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Luce's remarks about "decoration as sin" are influenced by both the context of the time and personal experience, and they are pertinent. In the development of architectural theory and history, there are many such seemingly radical famous statements, such as "architecture is a machine", "less is more", "less is boring", and so on, which seem to be excessive, either taken out of context or in a specific context. In my opinion, in architectural design, decoration is a general concept, and the material, color, and craftsmanship of materials can be classified as the content of decoration, but, as Luce pointed out, decoration that violates the function, temperament, and spirit of the building itself, complicated and useless decoration, and decoration that wastes materials can be regarded as "sin".
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I think that decoration can meet aesthetic and emotional needs, and can create value. But in reality, there are many decorations that add to the snake, destroy the beauty, and affect the use, and they can be punished. In fact, many things and actions are neutral words, and we just need to understand the meaning of the words.
Nowadays, many products are attached with complicated, redundant, and use-affecting functions, so can you also shout "functions are evil".
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Decoration is both a sin" — Adolf. Luce understands the words of these great architects, or theories, in the context of their time, and also considers the influence of his own experience on these ideas. The article points out that Luce is accusing the "Separatists" of decorative means
There is no perfect combination of form and function design, and the process and cost of material application do not start from the material itself, so the design can not meet the requirements of mechanized production and the consumption requirements of the public. Therefore, he pointed out that the decoration of the "secession" was sinful.
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Ornament and Crime is often seen as a quintessential modernist essay, but this is a great misunderstanding, and is in fact an essay by Adolf Luce attacking the "Secessionists" and opposing Van der Velde and the "Viennese Manufactory". [1] The quotation of Luce's radical view that "ornamentation is sin" can easily be misunderstood and ignored if it is divorced from the specific context of his remarks, ignoring the contradictions and complexities of Luce's theory. Therefore, the "enigmatic and incredible" Luce and his theoretical views need to be recognized.
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Decoration can be understood as something that is produced for the sake of beauty, and the extreme point is something that is produced just for the sake of beauty. So is beauty sinful, apparently not.
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A decorator needs to work twenty hours to be paid by a modern worker for eight hours. In general, the decoration makes the product more expensive, consuming the same materials, and the decorated product takes three times as long to produce, but despite this, it can only sell half the price of the simple product**. Eliminating frills can reduce working hours and increase returns.
A Chinese woodcarver works sixteen hours, while an American laborer only has eight hours, and if I am willing to pay the same price for a decorated box and a modest box, the difference in labor time is left to the worker....Decorating means wasting manpower....Today, that means wasting materials, and at the same time it's wasting capital.
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Sin is a moral word, so it can be understood that immoral ornaments are sinful. That's how I understand it.
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From the perspective of social production, Luce, as an art critic, actually has an insight into the existence of "surplus value" from a subtle technological orientation. Whether it is through direct reference or in the face of the same object, the general road accurately locks the measure of the return of labor on the unit of "time", and the difference in labor time comes from the difference in attitude towards decoration, which is the origin of "surplus value". The only difference between Luce and Marx is that the latter attributes surplus value to the exploitation of the capitalists, while the former traces it back to the eight hours in which the decoration was applied.
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The saying that decoration is sin refers to the fact that in the decoration process, it is easy to have some unreasonable expenses and dishonest behaviors, which brings a lot of trouble and losses to consumers. This phenomenon is mainly caused by the non-standardization and information asymmetry of the decoration industry.
If you are not sure about the decoration materials on the market, you can find me to receive the local decoration cost reference standard, enter the area + city, accurately calculate each decoration cost, and also list, all kinds of main materials and auxiliary materials, the market price of construction costs and material schedules, and the owners can compare them one by one with the schedule! [Click here to get the most complete decoration schedule for 23 years (102 items attached), including main materials, auxiliary materials, construction costs, etc.**].
In the renovation process, decoration companies tend to attract consumers with low prices and then make a profit by adding some additional expenses. These additional costs may include design fees, material costs, construction costs, etc. Moreover, decoration companies often increase these expenses for various reasons, such as the increase in the price of materials, the difficulty of construction, and so on.
In this way, it is difficult for consumers to grasp the real cost of decoration and it is easy to be pitted.
In addition, there are some dishonest behaviors in the decoration process, such as using inferior materials, cutting corners, falsely reporting the amount of work, and so on. These behaviors will not only affect the quality of the renovation, but also increase the cost of the renovation. Moreover, once a problem is discovered, it is often difficult for consumers to defend their rights, because decoration companies often shirk responsibility for various reasons.
In order to avoid the problem of decoration as a sin, consumers should consider many aspects when choosing a decoration company, not only to see the first, but also to see the company's reputation and reputation. In addition, consumers should understand the terms of the contract in detail before signing the contract to ensure that their rights and interests are protected. During the renovation process, consumers should remain vigilant, find problems in time and communicate with the decoration company to solve them.
If you encounter a dispute, you can seek legal assistance or defend your rights through channels such as consumer associations.
In short, the problem of decoration is evil in the decoration industry, consumers should remain vigilant, choose a formal decoration company, and maintain communication and supervision during the decoration process to ensure that their rights and interests are protected.
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Kunming - [Kunming Decoration Strategy Guide].
Suzhou - [Suzhou Decoration Strategy Guide].
Hefei - [Hefei Decoration Strategy Guide].
Fuzhou - [Fuzhou Decoration Strategy Guide].
Beijing - [Beijing Decoration Strategy Guide].
Dalian - [Dalian Decoration Strategy Book].
Hangzhou - [Hangzhou Decoration Strategy Guide].
Shanghai - [Shanghai Decoration Strategy Guide].
Tianjin——[Tianjin Decoration Strategy Guide].
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