Are there any other translations of Cangyang Gyatso s Seeing and Not Seeing?

I'll correct you one mistake first:

Seeing and Not Seeing" is from "Suspected Fengyue Collection", written by Tashi Ram Duoduo in Beijing on May 15, 2007, with the title "The Silence of Banzaguru Pema", "Banzaguru Pema" is the Sanskrit "Guru Padmasambhava".

In 2008, it was published in the 20th issue of "Reader", retitled "Seeing and Not Seeing", signed as Cangyang Gyatso, so it was mostly falsely rumored to be written by Cangyang Gyatso. Actually, the author is Tashi Ram Dodo......

You see, or you don't see me.

I was right there.

Don't be sad or happy You read it, or you don't think of me.

The love is there.

Don't come or don't you love, or don't love me.

The love is there.

Neither increase nor decrease You follow, or don't follow me.

My hand is in yours.

I don't want to give up on coming to my arms.

Or let me dwell in your heart.

Silently in love.

Silence and joy.

Cangyang Gyatso"Seeing and Not Seeing".The full poem is as follows:

You see, or you don't see me.

I was right there, not sad or happy.

You read me, or you don't read me.

The love is there, it doesn't come and go.

Whether you love me or not, love is there, neither increasing nor decreasing.

You follow, or you don't.

My hand is in your hand, and I will not give it up.

Come into my arms, or, let me dwell in your heart.

Silently in love, silent in love.

Appreciation of "Seeing and Not Seeing".There is not a single gorgeous phrase in Cangyang Gyatso's poem "Seeing and Not Seeing", only simple and unpretentious emotions, only how the world changes, his love is always the same, and the love that is there is like a star in the sky, even if it has gone through all the vicissitudes of life, it will remain unchanged for eternity. The whole poem uses the rhetorical device of comparison.

Repeatedly chanting the love in the poet's heart that will not change no matter how the world changes, the melody is beautiful and full of artistic appeal.

"Seeing and Not Seeing".It's not Cangyang Gyatso's poems, but Tashi Ram Duoduo's poems, but many people's understanding of Cangyang Gyatso is "Seeing and Not Seeing", so they put it in this collection of poems.

See or not see you, or not me.

I was right there.

Not sad or happy. You read me, or you don't read me.

The love is there.

Don't come and go. You love, or don't love me.

The love is there.

Neither increase nor decrease. You follow, or you don't.

My hand is in yours.

Don't give up. Come into my arms.

Or. Let me dwell in your heart.

Silently in love. Silence and joy.

Cangyang Gyatso represents poetry.

Love Poems Part II" Qingcang Yang Gyatso.

I wish to marry Qing for a hundred years, and I will not hesitate to prepare for the gold house. It is like the Biyuan Crystal Palace, which is stored with rare and strange treasures.

Love Poems Its Twenty-Nine".

Clearing Yang Gyatso.

End the flower hat under the makeup floor, carved saddle goodbye when each hand. The mercy was sad and persuaded each other, and there was not much time left for them to get together again.

Love Poems Its Eleventh

Clearing Yang Gyatso.

The cave room is lit with candles overnight.

Qingqing married another woman. Lovesickness is like madness, heart is like ashes, who to complain to for the haggard feelings.

Love Poems Part 1" Qingcang Yang Gyatso.

Dongshan Cui Wei can not be climbed, and the top of the sky is bright and the moon is born. The red face is lovesick and bitter, and this heart only remembers Qingqing.

Love Poems Its Eighteenth

Clearing Yang Gyatso.

Immortal feathers wandered like snow temporarily, wanting to borrow this body to carry it on wings. Don't learn to order the crane to go, Litang.

When we meet, we return.

Seeing and Not Seeing" by Cangyang Gyatso, the full poem is as follows:

You see or don't see me, I'm there, not sad or happy.

You read it, or you don't read me, the love is there, and it doesn't come or go.

Whether you love me or not, love is there, neither increasing nor decreasing.

You follow, or don't follow, my hand is in your hand, and I will not give up.

Come into my arms, or let me dwell in your heart, and love in silence, and rejoice in silence.

According to public information, the author of "He Han Lu Shanyun" is not Cangyang Gyatso, but the Song Dynasty poet Yuan Fu.

The full text is as follows: rain and snow, green mountains and peaks.

It can make the mountain old and the fountain of immortality.

The snow is high in the mountains, and the snow is deep in the abyss.

The mountains are lonely, and the springs are trickling.

I love the craggy, and I love the ripples.

The snow enters the water, and I watch it.

The snow is also in the mountains, and I take it to eat.

When you enter the water, you can't see it, but it's still a spiritual source.

I see snow in the mountains, but I don't see the blue.

Although the sky changes, it exists.

Seeing and not seeing, the divine light is complete.

Realize this snow word, before the turtle dragon ginseng.

If you stop at the first-class, whoever is together will be divided.

Forget to say it, and there is nothing to say.

I smiled at him and told him that people in our situation had nothing to fear. Anyway, any kind of encounter is stronger than what we are currently experiencing, so we should be mentally prepared that whether the outcome is dead or alive, it is a relief for us. I asked him what he thought of my situation and if it was worth the risk to gain relief.

"Sir," I said, "you just thought that God had made me live here to save your life and to lift your spirits a little. Now, what about your belief? For me, there is only one thing that I regret.

What's up? He asked. "That's what you said, there are three honest men among them, and we should spare their lives.

If they were all **, I would really think that God deliberately singled them out and sent them to you. For, I can assure, whoever goes ashore will be our captives.

You see, or you don't see me.

I'm just a**, not sad or happy.

You read me, or you don't read me.

The love is there, it doesn't come and go.

Whether you love me or not, love is in **, no increase or decrease.

You follow, or you don't.

My hand is in your hand, and I will not give it up.

Come into my arms, or, let me dwell in your heart.

Silently in love, silent in love.