What is the pitch change of the Turkish march zither

First tell the piece that the piece is in A-flat key.

This piece is based on the piano piece of the same name by Guzheng master Wang Yat-sen. The tune is lively, light and vibrant. According to the characteristics of the scale, Wang Yat-sen skillfully changed the inherent string sequence of the guzheng to make it match the color of the music, which sounds unique and has the timbre and characteristics of the European piano.

This piece is a guzheng quartet guzheng tune, one zhengs plays the main melody, and the other three zhengs play harmony and accompaniment and other parts.

In fact, it is very simple to lower A, if you do it step by step. It's as simple as the principle of D to G.

Method 1 is more complicated, the personal pitch accuracy is poor, and although it is troublesome without a tuner, it is more accurate.

1. Adjust the Guzheng (basic key D) to G key: raise all the 3 of D key (the first string of the green string upward, the fourth string downward, that is, the first string) by half a tone, so that it is the G key, that is, g = 1. It's very simple, it's basically going to be.

2. Convert G to C (very simple, similar to the principle of D to G): raise the 3 of all G keys (the first string under the green string in each register, and the fourth string on the green string) by half a note as the 1 of C key. i.e. c = 1

3. Convert C to F. (The general principle is similar): raise all C 3s (3rd string under green strings, 2nd string on green strings) by half a note as 1 in F key. i.e. f=1

4. F to B flat (A sharp): Raise all F keys by half a note (that is, the green strings of each register) as the 1 of B flat (A sharp A). : bb=1, a =1 Note:

5. B flat to A-flat key: raise all B-flat 3s (the first string of the green string upwards and the fourth string downwards) by half a note as the 1 of the flat A key, that is: bb=1

In fact, at the end of the tune, you will find that B flat only needs to be raised by half a note on the basis of G key.

Method 2: 1. Tune to G first, and then raise the tone of each string by half a note. The requirements for pitch are high, but playing this tune, such pitch should be there.

The industry standard and the string number name in the guzheng circle are all unified. Different from the naming method of the guqin, the thinnest and highest string has the smallest string number (the guqin is the largest). The string number on the player's side is string 1, and in turn it goes forward to the 21st string, which is the largest and thickest.

Count up from bass: 56 (bottom three dots) 12356 (bottom two dots) 12356 (bottom dots) 12356 (no dots, midrange) 1235 (first dot on the head). All the green strings are sung in G 2.

If only you give some points.

The piece is in the key of A flat.

The original piece is the third movement of Mozart's Piano Sonata in A major, which was later adapted by guzheng player Mr. Wang Yat-sen into a guzheng quartet in A flat key, with one zither playing the main melody and the other three playing harmony and accompaniment and other parts.

A preview of this zither song is attached below.

In this piece, the sum of the four zithers is set according to the law of twelve equals.

Obviously, the sound range of the guzheng is not enough, first you have to unify the tune, and then you have to change the tune, the Turkish march is a cheerful type, you add the guzheng erhu electric guitar obviously this tune sounds very strange.

Hello! Different instruments have different characteristics, and playing a piece that suits its characteristics will bring out the advantages of that instrument, and if you play a piece that does not suit its characteristics, you will feel unconventional.

If you play the Turkish March with a zither, I'm afraid it will be a very awkward feeling. Because the Turkish march requires a lot of harmony, and the guzheng is not easy to play. Although the dulcimer playing Turkey will lack rich harmony, the performance effect is basically okay.

Playing the Turkish guitar feels inseparable from the piano.

All in all, the guzheng is not something that can be played with any tune, and a piece that is not the instrument's specialty will make people feel uncomfortable if they are barely played.

It depends on your skills, but it's hard to play all the tunes with the zither, but it doesn't matter, Nuri can succeed!! I wish you all the best on the stage of the Spring Festival Gala as soon as possible!

Yes, as long as you find the score.

It should be ok. Rock 'n' roll may not sound very good.

Go to the departure here to answer Pantan! Qingtong.

Chrysanthemum stand with piano.

Colorful clouds chasing the moon with pipa, Yi dance music.

With the erhu's chrysanthemum platform Liang Zhu.

I think it's okay to play with the piano, with the pipa, and with the guzheng. For example, Shandandan , Liang Zhu.

Deep at night, guzheng and piano.

Turkish March Guzheng Quartet.

Hundred Flowers Lead Guzheng Ensemble.

Fengqiao Night Park Guzheng and piano.

Yue'er Gao Guzheng and pipa.

Pingyuan Zheng poems Guzheng and guqin.

Didn't know if these characters were eligible.

Split it up yourself.

A guzheng plays the main theme in C key.

A guzheng plays the main theme of A.

A judgment of the spine platform zither played C key accompaniment.

A guzheng plays the key of A accompanied by Li Wu.

Just fingering doesn't work.

The speed of the Turkish March is a problem.

Moreover, the piano is played with both hands at the same time, and the coordination of both hands takes at least 2 months to practice smoothly.

Drum tabs are only rhythmic, not the staves, there are high and low.

You have to look at both the treble clef and the bass clef, two voices.

Another point is that the piano is very simple in any of the 12 equal temperament instruments.

There is no problem of fingering on the piano, and there is no way to remember fingering in Turkish marches, so much, how do you remember it?

It can only tell you what note on the staff corresponds to what key of the piano, and this is fixed.

The C1 with a line below corresponds to the piano from the left, the 40th key (black and white. ）

The position and fingering of the main movements of the hand are determined according to the main pitch of a piece, and there is no fixed relationship according to personal habits.

Only what suits you.

In short, it is not easy to play a simpler version of the Turkish March, because it is very fast.

As long as it's 3 months, don't do anything, do the introductory exercises first, and then practice this piece and break it down. Practice for 2 hours a day.

。。。Classmate, I need to tell you.

The difficulty of the Turkish March is difficult for a person who has no foundation. Love enough I don't know, because I haven't found the sheet music so far ==

Of course, if it's a one-handed leitmotif, that's a different story.

With one hand, if you know the staff and know how to finger the piano and all the mess, you'll be done in no time.

If it's both hands ... It's best to find a teacher. Because the Turkish March is an amateur grade 8 exam repertoire = =

If you like to use simple notation, it's very simple, as long as you know which key is which note. (Note: Hand shape should also be mastered.) ）

There's only so much more to help you. The most important thing is to practice more. If you practice hard, the main theme of one hand is very fast.

If you're smart enough, you should be able to play a piece of music well in half a year, and you can practice the two songs together, but it's best to lay the basics first, and play the finger practice tune, so that it will be faster and easier to play.

I am more familiar with these two pieces in Turkey, without any piano foundation, I am afraid it is a little difficult to play these two pieces, first of all, you have to have a certain familiarity with the piano, you have studied instrumental music, you should be able to read the score, if, practice hard, practice seriously, I think a year should be possible, and, if you have talent, you should be able to get twice the result with half the effort!

When I was in junior high school, I didn't have any foundation like this, and the first piece I practiced was the Turkish March, I didn't know that it was a piano grade 8 repertoire, but I practiced every day during the holidays, marked with a simple score, and studied it for a month to practice. It's not difficult to really want to do a lot of things, and after practicing the first song, the more you practice, the more you feel.

As long as you work hard, you can practice it! Before practicing these two songs, you should first practice your hands to make your hands flexible, and then it will be easier to contact these two songs, for example, you can practice "Hanon" before practicing these two songs, and then practice those two songs, if you can practice for about an hour a day, half a year is about the same! Come on!