Good deeds, fairies and ghosts are what people call for the object of description

The role of the individual person in the text:

In the first person, the narration is intimate and natural, which is convenient for direct lyricism, can freely express thoughts and emotions, and gives readers a sense of truth and vividness.

In the second person, the call is lyrical, which facilitates the exchange of feelings and enhances the lyricism and intimacy of the article. can cause anthropomorphic effects.

The third person can show a rich and colorful life more objectively, not limited by time and space, and reflect the reality more flexibly and freely.

Hope it helps!

In the narrative, it can be carried out in three personal pronouns.

First person, authentic and persuasive.

The second person, intimate, natural, lyrical.

In the third person, it is narrated and reinforces the lyricism.

Well, it seems to make the article more vivid.

There are ghosts and gods everywhere in the heavens and on the earth. In the twentieth volume of the Buddhist scripture "Chang A Han Sutra", the Buddha himself said: "In all the streets and alleys, the four roads, the Tu'er market and the hills and mounds, there are ghosts and gods who are empty.

That is to say, all the houses and houses where people live, there are ghosts and gods, and there is no free place, but the energy of ghosts and gods is different from ours, the time and space, energy, and state are different, and we human beings cannot see them because of heavy obstacles and heavy karmic obstacles.

So, gods and ghosts are real, but they are not unusual! Nor superstition, you can understand as: "The so-called."'Ghosts and gods', is the general name of the same level of life form for life forms that are more advanced than their own form and do not know much about it. ”

Your question is like asking: Is there only life on Earth in the universe? The answer must be "impossible", right?

There must be life on other planets, and according to scientists' exploration and reasoning, there are at least 1 billion planets in the Milky Way that have life. Therefore, ghosts and gods are just beings of lower (ghosts) or higher (gods) than us, and there is nothing unusual. For ants, for example, man is their god, isn't it?

Ants can't see what God looks like, but they know that God's voice is like thunder, and a soak of urine can destroy the entire ant world, and I heard my grandfather say that God's lifespan is infinite (ants live for 5 years, and you are at least 75 years, that is, the 25th generation of ants has not seen the end of your lifespan, for ants, isn't that "eternal life"?) So the ants unanimously agree that you are their "god"; On the other hand, bacteria and viruses are wreathing, and ants know their existence, but they can't see or touch them but can feel them, so ants unanimously believe that they are "ghosts", and ants live in this world where gods and ghosts coexist, so they are always in awe, and therefore have faith. How similar is this to the human world, don't you think?

Advantages and disadvantages of first person:

The first person is the same as the narrative, and the third person is easy to describe in detail, depending on your choice.

The first person facilitates the depiction of the subjective mind.

The third person is convenient for scene transitions, and the description is not limited by first-person space and so on.

Using the first person can make people feel intimate, and it can also allow the reader to enter the character more quickly and feel the joys and sorrows of the protagonist.

Using the third person can give the impression of being seen with your own eyes and make it feel real.

First person: can be immersive.

Third person: You can write multiple characters without worrying about anything.

Writing in the first person will make the reader feel more relatable.

The first person is authentic and relatable.

The third person conversion is convenient.

The third person is storytelling, and the first person is biographic.

Don't say anything about the sense of substitution, the third person** Don't you see yourself as the protagonist?

It's hard to write, but almost all of the famous books are in the third person.

Those who oppose others being ghosts are actually more ghosts than ghosts, and they themselves are called saints.

Call yourself Confucius, because Zi is silent and strange.

**It's easier to write in the third person. The most difficult thing to write is in the first person, and it can only be described from one angle.

In the third person, it focuses on the perspective of the protagonist in it, and the plot needs to be interspersed with other people's perspectives.

As for the skills, we should use vocabulary flexibly, try to avoid repeating too many words, ** is for others to see, we must write more from the reader's feeling, so that the reader has a sense of procrastination and it is easy to lose interest. Multi-fabrication bridges.

