings, a carrier of civilization and a medium to promote righteousness. "Read the best books and be noble people. Once again, it has become the consensus of people of different eras.
"Three Hundred Poems" is perfectly harmonious and highly unified in ideology and artistry; Speak directly with the heavens, speak with the earth at all times, and soothe people's hearts forever. Although the song is high and low, it is not unattainable, but a kind of true call and catharsis from the public, which is a kind of good blessing that the will of God and the people pass to us through the author's handwriting
Sweet Spring.
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Tang poems are poems written by people in the Tang Dynasty. Poems written after the Tang Dynasty cannot be called Tang poems. The content and form of Tang poetry are unique to that era, that is, the vernacular poetry of that era, so I don't think it's useless to imitate, and it's useless to say that you imitate, because of the general environment of that era, the style, form, and so on of the special language are impossible to reproduce.
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That's the rhyme and the quatrain.
I'll just say it simply: 1 Pay attention to the plain, don't lose stickiness and awkwardness.
2 The last word of an even sentence rhymes, note that a comma in Tang poems is also counted. The last word of the first sentence can be pressed or not, and the last word of the third and fifth seven sentences cannot be pressed and rhymed.
3. The rhyme should be a battle, and the quatrain does not require a battle.
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Poems are divided into ancient style, near-style poems, and new poems.
The ancient style pays attention to the rhyme, and does not emphasize the level.
The close body pays attention to the rhythm, there are special rules for the use of rhyme, the tone requirements are strict, the new poems are freer, the rhyme can be rhymed or not, but it must also be catchy, otherwise it will become prose.
The key to writing poetry is to have real feelings and not be pretentious.
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When writing poetry, you mainly have to have feelings, and when you have more experiences and rich emotions, you will have that feeling. Drinking, with the help of wine, you can compose poetry.
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The text is to carry the Tao, and the poem is to express the nostalgia.
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Poetry is just a matter of beginning and ending. After writing these four words, it can basically be regarded as a poem.
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The artistic conception should be deep, the language should be beautiful, the feeling should be good, and it should be neat and symmetrical.
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Stupid! Haven't you heard of "a big copy of the world's articles"? See what others have written? Copy other people's slowly! Huh
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Familiar with 300 Tang poems, can not compose poems can also chant.
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Never let the form outweigh the content.
The Chinese character is in front of you, but it feels right before you go on the road.
Life Experience!
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If you want to write ancient poems, it is recommended that you first read more ancient poems, and it is best to read them by heart, and you must have hundreds of ancient poems in your stomach first. Then carefully read Mr. Wang Li's "Summary of Poetry Rhythm" and "Ten Lectures on Poetry Rhythm" to figure out the rhythm of ancient poetry. Then, take a closer look at Du Fu's poems and use them as examples to imitate them.
Then, read more, think more, write more, change more, and persevere.
If you want to write modern poetry, I suggest you carefully read Rilke's "Letters to Young Poets", which contains the whole experience and mysteries of how a great poet felt and how he wrote. Then, take a closer look at Kitajima's The Rose of Time to see how the poet understands another poet and how one poet feels and uses words when writing. Then, read more, think more, write more, change more, and persevere.
Moreover, Rilke wrote a passage in his Prague Essays, which is the most subtle and beautiful expression of poetry I have ever read. Now based on Mr. Feng Zhi's translation, the transcription is as follows, and you will enjoy it together.
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The laws of nature govern the poem.
Philosophical poems by Sun Dajun.
The laws of the universe are:
Big determines small, strong determines weak.
Rather than small deciding big and weak deciding strong.
Not all, weak decisions are not as strong as strong decisions.
Heaven determines the earth, and the earth determines people.
People determine language, and language determines poetry.
Poetry determines classic poems, and classic poems determine the quality of poems.
The quality of the poem determines the way the poem is written, and the way the poem is written determines the person who writes the poem.
Everything has yin and yang, and there are many double sentences in poems.
Nature is moving in cycles, and poems have analogies, and poems have repeated arias.
Songs are like this, and poems are like this, they all have a tune, an undulation and a rhythm, and they are all evolving natural rhythms.
The sun, moon and stars are teaching people to write poems, mountains, rivers, lakes and seas are teaching people to write poems, your family is teaching you to write poems, they are all existents, they all have the power of existence, they all want you to be in tune, they are all asking you to do what you want.
Men are not suitable for writing about water, and women are not suitable for writing about mountains.
The character is feminine and does not pursue bold language, and the character is masculine and not sad and sad.
Juvenile fantasies, youthful struggles, middle-aged stereotypes, old age memories.
Nature is rich and colorful, and poetry should also be ever-changing.
Nature has returned to simplicity from simplicity to complexity, and poetry should also return to simplicity.
Language should be natural, language should be natural.
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When writing a poem, you should first think about the topic, and then write what you want to write about.
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Writing modern poetry can imitate the modern poems well written by others like writing ancient poems, borrowing its tone, borrowing its linguistic rhythm, borrowing its rhetorical devices, and borrowing the wisdom of others to enrich one's own works.
It is best to choose modern poems written by poets who imitate others, choose those modern poems that you want to write in your heart, imitate similar people, imitate similar themes, and only imitate similar ones.
When writing modern poems, you can refer to the poems written by others, and the poems written by others will naturally correspond to your heart, or you can write them alone first, and then refer to other people's modern poems on the same theme that are better than your own for imitation modification.
There are many ways to imitate and write poetry, imitation is good others can not see that it is imitation, imitation is to fill their own shortcomings and fit their own style, imitation is good imitation is creation, imitation can also be fascinating.
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