Does Bai Juyi have descendants? Why is Bai Juyi called by later generations?

Let me tell you, our Chinese teacher is Bai Juyi's fiftieth generation. I kid you not.

Bai Jingshou, the son of his stepbrother Bai Youwen, is the son, and the descendants are all the descendants of Bai Jingshou. However, it is also said that Bai Jingshou is the son of his younger brother Bai Xingjian.

No, my dad said that he had seen a family tree in junior high school, and Bai Juyi was our ancestor, Gongyi, Henan.

Bai Juyi was old enough to have a son, but he died before he was a minor, as long as anyone who understands it, he will know.

The daughter is married. Later, Bai Juyi's manuscripts and everything were passed on to his grandson. Whether he has it or not, you can judge for yourself.

Similarly, Sima Qian, whose historical manuscripts were passed on to his daughter.

and Li Bai, who has only two granddaughters left, who are also married.

After Changzhou, Jiangsu (Jinling) seems to have Bai Juyi, you can search for the specific situation on the Internet about the family tree.

Probably not! Who knows, if any?

Bai Juyi is known as the "Poetry Demon" and the "Poetry King".

Bai Juyi (772--846), a poet of the Tang Dynasty, was a poet of the Tang Dynasty, a monk of Xiangshan, and his ancestral home was Taiyuan (now Shanxi). By the time of his great-grandfather, he moved to Xiaqi (pronounced guī) (present-day Weinanbei, Shaanxi). A famous poet of the Tang Dynasty, he was called "Li Dubai" along with Li Bai and Du Fu.

Bai Juyi's poems are full of charm and are appreciated by both the elegant and vulgar, even ordinary old ladies can understand them, and they are widely circulated. He wrote more than 3,000 poems in his lifetime, and in the "Nine Books of the Yuan Dynasty", he wrote, "beside the shed, so that the mouth and tongue became sores, and the elbow became a callus". It means that after reading for a long time, his tongue is sore, he keeps writing, and his elbows are covered and calluses are long, so the world is called "the king of poetry".

He writes poems very hard, Bai Juyi's poem "Drunken Yin" has self-proclaimed: "Drunken madness and poetry demonic hair, knowing the spring afternoon sorrow to the west" verses, which means that after drinking alcohol, he becomes crazy and causes poetry to be self-controlled, like falling into a demon, composing poems from noon to sunset. According to the extended information that people have since called "poetry and demons", Bai Juyi was a jinshi in the fifteenth year of Zhenyuan (798), and served as a bachelor of Hanlin, and left to pick up the remains.

Because of his outspokenness, he belittled Sima in Jiangzhou and moved to Zhongzhou to assassinate history. Later, he was called to be the main guest Lang, and he knew the system. During the Taihe period, he served as the prince's guest and the prince's young master.

In the second year of Huichang (842), he was the secretary of the criminal department and died at the age of seventy-five. In his later years, he became the prince and the young master, nicknamed "Wen", and was known as Bai Fu and Bai Wengong. In literature, he actively advocated the New Yuefu Movement, advocated that articles should be written for the time and poems should be written for things, and wrote many poems that lamented the times and reflected the people's suffering, which had a great influence on later generations.

He is a very important poet in the history of Chinese literature. The basic style of Bai Juyi's poetry is plain and shallow, clear and popular. Ease means to use ordinary words, write about ordinary things, understand nature, and everyone can appreciate it.

In the white poems, the allegorical poems are mainly characterized by the prominent themes. The poet pursues that the poem has a clear theme, and will choose the most typical thing and write around a theme. White poems are mostly narrative poems.

The poet skillfully combines narration and argumentation. The characteristics of Bai Juyi's poetry are also manifested in the narration, in which Bai Juyi often makes comments to evaluate the things he narrates, so as to express his ambition. In terms of portraying characters, the poet is good at capturing the characteristics of the characters, and uses the writing method of white drawing to portray a distinctive character image, so that the reader can feel a vivid story.

The artistic characteristics of allegorical poetry also lie in the strong contrast in the poems, the use of simple words, the language is simple, easy to understand, vivid and natural.

Bai Juyi (772 846), the word Lezhi Zhitian, known as Xiangshan Jushi, also known as Mr. Zuiyin, ancestral home in Taiyuan, Shanxi, to his great-grandfather moved to Xia, born in Xinzheng, Henan. He was a great realist poet of the Tang Dynasty and one of the three major poets of the Tang Dynasty. It is called "Yuan Bai" with Yuan Zhen, and it is called "Liu Bai" with Liu Yuxi.

It is known as the "Poetry Demon" and the "Poetry King".

He advocated the New Yuefu Movement with Yuan Zhen, and the official was a bachelor of Hanlin and a doctor of Zuo Zanshan.

His poems cover a wide range of subjects, form a variety of forms, and speak plain and accessible language. There is "Bai's Changqing Collection" handed down, and representative poems include "Long Wheel Hate Song", "Charcoal Seller", "Pipa Xing" and so on.

In 846 AD, he died in Luoyang and was buried in Xiangshan.

He was one of the three great poets of the Tang Dynasty and was known as the Poet Demon.

Bai Juyi's poetic thought and its influence on later generations:

Bai Juyi's poetic theory and thought synthesize the three schools of Confucianism, Buddhism and Taoism, and is guided by Confucianism's "if you are poor, you will be good alone, and if you are good, you will help the world".

