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"Frog" is the eleventh novel that Mo Yan has been brewing for more than ten years, four years of writing, three changes of drafts, and painstaking creation.
The main content of this ** is: against the background of the ups and downs of rural fertility in New China in the past 60 years, by telling the life experience of a rural female doctor aunt who has been engaged in obstetrics and gynecology for more than 50 years, while vividly describing the arduous and complex historical process that the country has gone through in order to control the rapid population growth and implement the national policy of family planning, it has successfully created a vivid and touching image of a rural ** doctor; Combined with the complex phenomena in the process of family planning, this paper analyzes the humble, embarrassing, tangled and contradictory spiritual world of intellectuals represented by the narrator tadpole.
**The structure is novel and meticulous, consisting of five letters written by playwright Tadpole to Japanese writer Yoshito Sugitani. The first four letters are accompanied by a long narrative about her aunt, who has been a doctor for more than 50 years, and the life story of Tadpole herself is also added; The fifth letter is accompanied by a play about the aunt and the tadpole herself. Therefore, this is a work that skillfully integrates letters, meta-narratives and dramas, and broadens the space for artistic expression; It is another groundbreaking artistic attempt in Mo Yan's creation.
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Set against the backdrop of 60 years of ups and downs in rural China's fertility history, the work tells the legendary and complex life of my aunt, an obstetrician and gynecologist in Gaomi District, Shandong, revealing the embarrassment and contradictions in the soul of contemporary Chinese intellectuals, and flashing with strong humane care and respect for life.
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It shows that Mo Yan was poor when he was a child, and later Mo Yan became rich, and I haven't seen anything blind.
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Mo YanThe profound meaning of the frog is as follows:
1. The angle chosen by "Frog" is the cruel family planning system, and the main content of the description is the struggle between the people and the first fertility and anti-fertility, which once became a major social problem at that time.
When the fear of the population gradually fades, standing in a new historical era.
Looking back at this vigorous reproductive struggle, people may not see all the historical achievements, but also the violence that has been legitimized.
2. "Frog" not only continues Mo Yan's consistent spiritual posture, but also goes further, choosing the theme of family planning that has always existed in reality and has just become history, which itself has political overtones and is undoubtedly a topic of considerable political acumen.
3. There are many group images in "Frog" that have instrumental roles such as rendering the atmosphere and promoting the development of the plot, such as women spraying pesticides in the fields, shouting people on the streets, etc., they appear just right, and some of them play the role of icing on the cake.
4. In "Frog", although there are also a lot of magical elements, Mo Yan has changed his previous style and laid out the realistic presentation style densely and plainly, presenting the elements of metaphor. "Frog" and "Wa" have the same sound, which is a metaphor in itself.
5. The eggs of the frog are in the water, purring and skewering, and the reproduction is vigorous. And in that society with extremely low productivity, it is extremely difficult for people to survive and grow. As a result, humans regarded frogs as their earliest totemic worship objects.
Of course, with the development of society, other animals continue to enter the totem worship circle, such as rats, tigers, snakes, fish, etc., while frogs have gradually faded out of the list of human totems.
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By telling the experience of a female doctor in the countryside, it not only reflects the 60-year history of childbirth in rural China, but also reveals the contradictions and cowardice in the soul of contemporary Chinese intellectuals. Mo Yan
It is said that the "frog" is actually a totem, as a symbol of reproduction. **, "frog" and "baby" have many associations. "Frog" is a contemporary Chinese writer.
Mo Yan's long story ** and Liang Yin. **Adhering to Mo Yan's local literature.
The consistent style of the Chinese society is based on delicate brushstrokes and simple words.
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Hello,Mo Yan**'s "Frog" tells the life experience of a rural female doctor, and the frankness not only reflects the 60-year reproductive history of rural China, but also reveals the contradictions and cowardice of the soul of contemporary Chinese intellectuals.
Mo Yan said that the "frog" is actually a totem, which is used as a symbol of reproduction. **, "frog" and "baby" have many associations.
"Frog" is a long story created by contemporary Chinese writer Mo Yan**. **Adhering to the author's consistent style of vernacular literature, he settled in a corner of Chinese society with delicate brushstrokes and simple words.
Mo Yan, formerly known as Guan Moye, born on February 17, 1955 in Gaomi, Shandong, is the vice chairman of the Chinese Writers Association, the winner of the 2012 Nobel Prize in Literature, and the first Chinese writer to win the Nobel Prize in Literature. In 1981, he began to publish his work "Spring Night Rain", and in 1984, he became famous for "Transparent Carrot". In 1986, the novella "Red Sorghum Family" was published in the magazine "People's Literature", which caused a great sensation in the literary world.
In 1987, he served as the screenwriter of the film "Red Sorghum", which won the Golden Bear Award at the 38th Berlin International Film Festival. In 2011, he won the Mao Dun Literature Award for "Frog". He won the Nobel Prize in Literature in 2012.
The award was awarded for its fusion of folktales, history and contemporary society through hallucinatory realism. In 2013, he was appointed Honorary President of the University of Online Literature.
In December 2016, he was elected as the vice chairman of the 9th National Committee of the Chinese Writers Association. In November 2017, Mo Yan was awarded the degree of Doctor of Letters, honoris causa, by Hong Kong Baptist University. In December of the same year, with his work "The World is Peaceful", he won the "2017 Wang Zengqi Chinese ** Award" in the short story ** award.
Mo Yan is known as a writer of "root-seeking literature" because of his series of vernacular works full of complex emotions of "nostalgia" and "resentment". According to incomplete statistics, Mo Yan's works have been translated into at least 40 languages.
Novella** "Transparent Carrots".
Long-form ** "Red Sorghum Family", "Breast and Fat Buttocks". >>>More
The author wrote in the form of a letter that he witnessed his aunt's experience, saying that his aunt was a member of the Communist Party and that he had saved many lives as a midwife when her children were young. Later, the Chinese population wanted family planning, and the aunt who was a party member made a great contribution to family planning, and the frog was an animal that the aunt was afraid of, because when the aunt saw the frog, she thought of the newborn life, and remembered the life she had harmed for family planning!
The documentary series "The Hometown of Literature", among them, Mo Yan and A Lai are impressive. The first article in this issue of "Reading Library" is a complete interview with Mo Yan, and a lot of content has been added. >>>More
Mo Yan's Nobel Prize-winning work is: "Frog".
Mo Yan's representative works include: "Red Sorghum", "Sandalwood Punishment", "Breast and Fat Buttocks", "Wine Country", "Life and Death Fatigue", "Frog". >>>More
The main ones are: "Sandalwood Punishment", "Life and Death Fatigue", "Breast and Fat Buttocks", "Red Sorghum Family", "Transparent Carrot", "Breast and Fat Buttocks - Supplemental Edition", "Treasure Map", "Forty-One Cannons", "Song of Heavenly Garlic", "Thumb Cuffs", "White Dog Swing Frame", "Mo Yan's Selected Works", "Wine Country", "Herbivorous Family", "White Cotton", "Mangrove", "Moonlight Chop", "Old Gun, Treasure Knife", "Singing Wall", "Commander's Woman", " Testimony of conscience", "The Room in the Keyhole", "What Smells the Best", "Legendary Mo Yan", "Mo Yan's Prose", "Mo Yan's Novella **Selection", "Mo Yan Wang Yao's Dialogue", "Comrades-in-Arms Reunion", "Frog".