Can anyone talk about the impression of Mo Yan s work?

Novella** "Transparent Carrots".

Long-form ** "Red Sorghum Family", "Breast and Fat Buttocks".

I think that these three works can best reflect the creative style and level of Mo Yan's literature, and we can also get a glimpse of the transformation of his style, from the early aesthetic and agility to the later period of beauty and sublimity, grotesque or mixed, and his aesthetic form has undergone a qualitative change or even a leap. Vitality, suffering, the reconstruction of history, the expression of the grand scene, and the reflection on modernity are also fully manifested in these works, which are worth reading and even perusing.

Of course, if you consider the fun, I recommend "Wine Country", "Sandalwood Resistance and Punishment", "Life and Death Fatigue", these three ** are very readable, and the form of the work is also very avant-garde, you might as well take a look.

Mo Yan's main works are:

11 long stories

Red Sorghum Family" "Song of Heavenly Garlic" Thirteen Steps" "Wine Country" "Herbivore Family" "Breast Fat Buttocks".

Mangrove Forest", "Sandalwood Punishment", "Forty-one Cannons", "Life and Death Fatigue", "Frog".

Transparent Carrots, "Ball Lightning", "Blonde Baby", "**", "Autumn Water", also known as "Flowing Water".

Building the Road", "Joy", "Red Locust", "Your Actions Terrify Me", "Father in the Minfu Lian", also known as "Wild Seed".

The Woman with Flowers in Her Arms", "White Cotton", "Red Ears", "Comrades-in-Arms Reunion".

Humor and Fun" Mode and Prototype", "A Long-distance Running Race Thirty Years Ago", "Donkey Riding Beauty on Chang'an Avenue", etc.

White Dog Swing Rack "Date with the Master".

Mo Yan Profile:

Mo Yan, whose real name is Guan Moye, was born on February 17, 1955 in Gaomi, Shandong, and is a famous contemporary Chinese writer. In the mid-80s, he rose to prominence with local works, full of complex emotions of "nostalgia" and "resentment", and was classified as a writer of "root-seeking literature".

In 2000, Mo Yan's "Red Sorghum" was selected as one of the "Top 100 Chinese in the 20th Century" by Asia Weekly. In 2005, Mo Yan's "Sandalwood Punishment" was unanimously shortlisted for the Mao Dun Literature Award. In 2011, Mo Yan won the Mao Dun Literature Award for his work "Frog".

In 2012, Mo Yan won the Nobel Prize in Literature. The award was awarded for its fusion of folktales, history and contemporary society through hallucinatory realism.

On July 30, 2019, he was awarded an honorary doctorate by the Pontifical Catholic University of Peru.

In 2020, Mo Yan's new work "The Late Bloomer" was officially released by the People's Literature Publishing House.

Mo Yan's writing color and personal achievements

Mo Yan uses color to express his works, "As a carrier of culture, color often represents a certain symbol and assumes a specific meaning." Mo Yan has a soft spot for color language. This can be seen from its ** title:

The wide use of colorful colors such as red sorghum, mangrove forest, red locust, white cotton, transparent carrot, blonde baby, white dog swing frame, etc. is one of its highlights. He is often used to depict landscapes, to show the vitality and vitality of nature: it is also used to describe appearance, psychology, and characterization.

In the colorful, Mo Yan gives a unique connotation to the two colors of "red" and "green". In traditional culture, "red" originally had rich semantics such as enthusiasm, strength, sacredness, dignity, authority, and festivity. And Mo Yan used red to create a sad atmosphere in **.

Green is a symbol of youth, vitality, wisdom and hope. Mo Yan subverts the traditional meaning, using green to express the connotations of backwardness and ignorance, dirtiness and meanness, anger and anxiety, disaster and death. In 2012, Mo Yan won the Nobel Prize in Literature.

1. Mo Yan is a famous writer in my country, and he is the first writer in my country to win the Nobel Prize in Literature, but many people mistakenly think that there is only one award-winning work "Red Sorghum", but in fact, this is not the case, and the Nobel Prize in Literature is not just because of one work, but all the masterpieces are selected together. His representative works include "Red Sorghum", "Sandalwood Punishment", "Breast and Fat Buttocks", "Wine Country", "Life and Death Fatigue", "Frog" and so on.

2. Mo Yan, whose real name is Guan Moye, was born on February 17, 1955 in Dalan Ping'an Village, Northeast Township, Gaomi City, Weifang City, Shandong Province, and is a contemporary Chinese writer.

1. "The Late Bloomer" is a collection of short and medium-length stories written by contemporary Chinese writer Mo Yan and Brother Zhizi, which was first published in August 2020.

The Late Bloomer is Mo Yan's first work after winning the Nobel Prize in Literature in 2012. Mo Yan used twelve stories to tell the inside and out of the eight years after winning the award.

In this book, Mo Yan has changed his usual way of telling stories, not only continuing the creative style of previous observations, but also injecting new elements—more calm and straightforward in Wang Yang's wantonness, more figurative realism in fantasy legends, and from the intensity of oil painting to the simplicity of lines. Mo Yan wrote himself into ** as a character, looking at this complex and confusing world with a special visual album.

2. "Waiting for Moses" constructs the main framework of the story through several renaming of a person: Moses - Weidong - Moses.

3. "Fatigue of Life and Death" is a long story created by contemporary Chinese writer Mo Yan**, which was first published in March 2006.

4. "Frog" is a novel written by contemporary Chinese writer Mo Yan**, which consists of five letters, four full-length narratives and a nine-act drama written by playwright Tadpole to Japanese writer Yoshito Sugitani, first published in December 2009.

5, "Forty-One Cannons" is a long book by Mo Yan**.