Discuss the influence of ancient mythology on world literature

The influences of ancient Chinese mythology on literature are:

1. The artistic rules of mythology suggest the direction for the development of literature in later generations. On the one hand, the theme of life created by mythology has in fact become the mainstream and tradition of China's literary development for thousands of years. And the formation of this tradition contains important factors accumulated by mythology.

On the other hand, the emotional, figurative and imaginative characteristics of mythology undoubtedly guided the development of literary aesthetic ideals in later generations.

2. The rich and colorful mythological works have become an inexhaustible source of themes for later generations of literary creation. From the literary collection "Book of Songs" to modern literary creation, from poetry and prose to opera**, all of them have been nourished by mythology.

3. Mythology has become the material of literature, which is the most direct and obvious influence of mythology on literature, in addition, mythology has also influenced the types of ancient literature, forming totemic literature, outcast literature, death literature, dream literature and other thematic literary types.

4. Mythology is the source of the world, and it is the earliest form of expression, and the story of the gods and monsters is the story of the gods, immortals, spirits, and monsters, which is the prototype of ancient China.

5. In the creation of ancient prose, mythology was requisitioned and transformed as the subject matter and material of prose, and became the protagonist of propaganda political propositions and theoretical opinions.

First of allThe Classic of Mountains and SeasIt is one of the most complete books of ancient mythological materials in China. The Classic of Mountains and Seas was written from the early Warring States period to the early Han Dynasty. It should be wizards and alchemists from different eras.

It was compiled according to the information circulating at the time. In fact, it is a book of the nature of a folk primitive religion. The book is divided into five volumes of the "Mountain Classic", four volumes of the Outer Classic, five volumes of the Outer Classic, and rhubarb.

Sutra in four volumes. pharmacies, etc., which preserve myths such as "pipa controls water", "kufu chases the sun", "warp and weft open the sea".

Then there is "General Customs". Carrying Nuwa.

The myth of making man out of soil shows the simple understanding of the material origin of human beings by the ancestors of the north, and the concept of rich and poor is the product of class and social hierarchy, which is a later generation. Because of her meritorious work in creating people, Nuwa was revered as a god of high worship in later generations, specializing in the marriage of men and women. This myth combines human beings and all things with the same origin, symbiosis and sympathy, blends with each other, distinguishes between things and self, and simply recognizes the materiality of the world.

And then there's"Strange Tales".As a concentrated embodiment of the thoughts of the primitive ancestors, mythology embodies the thoughts and feelings of the ancestors towards themselves and the outside world, and contains strong emotional factors. It can be said that the significance of myth as an archetype is more important than its significance as a material. When Qu Yuan.

When he was hit hard in the real world, he resolutely turned to ancient mythology and traveled the heavens. And Pu Songling.

"Strange Tales" not only regards mythology as material, but also regards all spiritual sustenance as a rejection of this unfair world.

And then there is the myth of heroes. The heroic myth shows the initial awakening of the consciousness of the ancestors, who vaguely realized that man is the center of the world and the master of the universe. Its protagonists are demigods or "heroes" supported by divine powers.

There are many such myths, the more famous ones are "Marlin Controlling Water" and "Hou Yi Shooting the Sun".

The former is based on the reality of the ancient ancestors' flood fighting. When the flood was raging, Kun stepped forward to save people. Because he "didn't wait for the emperor's orders" to steal soil and water, he was killed in Yujiao. Continuing his unfinished business.

The main work of ancient mythology recorded in the history of literature is the "Classic of Mountains and Seas", in this work, we can see many mythological prototypes, and even many of our modern mythological prototypes can also be found in the Classic of Mountains and Seas, which can be said to be the originator of mythology. And in this work, what we can see is not the most superficial and superficial ghosts and gods, but more of a certain connotationBecause the Classic of Mountains and Seas was created by the ancients, they would express their thoughts to a certain extent when they created it. <>

People do not deliberately integrate their own ideas into it when creating, they express their views and opinions on nature and society in an unconscious way, and in mythology they often take gods as the protagonists, and some of these characters are supernatural gods, such as gods and gods, and some are heroes who have been processed by people's brains, these heroes can go to heaven and earth, and they have done a lot of good things for human beings. <>

The Book of Mountains and Seas was written by shamans of different eras, and for them, this work was a tool for them to spread their ideas at the time, but for us today, it is a tool to understand the thoughts of the people at that time. What kind of emotions do people give to them from some of the main ideas? First of all, there is a vivid sense of distress in the work, take the Nuwa mending the sky we have learned as an example, when her daughter mends the sky, she is not afraid of difficulties and dangers, bravely looking for tools to mend the sky, for her he can completely ignore this matter, but he is through hard work.

