Who knows Su Shi s test sentence about slush claws .

Kazuko by Michi, nostalgic Song Su Shi.

Life is everywhere, it should be like Feihong stepping on slush.

Occasionally, there are fingers and claws on the mud, and Hongfei counts things.

The old monk has died into a new tower, and the bad wall has no reason to see the old problem.

In the past, I still know if it was rugged, and the road was long and the donkey was sleepy and neighing.

Appreciation] The tone of Su Zhe's original poem is nostalgia, because when he was nineteen years old, he was appointed as the chief bookkeeper of Mianchi County (due to the examination of Jinshi, he did not arrive), and in the first year of Jiayou, he and his brother Shi went to the capital with his father to take the exam. So in the poem, he wrote: "Did you ever know for the county officials?

The wall of the old monk's house is a common theme. He felt that these experiences were full of serendipity. If there is no fate with Michi, why is it always associated with it?

If you say that you have a fate with Michi, why can't you stop for a little longer? This is the emotion in Su Zhe's poem. And from these feelings, Su Shi further made a discussion on life.

These are the first four lines of the poem. In Su Shi's view, not only is there no trace of the specific life, but the whole life is also full of unknowability, just like the wild goose occasionally stops on the snow during the flight, leaving a trace, and the snow melts, and everything no longer exists. So, is there a force in the shadows that governs this behavior?

If life is made up of countless coordinate points, are there any rules to follow for these coordinate points? The young Su Shi sent out such questions and sighs about life. However, the unknowability of life does not mean that life is a goal; Just because something from the past is gone doesn't mean it didn't exist.

Take the experience of riding a donkey on the mountain road and bumping on the difficult and rugged mountain road, isn't it a kind of experience, an experience, and a wealth of life? Therefore, although life is impermanent, we should not give up our efforts; Although many things are accidental, we should not give up the search for necessity. In fact, if you don't go through a lot of hardships and hardships, how can you get into the Jinshi and realize your ambitions?

This is Su Shi: he not only delves into the essence of life, but also is full of optimism, and his entire outlook on life is shown in a miniature way.

The rationale of this poem is mainly reflected in the first four sentences, and "slush claws" has also been widely recited by later generations as an idiom. But from the point of view of writing technique, it is also quite distinctive. Ji Yun once commented:

The first four sentences are single-line into the law, and the Tang people are old; The artistic conception is unrestrained, which is the true color of the eastern slope. The so-called "old style of the Tang Dynasty" roughly refers to Cui Hao's "Yellow Crane Tower": "In the past, people have taken the Yellow Crane to go, and the Yellow Crane Tower is vacant here."

The yellow crane is gone, and the white clouds are empty for thousands of years. ......As the seven laws, the third and fourth sentences should have been fighting, but they were determined to go straight and did not pay attention. Su Shi's two sentences of "on the mud" can also be regarded as a battle, but its literary meaning is straightforward, and it also has a relationship of inheritance, so it is a "one-line law".

The meaning of "artistic conception is elegant" is not only literally elegant, but also has a strong momentum, but also rich in connotation, intriguing, and self-work without seeking work. This is Su Shi's "true color".

Kazuko is nostalgic by Michi.

Song ] Su Shi.

Original. Life is everywhere, it should be like Feihong stepping on slush.

Occasionally, there are fingers and claws on the mud, and Hongfei counts things.

The old monk has died into a new tower, and the bad wall has no reason to see the old problem.

Do you remember the rugged days in the past, and the people on the road were sleepy and the donkeys neighed.

Translations. Life in the world, here and there, occasionally leaving some traces, what do you think it looks like? I really look like a bird flying everywhere, and it stumbles on the snow somewhere.

It left some paw prints on this snow, which was accidental, because the flying of the bird was not certain at all.

The old monk Fengxian has passed away, and all he left behind is a new tower where the ashes are hidden, and we don't have the opportunity to go there again to see the broken wall that was inscribed back then. The old monk's columbarium and our inscription wall are not similar to the paw prints left by Fei Hong on the snow!

Do you remember the rugged journey to Michi? The road was long, the people were tired, and the donkeys were so tired that they were screaming.

Exegesis. This work was made by Su Shi through Michi (now Henan), recalling that Su Zhe once had a poem "Huai Michi Sending Sons to Brother Zhan", so as to harmonize with it. Sub by:

Su Shi's brother Su Zhe is composed of. 渑 (miǎn) Pond: present-day Mianchi County, Henan.

This poem was written with Su Zhe's "Brother Zhan of Huai Michi Jizi".

Life" sentence: This is a harmony, Su Shi Yi Su Zhe's original work mentioned in the slush triggers a sense of life. Cha Shenxing and Feng Yingliu thought that they were using Zen language, and Wang Wenhe had refuted their wrongs, which was actually a metaphor for the elite police, so Qian Zhongshu's "Selected Notes on Song Poems" pointed out:

Slush claws", "later became an idiom".

Old monk: That is, it refers to leisure. Su Zhe originally sang "The Old Monk's Room Wall Co-titled" self-note: "In the past, he and Zizhan should be lifted, and the temple in the county was overstayed, and the old monk was inscribed on the wall of leisure. "When ancient monks died, their ashes were buried in a tower.

