Shooting tips for a flower with a blurred background

This is based on the camera's depth-of-field principle.

You can use a long focal length combined with a large aperture to achieve the effect that you call the subject is clear and the background is blurred.

You can also use the macro mode to shoot, turn on the macro mode of your camera, then pull the zoom to the maximum, and then the camera is as close to the flower you want to shoot, and gently press the shutter.

I'll send you a picture of the flowers I took in Lijiang.

This one deals with the depth of field section in photography.

Depth of field is the range of distances from an object that can be measured in front of a camera lens or other sensor on the axis of the sensor that produces a clear image. Generally speaking, after the focus is completed, a clear image can be formed in the range before and after the focus, and the distance range between the front and back is called the depth of field.

The case you're talking about is a small depth of field.

1. Lens aperture: the larger the aperture, the smaller the depth of field; The smaller the aperture, the greater the depth of field;

2. Lens focal length, the longer the lens focal length, the smaller the depth of field; The shorter the focal length, the greater the depth of field;

3 shooting distance. The farther the distance, the greater the depth of field; The closer the distance, the smaller the depth of field.

Of these three conditions, you only need to meet 2 conditions to achieve the effect you want. You're using a Panasonic machine, and the maximum aperture is.

Method: You can adjust the aperture, then adjust the shutter speed, the exposure is normal, and then shoot closer to the flowers.

The card machine can be easily implemented with a macro.

Flower Shooting Tips:

Main tips:1Selective.

You don't have to wait too long in front of the first flower you see. On the sidewalks that come and go, the flowers here are often haggard, so it's better to keep searching. Research the common flower varieties in your area beforehand to find out when they bloom.

2.Start early.

Try to shoot in the morning, when the wind is lighter and the light is softer. Decide how you want to shoot and bring the right lens – it can be wide, macro or telephoto depending on the subject you want to shoot.

3.Firm support.

Hold the camera in hand to find the best composition, and once you've decided on a location, set up the tripod. Choose an appropriate aperture – f 16 for maximum depth of field, f 4 or f for shallow depth of field. Set a low ISO value, use the shutter release and enable the mirror pre-rise function to ensure a clear closure at low shutter speeds.

Practical skills: 1Early birds get worms.

Shooting at sunrise, when the wind is relatively light, or even no wind, it will not let the flowers sway and cause the picture to be unrealistic. In the early morning, the flowers often have dew on them, which can enrich the three-dimensional effect of the picture.

2.Soften the light.

Try to avoid the light from the overhead straight car, which will cause too much contrast, so that it is easy to overexpose. If necessary, too bright light can be softened. For example, you can shoot in your own shadow, or you can use fill glitter or reflectors to brighten up shadows.

3.Highest quality.

Try to use the lowest ISO settings to ensure the best image quality and accuracy. But this often means reducing the shutter speed, so remember to use a tripod to avoid the effects of shock.

4.Transform multiple angles.

Once you've found a flower that's perfect for modeling, make the most of it. Get creative and experiment as much as you can. Flowers don't run, so be patient to look at and photograph them from every angle, and change lenses to create different effects.

Creative Bokeh Experiment with different compositions and focal points.

How you will trace your subject will largely depend on the lens, aperture, focus position, lighting, and composition you choose, any of which will have a noticeable impact on the final result.

A shallow depth of field is an effective way to isolate and highlight a particular element while keeping the rest out of focus. In macro photography, this effect will be very dramatic, and any slight change in the position of the vertical focus will dramatically change the picture effect.

You can bring the camera close to a cluster of flowers, pass through them, and focus on a flower that is farther away. This creates a halo-like blur around the subject, with only the subject being clear.

Flower shooting skills include: shoot the level of small flowers, shoot small flowers out of a sense of space, choose the right time to shoot flowers, don't ignore the details, and find a good angle.

First, shoot Xiaohua's ** out of the shouting and leaking level.

If you shoot flowers on the ground, when shooting, you must crouch down, put the camera on the ground, and when shooting, focus on the subject flowers, and there are other flowers and plants in the foreground to block the lens, so that a bokeh can be formed. If there is a prospect, the flower will be more layered, and the top and bottom of this one are all this skill.

Second, shoot the small flowers ** out of the sense of space.

If you shoot a blurred background, you can shoot a sense of space, so how can you shoot a blurred background? In addition to focusing on the subject flowers, you should also pay attention to the selection, choose those backgrounds, angles far away from the subject flowers, so that when shooting, the background can be more blurred.

And choose the part with slit light as the background, so that the light spot can be shot at the same time as the blur. There are light spots, there is a blurred background, and the sense of space comes out.

3. Choose the right time to shoot flowers.

It can be taken within 30 minutes before or after sunrise or sunset, as the light is softer and the colors are more beautiful during this time. If Sono is a flower like the picture above and below, then after choosing the right time, you should also pay attention to the horizontal line not to bend to ensure that the horizontal line is flat or straight.

Fourth, don't overlook the details.

If you shoot lotus flowers, you can use a macro lens, to look for those flowers that are closer to you, shooting macro, you need the camera to be very close to the flowers being photographed, sometimes only a few Zheng Hu centimeters. In addition, you can also use the telephoto end of the telephoto lens to shoot, which can reduce the scope of the picture and make the ** look more detailed.

5. Find a good angle.

Because even if it is the same flower, different people, using different angles, the shooting is not the same, if you use the upward shooting angle when shooting, you can make your ** look more different. If you find a small flower on the side of the road, as long as you put the lens low and shoot it up, it can form an open effect, and you can shoot the beautiful small flowers with your hand, it's as simple as that.