The tenacity to resist these natural disasters reflects the ancestors' views on disasters and what kind of attitudes people will adopt in the face of disasters. Related to this is also a strong sense of resistance, "Xingtian Dance is a dry relative, and the fierce will is always there", he has to resist even if he is beheaded, which also reflects a sense of resistance of people at that time, which also has a great impact on the development of the entire national spirit. <>

These myths are full of romance, perhaps for us today are just some of the most primitive and basic myths, but they contain the endless spiritual power in the whole process of national development, we must learn the connotation of it, and constantly enrich our spiritual world.

The Classic of Mountains and Seas, Huainanzi, Zhuangzi. These three works mainly record ancient myths. There are many myths and stories in the Book of Mountains and Seas, such as Jingwei reclamation, and praise the father day by day.

Journey to the West, The Classic of Mountains and Seas, Huainanzi, Romance of Ancient Myths, Strange Tales and other works are all very good ancient myths.

There are three main works, namely the Classic of Mountains and Seas, Huainanzi, and Zhuangzi. There are many myths and stories in the Classic of Mountains and Seas, which we are all familiar with, such as Jingwei reclamation.

Nuwa mends the sky, Nuwa creates people, Pangu opens the sky, Houyi shoots the sun, Jingwei reclamation, and the Yellow Emperor fights Chiyou, these are the main works of the time.

It provides rich materials for literary creation, and opens up a broad space for literary creation in terms of expression and creative techniques.

Ancient Chinese mythology is a story of ancient human beings using imagination to reflect natural and social life, reflecting the unique ideology of primitive human beings, and it reflects the life and ideals of human beings in that era through the form of fantasy.

The structural and basic ideological characteristics of Chinese mythology have become the most fundamental elements that determine the structure and style of Chinese lyrical literature. The primitive simplicity, regionality, and epochality of mythology have laid a solid foundation for the lyrical tradition of Chinese literary narratives. Its peculiar fantasy, vivid plot, and successful use of exaggeration have all had a profound impact on later writers.

Ancient mythology was created orally by the people collectively, due to the low level of ancient science, many natural phenomena could not be explained at that time, so people used imagination and the general yearning of the society to derive the literary genre of mythology.

Myths express the worship of superpowers, struggles, and the pursuit of ideals and cultural phenomena to understand and imagine stories, which belong to the category of folk literature and have a high philosophical and artistic quality. For thousands of years, it has been an immortal source of creation for literati and folk artists, and has had a profound impact on later generations.

At the same time, mythology is not a scientific reflection of real life, or a fiction, but a result of ancient times, when human beings began to think and explore nature and combine it with their own imagination.

In addition, religion is a cultural phenomenon that has emerged in the development of human society to a certain historical stage, and belongs to the special ideology of society. In the old days, due to man's unknown exploration of nature and the expression of man's pursuit of immortal liberation, he believed that there was a supernatural mysterious force or entity outside the real world, which made people awe and worship the mystery, thus leading to the belief cognition and ritual living dust lead system, and folk mythology, it also has its own myths and legends, which are connected with each other, and it is a kind of spiritual sustenance.

Mythology is the product of the worship of nature by the ancient ancestors, which embodies the wisdom of the ancient ancestors, and will naturally have an important impact on future generations, and there are three main points for literary creation. 1. Myths and stories, as the material of literary creation, nourishes the literary creation of later generations and provides more material content for the creation of later generations; 2. The artistic image in the myth is used as the prototype (including the original imagery, meaning, emotion, etc.) to entrust the creator's emotions; 3. The indomitable spirit embodied in the myth. The dying positive Romanticism style (musicality culture) influenced later works.

The influence of mythology on later generations is manifold.

Mythology is the direct source of a variety of later narrative literary genres, such as **, drama, etc. Mythology has opened up a wide range of imagination space for later literary creation, such as China's poems imitating Zi Hu Ren Qu Yuan, Li Jifubai, Du Fu, Su Shi, Tang Xianzu, etc., European and American writers such as Shakespeare, Byron, Goethe, Pushkin, Indian writer Karm Chand, etc., their works can clearly see the influence of mythology. Mythology has provided rich materials for reference and reference for later literary creation, and has provided reference and examples for writers in many aspects such as language expression, plot conception, and theme arrangement.

For example, the classical Chinese masterpieces "Journey to the West" and "Dream of the Red Chamber" can be very directly seen in the influence of antiquity. The dictionaries of ancient Chinese creation and the archetypal theory of Freud in the West also illustrate the extensive and in-depth influence of ancient mythology on the literary creation of later generations.