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Chen Peisi's sketch "Wang Jie and the Postman" performed by Zhu Shimao, especially the lines spoken by Chen Peisi, is really uplifting! By the way, there is also "My Chinese Heart" that Zhang Mingmin sang at the Spring Festival Gala, which is also full of memories, although it was still young at that time. Now look at the ** at that time on the Internet, it is also a boost!
Think about it, patriotic songs like Hong Kong in that era also need to be listened to by the current Hong Kong people, and they sang a Chinese heart! There is also a sketch of the island guards performed by Sun Tao that year, and when I watched it later, I was also very moved! Come to think of it, they are the fundamental guarantee that we can have a safe and happy holiday!
Hats off to them!
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The first thing that comes to mind is Mr. Ma Ji's "A Salesman", which is well-known"Cosmos brand cigarettes"。This is also a rare stand-up comedy work of Master Ma Ji, which is almost a household name. followed by Ma Ji, Zhao Yan, Liu Wei, Feng Gong, and Wang Jinbao said "Five Senses Fighting for Merit", which can be said to be the pinnacle of group comedy, and no one has surpassed it so far.
There is also Hou Yaowen's "Interruption" cooperated by Shi Fukuan, which fully reflects Hou Yaowen's profoundness"Liu Huo"skills, jokes constantly.
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If you want to ask the previous Spring Festival Gala, which one is the best, I will definitely choose the one in 1988. Coincidentally, 1988 was also the year I was born, and this year's Spring Festival Gala of the Year of the Dragon included all the popular figures in the literary and artistic circles at that time, becoming a model for all future Spring Festival Galas. Liu Lanfang's "Commenting on Stories" kicked off the prelude to this Spring Festival Gala.
In the early 80s, Liu Lanfang's commentary "The Biography of Yue Fei" became popular all over the country through the broadcast of more than 100 radio stations across the country, and then it was also released, selling more than 1 million copies. Although her show on the Spring Festival Gala lasted less than two minutes, she showed her fluent mouth, which was amazing. Cheng Lin also participated in the Spring Festival Gala for the first time and sang a song "Missing Forever", this song is actually the popular "Xintianyou", "I raised my head, looked to the blue sky, searched for the distant past, and the white clouds swam leisurely and to their heart's content, and nothing changed."
This song has been sung by Wang Si, Cheng Fangyuan and others in 1987, and with this song as the source, it has set off the trend of "Northwest Wind" in the Chinese music scene.
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My personal favorite show is the sketch, and I may watch some singing, but I usually watch the stars I like more, and the rest of the shows are basically not very watched.
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That year, the family had a very proud home appliance - a 14-inch black-and-white TV of the Shanghai brand, which was a big thing for a rural family like ours at that time. That year, before the Spring Festival, I was writing my first mythological opera script - "Tianhe Hate", so I had different expectations for "Journey to the West", which was being ** at that time. I learned that the twelfth episode of "Journey to the West" that had just been completed on Chinese New Year's Eve was going to be completed after the Spring Festival Gala, so I gathered around the briquette stove with the whole family to watch the Spring Festival Gala and discuss the program, and the atmosphere at that time was really happy, which makes me still so fascinated when I think about it now.
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What I am looking forward to the most is the wonderful performance of Uncle Benshan and Aunt Song Dandan. I am the white clouds, I am the black soil. I belong to the chicken, I belong to the tiger.
White Cloud Black Soil Series" sketch, an old lady who is shrewd on the surface but is actually confused, and an old man who is honest and honest and wise and foolish. There are also several sketches of Uncle Benshan and Uncle Fan Dawei, which can also be called the combat effectiveness of the classics. 21 years of sketch experience, Uncle Benshan's control of the stage, and his accurate hitting of the burden of laughter are incomparable.
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Like those sketches performed by Song Xiaobao, and the guy Xiao Shenyang is particularly funny.
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The Spring Festival Gala when I was a child has always been circling in my mind. Feng Gong and the herd. So much so that later the two of them did sketches or cross talk separately.
All of a sudden, I really couldn't accept it. I remember that my middle school classmate had a classmate named Niu Chuanqun. Skinny, a little lively and active, not familiar with me, just because the name has one more word than the herd, which makes me remember it deeply.
At that time, I was still amazed in my heart, the group has more legends than the group, the difference of one word, and there is a story of historical inheritance from scratch, which makes people reverie.
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My father loved to watch Chen Peisi and Zhu Shimao's sketches, and I was influenced by him and watched their works, and I was deeply attracted by the performances of these two people as soon as I came into contact. Chen Peisi is really a master of comedy sketch performance, what he acts like. The characters he played are all small people in the market, and he played them alive, one by one extracted from the lowest fragments of life, one by one the closest to life, the most down-to-earth sketches, but they are so vivid and reflect the changes of the times.
Chen Peisi is undoubtedly an insight into life, and he absorbs, digests and understands what he has gained from life and then feeds it back to us.
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The songs sung by tfboys and Jing Tian and others are very good, the important thing is that everyone is so good-looking.
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In terms of the function of the Spring Festival Gala: as a TV gala, it has created a cultural miracle and completed a TV myth. If the Spring Festival Gala is initially qualitatively examined, it is only a gala held in the form of literature and art at this special moment of the Spring Festival, just like other activities in the tradition of the Chinese New Year, the Spring Festival Gala of course carries the necessary narrative, but this narrative should be more of a folk discourse, and today's Spring Festival Gala carries too much mainstream ideological content, highlighting a grander narrative function, which is what the original creator of the Spring Festival Gala did not expect.
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Farewell to the old year that is about to pass.
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There are many types of Spring Festival Gala programs, such as singing and dancing, songs, language, poetry, sketches and cross talk.
Specifically: 1. Singing and dancing programs.
In terms of the content of singing and dancing programs, the main theme song is dominant. The performers are also mostly stars that the audience is more familiar with and loves. After getting used to watching such programs, a new way of performing "original" song and dance moved the audience, and the original singers from all over the country used songs of different styles, local colors and life to show a rich and colorful traditional folk culture.
2. Language programs.
Language programs are becoming more and more mature, and they are constantly pursuing innovation. Dai Zhicheng's cross talk "Fun Netansheng" added popular words and jokes on the Internet to it, making the ancient art of cross talk more modern.
The abuse of Internet language in some programs has affected the dissemination effect of the program to a certain extent, but the spirit of innovation of creators and performers cannot be denied in the first attempt of that year. In 2006, it broke the situation that language programs were dominated by northerners, which not only enriched the form of expression, but also met the needs of different audiences.
Part of the 2022 Spring Festival Gala
In the program list of the Spring Festival Gala, singing and dancing programs are full of stars, and three generations of actors from the old, middle and young generations jointly present a New Year movement with rich themes and stirring melodies. Yin Xiumei and Yan Weiwen sang the praises of the great beauty of China with "100,000 Miles of Spring Breeze" and conveyed the good news on the new journey.
Language programs promote laughter and show life pictures. Sketches such as "Father and Son", "Not Yet", "Joy and Joy" make people feel the warmth of the world and the lack of integrity.
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