What do you say about big fish and begonias, and how do you evaluate big fish and begonias?

Big Fish and Begonia's anime can really be said to be an anime in my heart.,It's been more than ten years from scratch.,It's a satisfactory answer to the audience.,It's just that there are too many questions in the plot.,A lot of them need the audience to observe by themselves.,Lingpo,There are a lot of things in the water.,I can't understand it without using my brain.,You also need to use film reviews to know.,But as far as the animation itself is concerned.,It's a good domestic anime.。

There is a fish in the North Underworld, its name is Kun, with the opening chapter "Getaway", the charm of the ancient style spreads this film, it is a pure and beautiful love story, everyone has a Kun in their hearts, they will cross many obstacles for this Kun, for that love to death, this film is intriguing, it will be repeated over and over again**, after many years, it is completely different from the beginning, and the perception will be more and more.

In the depths of the ocean, where the sky is connected to the sea of the human world, there are other people who are in charge of the laws of the human world.

The characters of "Big Fish and Begonia" have a fantasy color, showing a classical and mysterious temperament that belongs to the East.

The theme of its story is unique, the effect of the sample film is amazing, and the production experience is legendary and bumpyThe traditional costumes of the characters in the film, the Chinese red that can be seen everywhere, and the unique style of Fujian tulou, etc., all bring people a strong "Chinese style". This work mainly depicts magnificent spectacle with 2D animation, which is also very valuable in the era of 3D animation.

"Big Fish and Begonia" is impressive both in terms of the beautiful Chinese painting style and the plot lines containing classical Chinese philosophy. The costumes of the characters, the simple and magnificent tulou and the red lanterns hanging on the top of the tulou, as well as the wonderful scenery on the road where Tsubaki is guided by the stone lion to visit Lingpo, including the beautiful begonia tree, all have a strong Chinese painting style, which is beautiful and has a long artistic conception.

The biggest controversy caused by "Big Fish and Begonia" is the plot, and the characterization is lackluster. The film uses a large number of traditional mythological characters such as Concubine Zu and Zhu Rong, and also directly draws on the classics of Zhuangzi. It is a pity that most of these mythological characters are reduced to symbolic embellishments, so to speak, and they can be said to be in vain, and they do not really have the soul they deserve.

Such a character plot setting is too superficial.

There is a fish in the northern underworld, and its name is Kun - Getaway. This was the beginning of the big fish begonia.

Big Fish and Begonia is a film and television work that combines the traditional mythological stories of Chinese in China, making a kind of inheritance of Chinese culture through animation, with its own unique charm, and describing the story of the three protagonists, providing the audience with a majestic and gorgeous world.

The words and deeds of the characters, the eaves and pavilions of the buildings, are full of antiquity and full of fairy energy.

Their respective efforts and needs support the story and touch the hearts of the audience. I think this is the best thing that Big Fish and Begonia does, that is, God is written as a man, and there is no difference between God and man.

We are all Tsubaki, we are all Tsuki, we are also Kun, someone pays for us, we also pay for the people in our hearts, we may have something to ask for, but we love without regrets, until death or rest.

Therefore, the big fish and begonias made the ** outside the play a tear in the scene. That's it, you can like it.

In domestic animation, Big Fish and Begonia are definitely of high quality, and the score on Douban is not very high in time, but judging from the personal viewing experience and the rumored foreign praise, this film is definitely a superior work, after all, whether it is the production of the picture and the unique ghost elements of the East, the Chinese style is spread all over the screen, which is absolutely amazing, so that the plot of the motherland of every Chinese person is satisfied.

Getting back to the point, we understand a movie, first of all, to understand its story line, the big fish and begonia tells the story of the girl Tsubaki, who turned into a dolphin on her sixteenth birthday but was unfortunately trapped in a fishing net, and the boy on the shore was also unfortunately killed in order to be on this dolphin, the girl repaid her kindness, and she began to prepare to help the soul of the rescuer in her own world, trying to make him a return to the sea after a heavy rain, and finally, the girl suffered many tests and let the boy be reborn. The vein of saving ** is not so exciting and not a lot of novelty, but the overall production will make you want to watch it.

Many people will have some doubts at first glance, that is because many details in the movie are extremely know-how, and only if you need in-depth analysis can you find that the protagonists in the story, every line of their lines is rich in philosophy and has a certain depth, maybe after carefully scrutinizing every detail, people will have a different viewing experience.

I have to mention that for most people around me, especially girls, the attraction of this drama lies in the extreme national style tone, red and blue, no cheesiness at all, so that the whole color sense is suddenly soft and full, and the presentation of the picture makes you suffocating. In short, no matter what the outside world says, he is worth a look at us, just for the protection of the past.

This is another masterpiece of national copying comics, which has been controversial since its release, and word of mouth has polarized.

Inspired by the Chinese classic The Getaway, Zhuangzi's highly regarded work will attract many people, but it will also attract more controversy. This work is based on the worldview of "Getaway", but it does not tell such a grand and ethereal story, so some people will still be dissatisfied with it. But overall, the degree of restoration is still good.

The production is very careful, and the funds are crowdfunded, so it can be said that it has carried the expectations of many people from the beginning. Most of the production team filmed on the spot, and the buildings and buildings are all in a strong Chinese style, and the very distinctive Divine Siege Building is filmed from the Hakka tulou, which is very restored. Including all kinds of decorations are restored, there are traces to follow.