Bai Juyi not only left a lot of poems in his life, but also put forward a whole set of poetry theories. He likened poetry to a fruit tree, and put forward the famous thesis of "root feelings, seedling words, huasheng, and real meaning". Love is the content of the poem, speech and harmony are the expression of the poem, and righteousness is the social effect of the poem.

The creative style of Bai Juyi's poetry was quite controversial in later generations. Some people say that he is "vulgar", that he is "shallow", that he is rich and noble, and that he has a vulgar side with a low style, lacking the subtle charm and the momentum of suppression and frustration. But his success works, many can be done"Words are shallow and thoughtful, meaning is subtle and words are obvious"It contains far-reaching ideological interest in the simple and approachable form, which effectively shows the important achievements of the popularization and popularization of white poetry.

Bai Juyi's poetry had a great influence on later literature. Many poets of the late Tang Dynasty were inspired by Bai Juyi's poetic style in different aspects and to varying degrees. In addition, many playwrights in the Yuan, Ming and Qing dynasties used the stories of Bai Juyi's works as the theme to write operas, such as "Song of Long Hatred" evolved into Bai Pu's "Wutong Rain", and "Pipa Xing" evolved into Ma Zhiyuan's "Tears of Green Shirts".

Many of the words and phrases of Bai poems were also used in the Song, Yuan, and Ming dialects. In addition to poetry, Bai Juyi's writing is also very distinctive, and he has promoted the innovation of prose with his creative practice.

Bai Juyi: The word Lotte, the name Xiangshan Jushi, also known as Mr. Drunken Yin, is a great realist poet of the Tang Dynasty and one of the three major poets of the Tang Dynasty. Bai Juyi and Yuan Zhi jointly advocated the New Yuefu Movement, known as "Yuan Bai", and Liu Yuxi was called "Liu Bai".

Bai Juyi's poems have a wide range of themes, diverse forms, and easy and popular language, and are known as "poetry demons" and "poetry kings".

Bai Juyi writes poems very hard, as he himself said: "The wine madness leads the poetry and the devil, and the day and afternoon are sad to the west." "Excessive recitation, travel, reading, and writing, to the point where the tongue is full of scabies, and the fingers are calloused. That's why it's called "poetry demon".

"Poetry Demon" and "Poetry King".

Bai Juyi (772-846), the word Lotte, the name Xiangshan Jushi, also known as Mr. Zuiyin, his ancestral home is Taiyuan, Shanxi, and he moved to Xiatai when his great-grandfather was born in Xinzheng, Henan. He was a great realist poet of the Tang Dynasty and one of the three major poets of the Tang Dynasty. Bai Juyi and Yuan Zhi jointly advocated the New Yuefu Movement, known as "Yuan Bai", and Liu Yuxi was called "Liu Bai".

Bai Juyi was a great poet with great influence in the Middle and Tang dynasties, and his poetic ideas and poetry creation, with his prominent emphasis on popularity and realism, and his full expression of popularity, occupy an important position in the history of Chinese poetry.

Bai Juyi's influence on the outside world

1. Japan's research on Bai Juyi has entered the stage of specialization and slowing down forest very early. The Japanese academic community has established the Bai Juyi Research Society very early on, and regularly publishes and publishes the latest research articles. The "Bai Juyi Research Yearbook", published by Japan's Miancheng Publishing House in 2018, studies Bai Juyi's poetry with the theme of "drinking and eating tea".

Japanese scholars who specialize in the study of Bai Juyi have also inherited the past and the future, and there have been many masters.

For example, Professor Hideki Taidou Hanabo, who studied Chinese Tang Dynasty literature, Yasuzo Kawai, professor emeritus at Kyoto University, and Naito Hunan and Miyazaki Ichisada of the Kyoto School in Japan, who put forward the "Tang and Song Dynasty Theory of Change", have all studied Bai Juyi a lot.

2. During Bai Juyi's lifetime, a large number of poems were introduced to the Korean Peninsula and had a great influence on the early literary creation of the local area. To this day, there are still some rare editions of that time in Korea, such as the Dunhuang fragment "Bai Juyi Poems" now in the collection of Seoul National University, the Song Shaoxing "Bai's Anthology", the Ming Dynasty Ma Yuan tune "Bai's Changqing Collection", the Ming carved version of "Bai's Celin", the Qing Dynasty Wang Liming's "Baixiangshan Poems" and so on.

In particular, the writers and poets of the Goryeo and Joseon dynasties not only imitated Bai Juyi's "Song of Long Hatred" and "Pipa Xing" and other famous works to create, and used a large number of Bai Juyi's poems, but also directly incorporated Bai Juyi's life anecdotes into the poems. Among them, the famous poet Heo Yun of the Joseon Dynasty is the representative, who wrote 25 poems of "Hebaek".

Bai Juyi has only one son.

Bai Juyi was born in Xinzheng, Henan Province in 772 AD, the word Lotte Xiangshan Jushi is also called Mr. Drunken Yin Bai Juyi (772 846), the word Lotte, the number Xiangshan Jushi, also known as Mr. Drunken Yin, Bai Juyi's ancestral home is Taiyuan, Shanxi, is a realist poet in the Tang Dynasty, and one of the three major poets in the Tang Dynasty.

There are many forms in the poems written by Bai Juyi, and at the same time, Bai Juyi's poetry language is very easy and popular, and in the Tang Dynasty, he was called the poet demon and the king of poetry.

In 846 AD, Bai Juyi died in Luoyang at the age of 75, Bai Juyi had only one son in his life, his name was Bai Acui, but there is no specific record of Bai Acui in history.