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You can draw more sketches of the structure and plaster heads
Recognize the skull structure and facial muscles and then remember, every time you draw a stroke on the paper, you must be clear about what you are painting like this, buy a sketch of the structure of the head to paint, but to choose well, can help you improve a lot, gouache, you also need to draw more sketches of the structure of the still life, clear structure and shadow, that is, the relationship between light and dark, usually when painting gouache, you can divide a sketch into several pieces to paint, the first step of configuration, at this time to take their proportions and arrangement positions, good composition points are also high
The third step is to improve the background color, slowly enrich the color of the object and the color of the interlining, this is to see if you can accurately grasp the color of the object and whether you can skillfully apply gouache to paint.
The fourth step is to slowly improve the rich repair, after all, the previous steps may also destroy the shape, at this time you can slowly adjust, not to say that it is very moving, but to slowly adjust carefully, and then carefully draw reflections and highlights.
In this way, your painting will look very rich and layered, and the natural score will not be low, but one thing to note is that you need to strictly control your time when you usually practice, don't relax a little, especially sketching, to slowly shorten the time, when we take the exam, the sketch is three hours, I don't know if you are the same, anyway, if it is three hours, the sketch is best completed in two and a half hours, so that you can have half an hour to check and repair, this time is very important, You can draw more deeply than others, and the sketch that was originally completed in three hours is not very detailed, so you can have time to slowly retouch your drawing, but if you draw too finely, there is no need, after all, it is not required by the exam Grasp these points yourself, and you will definitely be able to learn well
The above is all about experience, pure manual input, I hope to help you I wish you a good result
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In the third year of high school, there will be 2 or 3 months of intensive training, so you should pay close attention to practice. The avatar needs to understand the distribution of bones, and the gouache depends on the school you want to go to to to determine what style to draw.
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The avatar should figure out the direction of the human facial muscle structure and the relationship between light and shadow. Gouache's personal color feeling is very important, and it is necessary to analyze the color coldness and warmth rationally.
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Tell me about my experience
1: Look more at the fan's painting and the master's sketching techniques The depiction of light and shadow and the light and shade of the virtual and the real.
2: Draw more, you can't just look at the master, the low quantity can change qualitatively, and you must draw completely, and you must make progress one by one.
3: Think more, read it, draw it, and realize that what you realize is your own, otherwise you will never learn well and you will not be able to break through the bottleneck.
And you can look at other things, such as photography, sculpture, architecture, design, and art are all connected. Anything can inspire you.
Finally, I wish you progress in your studies, and if you have any questions, you can communicate with you
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Most of the qualitative changes in sketches depend on quantitative changes! When painting gouache, you can use the paint as much as you waste! Be bold!
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In the face of this kind of test-oriented sketching, if you want to draw a sketch head well, you must first master the structure of the head, and then the sketch will be a matter of course.
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1. Finding color is to find the inherent color of the object, and the color tendency in its object is also very important, generally a group of still life is warmer on the light-receiving surface, and colder on the backlight surface (such as the light-receiving surface is yellow, and the backlight surface is blue).
2. The dark part should be painted with a darker color, the middle color is the inherent color of the object, and the bright part is generally brighter. Purer colors. to create a sense of volume for the object.
3. The spatial relationship of a group of still life should be opened with cold and warm, as well as the pure and gray before and after, the light-receiving surface of the object and the place close to you should be used with a relatively pure color, if the bright side is warm, you can add a little warm color such as yellow, red and so on (depending on the specific color of the still life).Instead, use a grayer shade for the farther away from you, and a cool shade for the backlit side.
4 For example, if you draw a yellow apple, you can draw a little purple on its reflection, but not too pure (the complementary color of yellow is purple), which can improve the brightness of the object without using solid color.
5. The contrast between cold and warm refers to the contrast between the cold and warm tones of the lighted surface and the backlight surface of the object, if the lighted surface is warmer, the backlight side is colder, or the opposite. This allows you to enhance the sense of volume and add tone.
1. The virtual and real in the sketch are more solid where there is a structure, and the junction of light and dark is also more real, and the angle of the portrait is 3/4, and the root behind the ear should be real, emphasizing the space. Like the junction between the mandible and the neck. When playing in a major key, there is no emphasis on the virtual and the real.
It is necessary to emphasize the transition between light and dark, and if the dark part is dark, the sense of volume will be strong. But there must be too much light and darkness so that it will not be carved to death.
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Basic skills are important.
Teachers are ruthless.
Your work will be influenced by the teacher.
See more art exhibitions, famous artists.
Think more and connect more.
Don't be afraid of hardship, don't bother.
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The friends above have said more! ~
I'll say two words too! ~
I think the first one, finished painting a work.
After that, think back to Yourong.
Where could it be better drawn?
The second is to rely on seeing more and painting more, and you can comprehend it yourself.
I used to study fine arts, but now I'm doing sculpture! Thank you.
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I also study art, to give you a little experience, the most important thing to draw a sketch portrait is the type, the proportion is in place, usually to copy a good book, more hands to paint, to paint more to be effective, this is proportional.
I've also encountered this problem. My method is 1, use an eraser to brighten the bright surface, 2, use 4b and 6b to deepen the boundary between light and dark, and then the reflective side should be properly brightened to form a contrast. 3. The gray surface should be multi-layered, the gray surface is not only just a plane, it is also hierarchical, with chiaroscuro. >>>More
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