The characters that appear are from Chinese classics, which makes people feel immersed.

As far as the plot is concerned, it is still not atmospheric enough, telling a love story of retribution and punishment, poignant and moving, but the inexplicable love triangle and the Mary Sue story that only when you are your brother makes people feel like watching dog blood, the plot is also the most dissatisfied with everyone. There is still room for improvement.

From the perspective of production and other aspects, it is a high-quality product, and the plot is a short board.

The main color of the movie is China.

The representative red, the director wants to shoot Chinese-style comics, but our Chinese culture pays attention to introverted and calm, to say white.

It's just that this movie has no depth and is too superficial. Especially the heroine has a personality, not atmospheric enough, but a little selfish, such a character is not liked by the audience, but this is also human nature, there seems to be nothing wrong with it.

However, it is worth mentioning that it is the background of its site selection, the tulou building with Fujian characteristics, I have to say that it is unique and discerning, and it can be regarded as a heart. However, the special effects and dubbing are very mature, which is also a big improvement in our anime works.

Originally, there were easter eggs at the end, but the director felt immature and cut it, all of them were relatively open-ended endings, which contained a lot of Chinese cultural elements, and I hope that there will be anime in the future that is not based on love.

The launch of "Big Fish and Begonia" is a great progress in Chinese animation, and at the beginning of the film, it begins with "Getaway": There is a fish in the North Underworld, its name is Kun, and the Kun is so big that I don't know how many thousands of miles it is. turned into a bird, its name and Peng, Peng's back, I don't know its thousands of miles; Flying in anger, its wings are like clouds hanging from the sky.

Needless to say, the opening film indicates that this is an authentic domestic anime, which tells a wonderful and enviable love story based on the traditional Chinese masterpiece "Getaway".

Secondly, the scene layout and characters in "Big Fish and Begonia" all have obvious Chinese style, which all show the charm of traditional Chinese culture, and a series of ancient architectural decorations such as enclosures, lanterns, red, bricks, wooden stairs, etc. Shennong's main hundred grasses, Zhu Rong Sihuo, the phoenix leading the hundred birds, and the bottom of the sea to mend the sky, etc., are from the Chinese mythology "Classic of Mountains and Seas"; The fairy wind and bones, long beard and white hair also exude the style of traditional Chinese immortals. There is no doubt that the various designs of "Big Fish and Begonia" are quite useful, all of which reflect the charm of traditional Chinese culture and give the audience an invisible sense of intimacy.

In fact, in my opinion, the focus is not here, the atmosphere of "Big Fish and Begonia" seems to be quiet and quiet, but it staged an extremely intense and stubborn story, the more quiet the background, the more exciting the story rendering, here, life has become a unit of will, the three protagonists are not afraid of paying, only afraid that their own efforts can not be exchanged for what they want, and that wish has nothing to do with their own gain and possession.

When Tsubaki and the big fish Kun raised by himself were reluctant to give up on the edge of the cliff, when Tsubaki burned the parting moment when he sent Tsubaki to the world, the fluttering begonia petals were wonderful against the backdrop of the vast sea, and the deep love and parting of the reluctance were deeply shocked. My tears flowed out uncontrollably, and I don't know if this feeling has already interrogated the depths of my soul, when have we ever seen a Chinese animation movie that loves so freely and stubbornly.

After the film, you may ask yourself in the depths of your soul, yes, each of us is a big fish, and every big fish will eventually meet, whether it is Tsubaki and Kun, or you and me, he is writing a brilliant life in the sky full of begonias, so the film is really praised.

Big Fish and Begonia is undoubtedly a very successful domestic animation, he has built his own world view, and combined with Chinese elements, his creativity comes from a dream of the director, but combined with "Zhuangzi Getaway", "There is a fish in the North Underworld, its name is Kun, and the size of Kun does not know how many thousands of miles", such a stalk.

In addition, it also integrates traditional elements such as "Mountain Troubled Chain, Sea Liquid Busun Sutra", "Sou Shen Ji" and so on, and the scenes in the film also originate from the stupid tulou of the Chinese Hakka, and the whole film has a strong Chinese style.

I think "Big Fish and Begonia", as a domestic animation, can be said to be full of national style and well-made, most people hate Tsubaki probably because of her attitude towards Chun, and the sacrifice of the lives of relatives, friends and villagers around her in order to save Kun. But I think it's a little inappropriate to evaluate Tsubaki's behavior from God's perspective.,After all, it's normal for Tsubaki to grow up together as a brother.,Even if you know that Tsubaki likes Tsubaki.,Tsubaki must like him.,The little girl who loves the lead head to give everything for the recognition she likes.,Lead resistant but she didn't know to pay such a big price.,Later, Tsubaki didn't also regret guilt.,And choose to sacrifice yourself in order to save the villagers.,Isn't love supposed to be like this., I love you, I'm willing to give everything for you, I love Tsubaki is willing to sacrifice himself to meet his wishes, Tsubaki is also willing to sacrifice himself in order to save Kun, out of the will of the parties to do it, even if Tsubaki stops Tsubaki, Tsubaki will not listen to the number of acacre, the love of young girls is vigorous, I think everyone has a time when they are fighting for love in their youth, so no one can criticize anyone, how can right and wrong be so clear. What you say about the three views of regret is just not in line with your expectations, and what you want to shoot is not what I want, that is, to destroy the three views.