The history of the Tokyo National Museum, and what are the treasures of the Tokyo National Museum?

Created in 1872. Originally the Museum of the Ministry of Education, Culture, Sports, and Culture of the Yushima Shrine in Tokyo, it was renamed the Imperial Household Museum in 1889 and the Imperial Household Museum in Tokyo in 1900. In 1947, the museum was transferred from the Ministry of Imperial Household Affairs to the Ministry of Education, Culture, Sports, and Culture, and was renamed the National Museum.

In 1952, it was named the Tokyo National Museum and is affiliated with the Ministry of Education, Culture, Sports, and Culture. The Tokyo National Museum consists of a two-story building in the style of a Japanese nation, with the Toyokan on the left, the Omokeikan on the right, and the Horyuji Treasure Museum next to the main gate, with a total of 43 exhibition halls.

Summary. Founded in 1872, the 5th year of the Meiji era, the Tokyo National Museum has a history of 147 years, making it the oldest museum in Japan.

Founded in 1872, the 5th year of the Meiji era, the Tokyo National Museum is the oldest museum in Japan.

The treasure of the town hall "Fuxian Bodhisattva statue."

The National Agency of Japan has a treasure-level collection, long horizontal silk coloring. Painted from the 12th century A.D., during the Heian period in Japan, this painting depicts a statue of Fugen Bodhisattva riding a white elephant under the flying flowers, the bodies of the Bodhisattva and the white elephant painted in clear white, and the outline is detailed with thin, pale ink lines and slightly smudged with vermilion. The Bodhisattva's garments and pedestals are decorated with gold leaf in the colors of stone blue, stone green, earth yellow, red red, and vermilion Youpei, and the so-called gold cutting technique is also used to decorate the painting.

The technique of cutting the gold pattern is extremely precise and meticulous. This picture is one of the few masterpieces and a typical example of late Heian period and weathered Buddhist paintings.

The treasures of the town hall: "Fugen Bodhisattva Statue", "Pine Forest Screen Map", and "Hinoki Painting" by Kano Eitoku, the master of the Kano School

The number of Chinese cultural relics lost to Japan is the largest, and the variety is extremely rich, among which the oracle bone fragments have the largest collection in Japan. Of the nearly 30,000 oracle bone fragments that have been lost overseas, Japan has nearly 13,000 pieces. Almost all of Japan's more than 1,000 public and private museums have Chinese cultural relics, and the number is probably in the hundreds of thousands.

Among these museums, the Tokyo National Museum has the richest collection, which houses the Toyokan and has five exhibition rooms dedicated to ancient Chinese artefacts, especially Tang Sancai porcelain. The Osaka Museum of Art in Japan is known for its collection of Chinese paintings and calligraphy.

In addition, Japan's war of aggression against China brought a catastrophe to China's historical and cultural heritage. In addition to openly transporting a large number of cultural relics from the occupied areas of China back to Japan, the Japanese invaders also illegally carried out a long-term and systematic program in Northeast China and North China"Archaeology"A large number of exquisite cultural relics unearthed from the survey and excavation were also transported back to Japan. The most serious loss during this period was the disappearance of the skull of the Peking people, which is still haunted by the dreams of the Chinese people.

Tokyo National Museum.

Tokyo National Museum, Japan, the largest museum in Japan. The Tokyo National Museum is home to the Toyokan, where five exhibition rooms on the second floor display ancient Chinese art, many of which are ceramics, from primitive faience to ceramics from the Tang and Song dynasties. For example, the museum treasures the ancient building lamp, which is produced in Shuiji, Jianyang City, Fujian, and is the treasure of the town hall.

In terms of oracle bone fragments, Japan has the largest collection, with nearly 13,000 of the nearly 30,000 oracle bone fragments lost overseas. Among the more than 90,000 pieces in the museum, there are tens of thousands of Chinese cultural relics, including Liangzhu culture jade from the Neolithic Age, Tang, Song and Yuan dynasty porcelain, and porcelain calligraphy and painting from the Qing Dynasty. Ma Yuan's "Crossing the Water in the Cave Mountain", "Fishing Alone in the Cold River", Liang Kai's "Snow Landscape", "Li Baixingyin", "Six Ancestors Cutting Bamboo", Li Di's, "Red and White Hibiscus" and so on are all masterpieces.

In addition, there are thousands of museums across Japan that have Chinese artifacts in their collections, and there are countless treasures, estimated at hundreds of thousands.

