Bai Juyi s hometown, who are Bai Juyi s descendants

His ancestral home is Taiyuan, Shanxi.

Born in Weinan, Shaanxi.

Later generations all have the surname Bai.

Bai Juyi's hometown is in Luoyang, Henan.

Bai Juyi is known as the "Poetry Demon" and the "Poetry King".

Bai Juyi (772--846), a poet of the Tang Dynasty, was a poet of the Tang Dynasty, a monk of Xiangshan, and his ancestral home was Taiyuan (now Shanxi). By the time of his great-grandfather, he moved to Xiaqi (pronounced guī) (present-day Weinanbei, Shaanxi). A famous poet of the Tang Dynasty, he was called "Li Dubai" along with Li Bai and Du Fu.

Bai Juyi's poems are full of charm and are appreciated by both the elegant and vulgar, even ordinary old ladies can understand them, and they are widely circulated. He wrote more than 3,000 poems in his lifetime, and in the "Nine Books of the Yuan Dynasty", he wrote, "beside the shed, so that the mouth and tongue became sores, and the elbow became a callus". It means that after reading for a long time, his tongue is sore, he keeps writing, and his elbows are covered and calluses are long, so the world is called "the king of poetry".

He writes poems very hard, Bai Juyi's poem "Drunken Yin" has self-proclaimed: "Drunken madness and poetry demonic hair, knowing the spring afternoon sorrow to the west" verses, which means that after drinking alcohol, he becomes crazy and causes poetry to be self-controlled, like falling into a demon, composing poems from noon to sunset. According to the extended information that people have since called "poetry and demons", Bai Juyi was a jinshi in the fifteenth year of Zhenyuan (798), and served as a bachelor of Hanlin, and left to pick up the remains.

Because of his outspokenness, he belittled Sima in Jiangzhou and moved to Zhongzhou to assassinate history. Later, he was called to be the main guest Lang, and he knew the system. During the Taihe period, he served as the prince's guest and the prince's young master.

In the second year of Huichang (842), he was the secretary of the criminal department and died at the age of seventy-five. In his later years, he became the prince and the young master, nicknamed "Wen", and was known as Bai Fu and Bai Wengong. In literature, he actively advocated the New Yuefu Movement, advocated that articles should be written for the time and poems should be written for things, and wrote many poems that lamented the times and reflected the people's suffering, which had a great influence on later generations.

He is a very important poet in the history of Chinese literature. The basic style of Bai Juyi's poetry is plain and shallow, clear and popular. Ease means to use ordinary words, write about ordinary things, understand nature, and everyone can appreciate it.

In the white poems, the allegorical poems are mainly characterized by the prominent themes. The poet pursues that the poem has a clear theme, and will choose the most typical thing and write around a theme. White poems are mostly narrative poems.

The poet skillfully combines narration and argumentation. The characteristics of Bai Juyi's poetry are also manifested in the narration, in which Bai Juyi often makes comments to evaluate the things he narrates, so as to express his ambition. In terms of portraying characters, the poet is good at capturing the characteristics of the characters, and uses the writing method of white drawing to portray a distinctive character image, so that the reader can feel a vivid story.

The artistic characteristics of allegorical poetry also lie in the strong contrast in the poems, the use of simple words, the language is simple, easy to understand, vivid and natural.

Bai Juyi (772 846), the word Lezhi Zhitian, known as Xiangshan Jushi, also known as Mr. Zuiyin, ancestral home in Taiyuan, Shanxi, to his great-grandfather moved to Xia, born in Xinzheng, Henan. He was a great realist poet of the Tang Dynasty and one of the three major poets of the Tang Dynasty. It is called "Yuan Bai" with Yuan Zhen, and it is called "Liu Bai" with Liu Yuxi.

It is known as the "Poetry Demon" and the "Poetry King".

He advocated the New Yuefu Movement with Yuan Zhen, and the official was a bachelor of Hanlin and a doctor of Zuo Zanshan.

His poems cover a wide range of subjects, form a variety of forms, and speak plain and accessible language. There is "Bai's Changqing Collection" handed down, and representative poems include "Long Wheel Hate Song", "Charcoal Seller", "Pipa Xing" and so on.

In 846 AD, he died in Luoyang and was buried in Xiangshan.

He was one of the three great poets of the Tang Dynasty and was known as the Poet Demon.

Bai Juyi: The word Lotte, the name Xiangshan Jushi, also known as Mr. Drunken Yin, is a great realist poet of the Tang Dynasty and one of the three major poets of the Tang Dynasty. Bai Juyi and Yuan Zhi jointly advocated the New Yuefu Movement, known as "Yuan Bai", and Liu Yuxi was called "Liu Bai".

Bai Juyi's poems have a wide range of themes, diverse forms, and easy and popular language, and are known as "poetry demons" and "poetry kings".

Bai Juyi writes poems very hard, as he himself said: "The wine madness leads the poetry and the devil, and the day and afternoon are sad to the west." "Excessive recitation, travel, reading, and writing, to the point where the tongue is full of scabies, and the fingers are calloused. That's why it's called "poetry demon".

"Poetry Demon" and "Poetry King".

Bai Juyi (772-846), the word Lotte, the name Xiangshan Jushi, also known as Mr. Zuiyin, his ancestral home is Taiyuan, Shanxi, and he moved to Xiatai when his great-grandfather was born in Xinzheng, Henan. He was a great realist poet of the Tang Dynasty and one of the three major poets of the Tang Dynasty. Bai Juyi and Yuan Zhi jointly advocated the New Yuefu Movement, known as "Yuan Bai", and Liu Yuxi was called "Liu Bai".

Bai Juyi was a great poet with great influence in the Middle and Tang dynasties, and his poetic ideas and poetry creation, with his prominent emphasis on popularity and realism, and his full expression of popularity, occupy an important position in the history of Chinese poetry.

Bai Juyi's influence on the outside world

1. Japan's research on Bai Juyi has entered the stage of specialization and slowing down forest very early. The Japanese academic community has established the Bai Juyi Research Society very early on, and regularly publishes and publishes the latest research articles. The "Bai Juyi Research Yearbook", published by Japan's Miancheng Publishing House in 2018, studies Bai Juyi's poetry with the theme of "drinking and eating tea".

Japanese scholars who specialize in the study of Bai Juyi have also inherited the past and the future, and there have been many masters.

For example, Professor Hideki Taidou Hanabo, who studied Chinese Tang Dynasty literature, Yasuzo Kawai, professor emeritus at Kyoto University, and Naito Hunan and Miyazaki Ichisada of the Kyoto School in Japan, who put forward the "Tang and Song Dynasty Theory of Change", have all studied Bai Juyi a lot.

2. During Bai Juyi's lifetime, a large number of poems were introduced to the Korean Peninsula and had a great influence on the early literary creation of the local area. To this day, there are still some rare editions of that time in Korea, such as the Dunhuang fragment "Bai Juyi Poems" now in the collection of Seoul National University, the Song Shaoxing "Bai's Anthology", the Ming Dynasty Ma Yuan tune "Bai's Changqing Collection", the Ming carved version of "Bai's Celin", the Qing Dynasty Wang Liming's "Baixiangshan Poems" and so on.

In particular, the writers and poets of the Goryeo and Joseon dynasties not only imitated Bai Juyi's "Song of Long Hatred" and "Pipa Xing" and other famous works to create, and used a large number of Bai Juyi's poems, but also directly incorporated Bai Juyi's life anecdotes into the poems. Among them, the famous poet Heo Yun of the Joseon Dynasty is the representative, who wrote 25 poems of "Hebaek".