This thing relies on inspiration, read more different styles of **, find the time you want to write the most, don't write behind closed doors, add your true feelings, in order to resonate.

The above is my own idea and can be used as a reference. If it's the first time to write **, try to have as few characters as possible, because there must be an intersection between the characters, meaningful, and it is difficult to express too many characters when you write too many characters.

I only like to watch**, I think the third-person ** should pay attention to the psychological description of the action demeanor.

I think it's better in the third person, and our language material is the one who did this to the question, and I'll give you the correct answer in two days, 88888888888888888888888

I think it's okay to describe the action in detail, but don't describe it too much, and don't describe it too much if you think you'll skip it when you read it.

The Classic of Mountains and Seas: The Classic of Mountains and Seas is one of the oldest cultural classics in China and a strange book of antiquity. The book mainly introduces the knowledge of China's ethnic groups, mountains, rivers, products, medicine and other aspects.

The Classic of Mountains and Seas introduces the treasures of mountains and rivers in the hinterland of China from four aspects: east, south, west, and north, especially some exotic birds, monsters, strange flowers and stones, which have never been seen or heard of. Among them, the "Overseas Classics" introduces the customs and habits of the legendary overseas foreign countries, such as the two-headed country, the three-headed country, the women's country, the husband's country, the adult's country, and the villain's country. The "Classic of the Sea" introduces the customs and habits of various countries in the sea, some precious animals in ancient times, and some ancient legends.

The Great Wilderness Sutra introduces the customs, historical allusions, strange customs and so on outside the Great Wilderness, which makes people love it. In addition, the "Classic of Mountains and Seas" also introduces the ...... of ancient visitors from outside the heavens and strange beasts

Sou Shen Ji: China's earliest collection of ancient Zhiwei**. Eastern Jin Dynasty Ganbao (?)

336). Ganbao, the word Lingsheng, Xincai (now Henan) people. Historian of the early Eastern Jin Dynasty.

He once wrote the history of Lang Lingguo and wrote "Jin Ji", which has been lost. "The Book of Jin: The Biography of Ganbao" said that he was moved by life and death, "so he wrote a collection of changes in the supernatural characters of ancient and modern gods, and called it "Sou Shen Ji". "Sou Shen Ji was originally lost.

This is the result of the embellishment and enhancement of the descendants of the present generation. 20 volumes. There are 454 large and small stories.

Most of the records are strange things about the gods, and some of them belong to folklore. Among them, "Ganjiang Mo Xie", "Li Ji", "Han Ping and His Wife", "Wu Wang's Little Daughter", "Dong Yong", etc., expose the cruelty of the ruling class and praise the struggle of the rebels, which are often cited by future generations. Most of the stories are short, simple, fantastical, and romantic.

Later, there are 10 volumes of "Sou Shen Postscript" under the name Tao Qian and the upper and lower volumes of "Sou Shen Legend" by Zhang Bingwen in the Song Dynasty, all of which are imitations of "Sou Shen Ji". "Sou Shen Ji" has a far-reaching influence on later generations, such as the legendary stories of the Tang Dynasty, Pu Songling's "Strange Tales from Liao Zhai", the mythological drama "Tianxian Pei" and many ** and operas in later generations, all of which have a close relationship with it.

There are also "Strange Tales from Liaozhai", "Jixian Lu" and "Huainanzi".

It is also recorded in the Compendium of Materia Medica, "Notes on the Book of Water".

Or you can go and see Liduan's "Divine Death" series, she is a new mythologist, that is, to rewrite the original mythological stories from a new perspective, such as the eternal separation of the merchants, the cuckoo crying blood, the cowherd and the weaver girl or something.

Come to me directly with hi, what do you ask me what.

Go to read books such as "The Classic of Mountains and Seas", "Strange Tales from Liaozhai", "Sou Shen Ji" and so on.

"Sou Shen Ji".

Strange Tales of Liaozhai "Yu Ming Lu".

The Biography of Zhen Yi".