According to the book "The Destruction of Cultural Relics by Japan's Invasion of China", after the war, Japan returned some of the cultural relics looted during the war, with more than 158,000 vehicles, of which more than 2,000 were relatively precious, but this was only a small part. Since then, due to a variety of factors, China has not continued to pursue the claim.

There are Chinese works of art all over the world, and to be honest, others have preserved them better than us.

Beijing Literary Network.

Tokyo National Museum is one of the world's most famous museums, it was founded in Japan in 1872, the museum has more than 40 exhibition halls, including no less than 100,000 pieces of collections, including many Chinese cultural relics. There is an exhibition hall in the museum called Toyokan.

The Toyo Pavilion is divided into three floors, one of which can even be called the "China Pavilion", and there are five exhibition rooms in total, four of which are "Chinese Archaeology".

The first exhibition hall is the early cultural relics unearthed from the Neolithic Age to the Han Dynasty, a total of more than 100 cultural relics, including stoneware, pottery, jade, bronze and so on.

Pan mantis pattern puncture) Tianmu Cup, its origin is well known, Japan has always been to the tea ceremony etiquette as the norm, including the tea ceremony they held in the hall layout, tea brewing methods, the use of most of the gap for the imitation of China's "tea ceremony", the ritual must be used in the black tea bowl called "Tianmu Cup" is said to be brought back to Japan by the monks studying in the Southern Song Dynasty of China from West Tianmu Mountain in China.

The picture shows Hemu Tianmu Zhan).

At the same time, there are some special topics on the first floor of the museum to show the relationship between Chinese and Southeast Asian cultural relics, such as copper drums, blue and white porcelain, etc.

Color glaze pot) blue and white bouquet lotus pattern**).

The Tokyo National Museum is located at the northern end of Ueno Park in Todai-ku, Tokyo, and has 43 exhibition halls in four exhibition halls, including the main building, the Toyokan, the Pyokeikan and the Horyuji Treasure Hall, with an exhibition area of more than 10,000 square meters and about 110,000 collections, including 87 Chinese treasures, 634 important cultural relics, and some entrusted cultural relics. The main building of the museum is composed of buildings that symbolize the history of Japan, and it has long been called a museum of art museum buildings and museum buildings. In the main building, Japanese art, excavated artifacts, and crafts are exhibited in different categories.

The Toyokan exhibits art and archaeological artifacts from Asia, Egypt, and other places. In addition, the Horyuji Treasure Museum has about 300 treasures from Horyuji Temple in Nara from the 7th to 8th centuries. The museum often hosts thematic exhibitions centered on a specific topic as well as interdisciplinary exhibitions.

The Tokyo National Museum is a cultural theme park with a collection function rather than a museum. There is a short asphalt path between the collections, and the open grounds are flooded with sunlight, and visitors can freely access the elegant parasols prepared by the museum. Surrounding the green space is a whole circle of wooden chairs for people to take a break, which is often occupied for a long time by naughty young parents, old couples strolling in the courtyard, and students.

Walking into the Pyokeikan Hall, which showcases the splendid cultures of ancient countries such as China, India, Korea, and Egypt, you can hear the admiration of the endless stream of tourists from Japan, Europe and the United States. Here, each gallery has a free docent to introduce the exhibits and their cultural connotations to visitors who are not familiar with foreign cultures.

The main building, which exhibits Japanese history and culture, is very large, and the stamp experience room in the corner is inconspicuous, but it is very attractive. A couple from Italy are at a loss for more than 100 seals engraved with traditional Japanese motifs, but they still look happy. It is also a paradise for children, and middle-aged and elderly people who love traditional culture and international students who are full of freshness are all excited to design their own style of kimono and mirror.

Rows of soft chairs are designed to be very user-friendly, so tired visitors can sit and take a nap and flip through the Rijksmuseum's comic maps, magazines, or LCD TVs on the walls. If visitors find the visit too dazzling to be overwhelmed, the regular lectures for Ueno Museum Week and the video rooms with a strong sense of presence may help people to "walk around" the museum in a relaxed way.

Visitors don't have to rush to travel in the halls of knowledge, and the Tokyo National Museum naturally extends its closing hours on weekends and holidays. If you're looking for another haven for your tired body and spirit, head straight to the traditional Japanese garden of Tsuna-an to find a place to stay in the scent of tea.

In fact, it is not enough to spend a whole day deciphering this one of Asia's highest level museums, which is more precious than the rare treasures it creates, creating an atmosphere of harmony between people, nature and culture. This enables the Japanese people to stand on the standpoint of human equality, break down national boundaries to understand foreign cultures and ethnic groups, review history, examine themselves, and ask questions about the past and the present, so as to move towards the maturity of folk customs and social harmony.