What are some noteworthy details in The History of the Disappearance of Romantic?

Director Cheng Er is a person who takes movies very seriously, so there are many small details buried in the film. It is these small details that make the group portrait of the characters three-dimensional and vivid, so that the Shanghai Tang in the thirties in Cheng Er's eyes can be constructed, and the "history" in "The History of the Disappearance of Romantic" can become thicker.

Eyes, in the early days, Xiaoliu's eyes were lively and smart; Acting in a movie, Xiaoliu sat up from the stage, his eyes were like two ink spots; When he was sent away, in the car, he didn't say a word, but he was reluctant to be frightened in his heart at a glance; During the period of confinement, there are three states of eyes: despair, dead silence, and the instinct to survive; When she was found by Mr. Lu, her eyes changed dramatically: first Mu Ran glanced at it, then surprised and incredulous, the brilliance gradually dyed, and then slowly dimmed, lowered her eyes, lowered her head and bowed, and when she looked up again, she was trying to restrain but couldn't hide her joy.

This complex psychological process is really god-like acting.

still remembers the movie star played by Yuan Quan in the film, mentioning that he doesn't like Chongqing and doesn't like Chongqing cuisine. She herself loves Shanghai and loves to eat Shanghainese food. At this time, Mr. Lu answered that his brother-in-law had opened a Japanese restaurant in Shanghai.

In fact, Mr. Lu should have doubted his brother-in-law here, and what he wanted to say in his heart was that Watanabe had always longed for his motherland very much, and he could only miss it by cooking. Watanabe has always spoken Japanese after blackening in the film, and has always eaten Japanese food instead of Shanghai food, which is the reason.

At the beginning of the film, Mr. Lu played by Ge You is very controlling, and he is not soft in solving the strike, simple and rude, but at the same time he has a rare elegant temperament in the gangster. Until the war was imminent, the Japanese pressurized, there was a rift within the gang, and he needed to take care of more and more people, but in the end, he witnessed the breakdown of his family and gradually lost the ability to take care of his side. First of all, the ambiguous boss woman.

He loved her in his heart and wanted to protect her, but morality and reality made him give up.

Wang's mother said that Xiao Zhang's health is not good, and his health is not good after marriage, and his face is dark, which is a joke that adults understand. It is interesting to note that she said that Xiao Zhang should be careful about his body, but at this time she patted the coachman on the shoulder. It's a bit of a weight to shoot those two.

That's where it gets interesting. The coachman came into contact with two women from beginning to end: Wang Ma and Xiao Wu. Who is it.

In the scene of Wang Ma's dim sum negotiation, you can pay attention to the structure of the picture. First of all, this movie is very similar to "The Grand Budapest Hotel": saving OCD - the picture is often perfectly symmetrical, and OCD is satisfied.

In the scene between Miss Wu and Wang Ma, Wang Ma put the dim sum paper bag on the center line of the picture.

The handkerchief with twists and turns of fate, on the dining table, Watanabe picked it up and handed it to Xiaoliu, in the suburbs, when Watanabe buried someone, Xiaoliu took a handkerchief to him, Watanabe wiped the blood on the car with a handkerchief, looked at the handkerchief for a long time, and threw it away.

The thugs ate pancakes, and Wang Chuanjun saw that Du Jiang had finished eating, so he gave him half of what he hadn't eaten. Before he died, Wang Chuanjun turned around and hugged Du Jiang, blocked the bullet for Du Jiang and asked me to say, this is called romantic.