Bad wall: refers to the idle monk's house. In the third year of Jiayou (1056), Su Shi and Su Zhe stayed in the Fengxian monk's house and inscribed poems on the way to Beijing.

蹇 (jiǎn) donkey: a donkey with inflexible legs and feet. Footing, lameness. Su Shi self-note: "In the past, the horse died in the second tomb (according to the mountain of Kun, in the west of the pond), riding a donkey to the pond. ”

Snow ruler mud claw** in Su Dongpo's "Nostalgia of Hezi by Michi".

Song) life everywhere knows what it looks like, it should be like Feihong stepping on slush:

Occasionally, there are fingers and claws on the mud, and Hongfei counts things.

The old monk has died into a new tower, and the bad wall has no reason to see the old problem.

In the past, the rugged world was noisy, and the people on the road were sleepy and the donkeys were neighing.

"Slush claws" literally means paw prints left by geese stepping on the slush.

It is a metaphor for the traces left behind by the past.

According to the Qing Dynasty Cha Shenxing's "Su Shi Supplement", this metaphor is based on the words of the Zen master Tianyi Yihuai in the "Jingde Chuan Lantern Record": "The geese pass through the sky, the shadow sinks into the cold water, the geese have no traces, and the water has no heart to leave a shadow." ”

(Wild goose flying in the sky: It means that the wild goose flies high in the sky, leaving no trace.) The metaphor of the past has passed, and the old shadow is hard to find. ）

Su Shi's metaphors are very vivid and profound, and they were praised in the Song Dynasty and used as one of the examples of the poet's "long metaphors". The idiom "slush claws" has been passed down to this day.

To understand this metaphorical meaning, we must fully analyze the first four lines of Su Shi's original poem. The analysis is as follows:

1.Original poem: Kazuko is nostalgic by Michi.

Song Dynasty: Su Shi.

Life is everywhere, it should be like Feihong stepping on slush.

Occasionally, there are fingers and claws on the mud, and Hongfei counts things.

The old monk has died into a new tower, and the bad wall has no reason to see the old problem.

Do you remember the rugged days in the past, the road is long and the donkey is sleepy and neighing.

2.Analysis of the first four sentences:

The first four sentences are translated) What are the places and things that you have experienced in your life? It should be like a wild goose flying in the sky stepping on the snowy ground.

Because of that chance on this snow, there were traces of claws, but Hong still had to continue flying, where to fly, ** to think about the north, south, east and west!

Because this metaphor is so vivid and profound, it later became the idiom "slush claw", which is used as a metaphor for the traces left behind by the past.

Brother Zhan of Huai Mi Chi.

Song Su Zhe. Say goodbye to Zheng Yuanshang, and be afraid of slush for long distances.

Returning to the horse to find Liang Mo, the pedestrian has passed the ancient Kunxi.

Did you know that you were a county official? The wall of the old monk's house is a common theme.

I want to travel alone, and there is little taste, and there is no horse but neighing.

The common road is afraid of slush for long distances", saying that life is difficult, and life is helpless. Su Zhe sighed that now he is in the officialdom, wandering alone is boring, isolated and involuntarily, the horse can still neigh twice when he is tired, but people can only be silent and endure humiliation, which is not easy.

At that time, the monk Fengxian in the temple had passed away, and the inscription on the wall was gone. I was moved, so I wrote a poem for Su Zhe's "Brother Zhan of Huai Michi Sending Sons" and sent it back.

Kazuko is nostalgic by Michi.

Song ] Su Shi. Life is everywhere, it should be Feihong stepping on the slush.

Occasionally, there are fingers and claws on the mud, and Hongfei counts things.

The old monk has died into a new tower, and the bad wall has no reason to see the old problem.

Do you remember the rugged days in the past, the road is long and the donkey is sleepy and neighing.

Su Shi ingeniously used the wild goose to step on the slush to make a little paw print, forming a metaphor with novel form and rich meaning. Although the slush that Feihong paused was not the end and destination of their flight, once the wild goose left, it would not turn into nothing, leaving behind speckled claw tracks. Hong's claws leave a mark by chance, and Hongfei's things are natural.

Chance is impermanent, life is like this, and so is world affairs.

Kazuko is nostalgic by the leakage buried in the pond.

Song ] Su Shi. Life is everywhere to know what it looks like,It should be Feihong stepping on slush and slush.

Occasional finger claws on the mud,Hongfei is a complex thing.

The old monk has died into a new tower, and the bad wall has no reason to see the old problem.

Do you remember the rugged days in the past, the road is long and the donkey is sleepy and neighing.

Slush claws, meaning the paw prints left by geese stepping on the slush. It is a metaphor for the traces left by the envy of the past.

1. Source: Song Su Shi's poem "Nostalgia for Hezi by Michi": "Life is like everywhere, it should be like Feihong stepping on the slush." Occasionally, there are fingers and claws on the mud, and Hongfei counts things. ”

2. Pronunciation: xuě ní hóng zhǎo.

3. Interpretation: Slush: The soil that melts the snow water. Paw prints left by geese on the slush of snow. A metaphor for the traces left behind by the past.