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When I first started practicing, I didn't have a clear understanding of the quality of fonts, and at most I only had a superficial perceptual understanding. When the words written look a little like the post, they will feel good. After practicing for a period of time, I began to have more understanding of the quality of the font (maybe I haven't felt it yet), and I began to consciously or unconsciously compare more with the post, and I began to be harsh on how I wrote.
As a result, I felt that the more I wrote, the more regressed I became, and I even felt that it was not as good as what I wrote when I started practicing. This is normal and there is no need to worry too much.
But there is another situation: when I started practicing, I copied the post stroke by stroke, and after practicing for a while, I felt a little sure that I was copying the post, but in fact it was a glance and wrote for a long time, and the result was completely self-written, not the font on the post at all. After writing, I looked back and found that the problem was fine, but if I hadn't found it, it would be inevitable to go astray.
Hopefully, the landlord falls into the former case, but also pay attention to whether the latter is the case? If it is the latter case, take advantage of the fact that you have not yet developed a bad problem, and quickly correct it.
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Practice the strokes first. in depth.
At least 3 hours a day.
More years for you.
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No way. What kind of calligraphy are you practicing, you must first figure out the style and characteristics of the calligraphy, otherwise the elegant characters will be finished if you practice them vigorously.
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You should insist on practicing seriously for 1-2 hours every day, it is best to practice 2-3 words a day to practice it skillfully and beautifully, think it is not good-looking, and then practice yesterday's 3 words the next day, and write other words until it looks good.
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"No" word tool raw pen method steps.
1 First open horizontally.
2 Write straight in the middle of the long and horizontal lines.
3 Write vertically in the middle of the apostrophe.
4 Do not write dots next to each other between the apostrophe and the vertical.
5 This is how the word "no" is written.
Don't make a sentence. 1.This is a strict order from above, who dares to say a word.
2.In the future, if you give Huo Chong a pension to the end, if you dare to say a word, I will implement the family law today and beat you to death!
3.Fang Fang and Ma squad leader knocked on the table with him, even bluffing and frightening, and he didn't dare to say the word 'no' anymore, so he had to be speechless, and obediently made three inspections at the meeting.
4.Famous poets in ancient and modern times, both at home and abroad, have carefully considered and repeatedly revised every word in the process of poetry creation, reflecting the unremitting pursuit of poetry art.
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Brush words. Brush characters refer to characters written according to traditional laws, rather than random characters written with a brush. Calligraphy is the art of line molding. The so-called brush brushwork is mainly how to create the ideal line of the brush.
Chinese name. Brush words.
Finger. Brush characters written in traditional Fadu.
Tool. Quill.
The basics. It is necessary to master penmanship and calligraphy.
Lettering. Calligraphy is the art of line molding.
Fast. Navigation.
The basics. History.
As a writing instrument, the brush has a very long history, and traces of brush depiction have been left on the painted pottery as early as the Neolithic Age. Although the Western Zhou Dynasty has not been until now.
There are real objects with brushes, but some signs of pen use can be found from the prehistoric faience patterns and the oracle bone inscriptions of the Shang Dynasty. The bamboo and wood slips and silk of the Eastern Zhou Dynasty have been widely used to write. From this, it can be seen that the brush started before the Yin Shang.
The earliest brushes date back more than 2,000 years. The brush of the Spring and Autumn Period was found in the tomb of Marquis Yi of the drum pier in Suizhou City, Hubei Province, which is the earliest pen found and is a rare and valuable information left in ancient times. During the Spring and Autumn Period and the Warring States Period, the names of the pen were different from place to place, and there were various names such as "pen", "聿", "whisk", etc.
It was not until Qin implemented "the book is the same text, the car is the same track", that the various names of the pen were uniformly called "pen". Legend has it that the Qin general Meng Tian once took sheep hair in Shanlian Village to make a pen, and was regarded as the ancestor of the pen by the local people. It is also said that Meng Tian's wife Bu Xianglian is also proficient in pen-making skills and is offered as a pen lady.
In the Han Dynasty, the pen was more elegant, and Lu Wei was a master of pen making at that time. In addition to rabbit hair, the raw materials of the Han Dynasty pen nib also include wool, deer hair, raccoon hair, wolf hair, etc., which are both hard and soft. At the same time, the texture and decoration of the barrel are also enriched.
According to the official history books, China's famous Xuan pen was invented in the Han Dynasty.
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This line of calligraphy, cursive "group mountain fight."to collapse grindingWord.
To "only sell the book."
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Yes, the calligraphy is written as follows:
It is a word that we often use in our daily life, it is a word with an upper and lower structure, we should pay attention when writing regular script, the Japanese word occupies a smaller gap, pay attention to the vertical pen below to correct the Japanese word above, so as to ensure the coherence of the upper and lower levels, because there is a pen on the right, this long horizontal should be biased to the left, the left long horizontal out of the right pen out, so that the word can be balanced left and right, the small horizontal can be written as a small skimming, pay attention to the upper side, so that the gap below is larger.
First look at the Japanese word above, to the overall small, slender long, three horizontal strokes to the upper right to mention, between the horizontal pens is parallel, the space between the two sides is also balanced, the vertical pen on both sides of the adduction, the left side of the thin right thick, the middle of the horizontal pen even left not even right.
The horizontal pen below should be a little longer, the pen is a little left point, and the distance between the Japanese characters above is not too large, after the pen is lifted to the upper right, from thin to thick, there should be an arc upward, do not write too concave is not good-looking.
Vertical pen to the middle of the Japanese word, to be a little shorter, the small horizontal pen to be short in the middle of the vertical pen, can be written as a small pen, left-handed from thick to thin to the lower left slope, the pen in the middle of the left-handed upper part of the pen, and the vertical pen tail intersects, this pen to write stretch, full, the angle to exceed the above horizontal pen pen position.
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1. The method of holding the bai pen, the fingers should be really du
The ground is pressed on the pen barrel zhi
, so that the grip of the pen is steady.
2. The height of the pen, the high level of the DAO pen, the distance from the power in the hand to the tip of the pen is long, and the strokes are easy to float. On the contrary, the pen holding is low, the pen force is easy to reach the nib, and the pen circle is more calm, which is conducive to writing seal script, official script and regular script.
3. Penmanship, every stroke written, there are three processes of entering the pen, writing the pen, and closing the pen.
4. Wrist, when writing small or inch Kai (one inch square regular script), the wrist (the movable part of the hand that is connected to the root and the lower end of the arm) is pillow on the table, the thumb and index finger holding the pen are obliquely standing next to the pen, the palm is also erected as much as possible, and the back of the hand and the desktop form an angle of 70 degrees or 80 degrees.
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Put the paper in the middle of your chest and write it, and pay attention to developing good writing habits. Otherwise, there will be a tiger...This life is all about writing, that is, gambling with your life to see how far you can write? Of course, it focuses on European style.
I think it's better to start with the European style regular script, you might as well take a look at the northern network, Tian Yunzhang's calligraphy lecture. That's 200 to 300 **: >>>More
The question is less clear.
Let's talk about it -- 1 first raise your awareness -- read 2 selected posts -- and choose a technique book at the same time -- tell you how to write -- and choose materials-- >>>More
Hand Shake Steady Practice until you don't shiver at the beginning of the introduction.
Self-taught calligraphy is, of course, practiced, but it must be done in a good way. >>>More
The brush is a soft pen, and the hard pen is not the same, the strength of the wrist is not the same, in addition to the size of the pen tip when writing, the writing brush is more complicated, even if you write the hard pen is very good, and the quality of the brush has little to do with it. >>>More