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Many students don't pay much attention to the performance of the character's hair, so that the facial features in the work are well drawn, but the hair treatment is very naïve. The hair does have some difficulty in expressing, it does not have a distinct structure like the face, nor does it have "interesting" details like the facial features, it is black and fluffy attached to the head, making it difficult to distinguish which is the main point of the depiction. But the hair occupies a large area of the head and involves a large section of the silhouette of the portrait.
Hair is also an important aspect of a character's personality, so attention should be paid to the expression of hair. (1) The hair should reflect the main physical characteristics of the head. Regardless of the subject's hairstyle, pay attention to its spherical features.
It is a whole with the structure of the face, with the same light and dark junctions, reflections and highlights. Because of the smooth surface of a person's hair, there are highlights, which are made up of bent hairs. When expressing, it should be noted that it is different from the general highlight form, and if it is not drawn well, it will look like a "white spot" or a gray head.
2) Pay attention to the changes in the outer contour of the hair. Different hairstyles have a certain impact on the outer contour. Simple hairstyles have simple changes to the outer contour, and vice versa is complicated.
Since the hue of the hair is important, the changes in the outer contour are mainly dealt with by the virtual and real means of sketching. (3) Pay attention to the way the hair and face are connected. The sideburns part is a transitional form, and the hairline part has a certain thickness, which creates a projection on the forehead.
4) Hairstyle can not only reflect the gender of the character, but also an important aspect of the character's personality and hobbies. There are many variations of hairstyles, and no matter what kind of hairstyle, it is important to pay attention to the sheer condensation of the structure, intersperse, and structure of the hair. In head sketching, the expression of hair is very important, and it is hoped that learners will study its performance with the attitude of studying the five senses, and at the same time pay attention to its primary and secondary relationships in the whole head.
If you're drawing a heavy one, if your hair doesn't go deep, you can use charcoal, but you can't draw it, and you can look at the whole hair with a block, find the darkest spots and highlights, and the lines will be random, and you'll shape your hair as if it's a black still life, and remember that it's real and imaginary, and don't draw in a framed frame, and if you want to sketch it, bring your hair out, and remember that it's round! The painted area is rubbed with plasticine and connected to the face, not too stiff, and the shadow of the hair reflected on the face
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Let's tell you this, you first draw the volume of the head, like a spherical body, pay attention to the structure of the skull, make sure to draw the shadows, and then blur, and then line the lines according to the direction of the hair, and then delicately depict the most important part of it, don't depict it all.
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1. First draw a circle, (don't draw a compass otherwise it's unnatural).
2. The circle should not be too much and the circle should be elliptical (because it is not a 0° and 90° head).
3, and then the most critical parts are coming, first draw a long arc on the circle, penetrate the circle, pay attention to the length (easy to locate).
4. Then, according to the arc to draw the length of the character's chin and face to decide (that line is the tip of the chin anyway).
5, Okay, the face shape is basically determined, but have you decided that the picture is not vivid and rigid?
6. So, to concave an arc under the circle, be careful not to destroy the circle (yes, don't.) )
7. Dangdang! The silhouette is out. Next, we need to locate the five senses! Roar
8. Then, draw again on your circle! Two! guides are in a circle this time.
9. These two lines are curves and should be rounded. Because it determines the direction in which the character's eyes are looking, the lines are parallel curves.
10, OKOK Now the character's face has been divided into 3 petals by you (a little scary. )
11, the middle grid is the character's eye part is divided into the left eye and the right eye by the longitudinal auxiliary line.
12,The upper half is the head.,This book makes girls who draw bangs popular because the line at the top plays an auxiliary role.。
13, roar, the lower part is the mouth, pay attention, if it is not that kind of extreme expression, the mouth should be drawn on the longitudinal auxiliary line.
14. Finally, draw the head shape of your character.
15, done!
Haha, that. Am I speaking vividly? I hope it helps you, I'm teaching with my heart, and you can find me if you have any other questions about painting (Note; I'm not copying) == hehe
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The hair is a little difficult to express, it does not have a distinct structure like the face, nor does it have "interesting" details like the facial features, it is black and fluffy attached to the head, so that it is impossible to distinguish where the focus should be depicted. However, the hair occupies a large area of the head and involves a large contour of the portrait, and the hairstyle is an important aspect of the character's character.
Sketch of hair:
Step 1: Analyze the light and dark changes by attaching to the skull structure.
Step 2: Draw in groups, just like the hair made of a plaster cast is made in groups, each group has a light and dark side.
Step 3: Focus on the portrayal, summarize the other places.
Note: Be sure to find out the characteristics of the character's hair, whether it is parted in the middle, parted sideways, cocked, or large and small curls, etc.
Before the specific operation, there needs to be a holistic concept, and it must be a combination of virtual and real. Every part of the sketch head needs to be drawn, but if you depict everything you see, there will be some variations missing. Therefore, in dealing with the picture, we must focus on the key points.
To sketch hair, it is necessary to achieve a combination of lines and surfaces. Hair is indeed a thread, but many threads will look fake when combined, so it must be combined with the surface, and pay attention to the combination of the line and the surface, so as not to be distorted.
At the same time, chiaroscuro is also the key to pay attention to when sketching hair. Meticulous observation and appropriate light and shade changes can well highlight the layering of hair, even a small white hair, in different parts, due to the different light, there is a noticeable change in gloss. Therefore, if you want to draw your hair well, you must first grasp the light source of the environment in which the character is located, and then cut it into facets to depict it.
Generally speaking, the depiction of hair can be divided into three sides: black, gray and white, and after the division is completed, the hair is depicted in groups, and after the grouping is completed, the depiction of specific hair strands is completed.
Such a way from big to small preserves the realism of the hair to the greatest extent and does not look messy and unreal. If you are an elderly person, you should leave the depiction of gray hair blank in the appropriate place, otherwise you will not be able to stop once you draw it. You can't just rely on an eraser to wipe it.
By leaving a large area of white space and then gradually narrowing it down, this method depicts gray hair with a better effect. In addition, when drawing hair, it is necessary to modify the characteristics of the character according to their gender, age, and other characteristics to depict their own characteristics.
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Pay attention to the reflection, and also look at how the book is given.
I suggest that you should copy the human head first, and then sketch.
Sketching itself is based on the foundation. It is also necessary to have a good understanding of the structure of the head, the outer contour of the head and the contour of the face, the position of the facial features, etc. It is necessary to grasp the bones and major muscles to perform. >>>More
You can draw more sketches of the structure and plaster heads >>>More
Volume? I don't really understand.
Somatosensory: To have a sense of form, first understand the head as a cube, distinguish several turning surfaces, and understand the facial features as geometric bodies, such as the mouth is a cut cylinder, the nose is a trapezoidal mechanical shape, and the eyes are part of a sphere. Then find the boundary between light and dark at the turning point of the structure, and the dark part should be reflective, so that it can be breathable. >>>More
Now to grasp the big relationship, start from the composition, separate the front, middle, and back, and then draw small things, add your own subjective meaning, and make appropriate adjustments. Then the color is on, now draw a large color block, and at the same time pay attention to the distant things to paint gray, near things to be brighter, the color difference is pulled apart, the middle color should be connected with the front and ,,。 It's pretty much the same,Pay attention to yourself to extract the beautiful scenery,,Cut out the bad scenery It's important to pay attention to the environmental color when painting outside,,Make the color richer,,The color is more beautiful
Observe carefully, after drawing a part each time, you should observe whether the overall light and shade are reasonable, in addition, it is best to draw the darkest part first, then draw the darker place, and finally draw the shallow place, in an orderly manner.