How do you evaluate the pianist Zhu Xiaomei in France?

Love**, enough, not every place is worthy of the sound of the piano, in these days when you can't have the sound of the piano, waiting for the ** in your heart, waiting for the day to get out of the haze!

Like her Aside from her skills, the key is that she is emotionally invested and religious, and her performance can make you find that she has love and awe for ** from the heart! And there are not many pianists who have such a tortuous experience as her, in short, I admire her very much! What's more, the Gothenburg variations are very intriguing!

Personally, I think it is an amazing existence for Chinese pianists. There are many interesting places, such as the kind and poetic aria, such as the fast var5, and the high-speed rhythm of the later phrases emphasizes a few loud chords, creating a very chic aura, such as the rhythm change of var16, which is humorous and full of atmosphere. On the whole, it is more romantic, and you will hear some swaying exuberance and detachment.

Whether you associate it with the Oriental poetic feeling or understand it as her personal thing, in short, it is recognizable. This feeling does not flow into abusive and casual feelings, does not lose the delicacy of the details and polyphonic levels, and can be more authentically integrated into that Baroque discursive environment, which is already very good and remarkable.

Zhu Xiaomei, born in Shanghai in the 50s of the 20th century to a family of artists, played the piano on the radio station in Beijing at the age of 8. Now in his sixties, he lives on the banks of the Seine River in Paris, France, and teaches at the Ecole Supérieure des École Supérieure de ParisA currently unknown, low-key but powerful Chinese pianist.

With rubato itself is not a fuss either. Hewitt's var13 is as graceful as improvisation, and Tureck's var25 is as beautiful as poetry. In fact, these renditions now introduce rubato, especially the Var25 in G minor, which is a slow movement, and most of them are not too one-size-fits-all.

Zhu Xiaomei's performance should be said to have given a more convincing sense of control.

What I saw from Mr. Zhu's performance, what I saw was her romance for life, in order to pursue a completed self, the happiness and joy of life into a work of exquisite and moving, although she was born in modern times, but she is a classical idealist, I think I can use Romain Rolland's words in "Johann Christopher" to describe my feelings, "He condensed the joy of life, in order to praise the world to heaven."

It's all piled up with money.

She was a teacher at the École Supérieure de Paris, which represented the highest cultural productivity in France.

Mr. Zhu Xiaomei's piano sound has no worldly desires and is particularly clean.

Mr. Zhu Xiaomei's piano performance is like faith, every touch, every connection, every heartbeat, gratitude and awe.