What are legato, arpeggio, overtones, articulations.

Legato: mellow and free, from beginning to end is like blowing a note, it is beneficial to practice this more in the early stage, the teaching materials practice "Alban Trumpet, Cornet Textbook", and at the same time you can practice some special legato practice scores.

Arpeggios: In fact, almost every instrument will practice arpeggios, that is, the broken chord notes are played continuously from low to high or from high to low, such as the key of C, which is 135135135135....13531531531531...

In this way, of course, there will be other minor keys, and there are many textbooks in this area, not only limited to trumpet textbooks.

Harmonics: The overtones of the trumpet simply need to master two points.

1.Relax your lips fully and gradually descend, being sure to pay attention to the control of your breath so that you can blow out the overtones of the bass.

2.In the treble part, the trumpet can basically blow the desired tone completely by the mouth without pressing the buttons, and you need to be familiar with and master the breath and tightness of each note when you usually practice

This answer refers to.

Pronunciation: The position of the tongue is your hair when you single vomit"him"The position of this sound, the tongue should not exert too much force when pronouncing the sound, it is driven by the breath and works naturally.

Double spitting is to use the tongue to pronounce him and Ka sounds.

The three spit is his Ka Cycle.

You can buy a copy of "Alban Trumpet, Cornet Textbook", which will have such exercises, and you can go to the wind music network to find relevant knowledge.

That's what I learned. You're talking about playing skills.

A legato is a continuous melody that is uninterrupted in a syllable.

Arpeggios are broken chords, and overtones are notes of different pitches blown by each finger.

Voicing, the basic technique of wind ensemble, runs through all the repertoire. It is one of the skills that wind music learners must be proficient in.

That's the guitar technique.

This refers to a pattern of sound, which appears on some string music, such as pipa, guzheng, guitar, mandolin, zhongruan, these instruments can be produced.

An overtone is a very faint sound made on top of a base note. Musical instruments that can produce overtones are guitars, pipas, zithers, guqins, cellos, and violins.

Refers to a sound that is produced during playing. Pipa, mandolin, liuqin, guzheng, guitar, these are all fine.

Overtones have their own unique timbre, which is different from the timbre of pressing and scattering. The proper use of overtones in a piece can make the song more colorful. Overtones are used a lot in music, especially in lyrical songs.

1) Natural overtones.

When playing an overtone, float your left finger on the string at the overtone note while your right fingernail plays the string. The fingers of both hands should touch the string and leave the string at the same time, especially the left finger should start at the same time. The posture of the left finger is like that of a sunny fly's tail when it touches the water.

The right fingernail can be slightly heavier, and the left finger should be lighter. Commonly used overtones are the half-and-half of each string (effective chord length).

One, thirds.

One, quarter.

One, one-fifth, etc.

2) Artificial overtones.

Artificial overtones are transplanted fingerings that are not used in traditional music, and in modern individual compositions, only one-half of the artificial overtones are used. There are two types of articulation for artificial overtones:

The first type of articulation: the index finger or thumb of the left hand is pressed on the top, the little finger or the name finger is floated on the bottom of the string with artificial overtones, and the right hand is played at the same time.

The second type of articulation: the left finger presses the note on it, the thumbnail of the right hand or the lower edge of the palm of the right hand floats against the string body with artificial overtones, and the right hand uses the index, middle, name, and little finger of the right hand to play the string sound.