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Anonymous users2024-02-111.Use "unfathomable" and "only lonely clouds" to compare the identity of Wang Changling's hermit.
2.The "stay" in the title refers to the place where Wang Changling lived in seclusion before leaving office.
The second is that Wang Changling was not here at that time.
In the poem, "stay" means that it is lonely to stay in a thatched hut at night, and it is also affectionate to raise your eyes and see the shadows of flowers and shadows on the side of the house outside the window. When I went for a walk in the courtyard, I saw that the herbs raised by Wang Changling grew very well. Because no one has come for a long time, moss grows on the road, so the lush herbs nourish the moss.
This also implies that the owner has not been there for a long time, and while describing the hidden taste, it reveals a sense of regret and expectation, which is subtle and subtle.
3."The shadow of the thatched pavilion is the shadow of the flowers, and the moss pattern of the pharmacy. The two couplets are written about what Wang Changling saw and felt in the seclusion of Wang Changling at night.
Wang Changling's residence is poor and elegant, a lonely thatched hut, the so-called "thatched pavilion". There are pine trees in front of the house, flowers are planted by the house, and medicine is planted in the yard, which shows his personality and taste, living alone and not lonely, and loving life in seclusion. Chang Jian stayed here overnight, raised his head to see the pine treetops, the bright moon rose, the clear light came, especially affectionate, and there was no intention to guess.
I want to come to Mingyue I don't know that the host is not there tonight, and I have changed the guests, and I still have a lot of affection, so Yun "is still a gentleman", and "Jun" refers to Wang Changling. This not only implies that Wang Changling is not there, but also shows the noble taste of a secluded life. Staying overnight in a thatched hut is lonely, and raising your eyes to see the flowers and shadows by the house outside the window is also very affectionate.
When I went for a walk in the courtyard, I saw that the herbs raised by Wang Changling grew very well. Because no one has come for a long time, moss grows on the road, so the lush herbs nourish the moss. This also implies that the owner has not been there for a long time, and while describing the hidden taste, it reveals a sense of regret and expectation, which is subtle and subtle.
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Anonymous users2024-02-10The Tang Dynasty poet Chang Jianhe's answer to the genre of the poem "The Seclusion of King Changling" belongs to the five-character poems in the ancient near-style poems (metrical poems), which meet the requirements of five-character poems in rhyme, evenness, and antiphon.
1. From the perspective of rhyme, the whole poem has a total of eight sentences, each sentence has five words, divided into four couplets. Among them, the first sentence does not rhyme, which belongs to the routine of rhyme in five-word rhythm poems, and the second sentence rhymes flat, bringing up the "Jun" of the fourth sentence, the "pattern" of the sixth sentence, and the "group" of the eighth sentence.
2. From the point of view of the level, the first joint "Qingxi is unfathomable, and the hidden place is only a lonely cloud" is changed to dry wisdom, and it is flat and flat; The jaw couplet "Songji dew and micro moon, Qingguang is still the king", the upper and lower sentences are opposite; The neck couplet "Maoting Su Flower Shadow, Pharmacy Moss Pattern", the use of Pingqian is more exquisite; The tail couplet "Yu Yi Xie Shi goes, Xishan Luan Crane Group", although there are no strict requirements on the level, but also try to use the balance alternately, and the reading is subdued and frustrated.
3. From the perspective of the battle. The middle two couplets, especially the neck couplets, are neatly opposed. "Maoting" to "Pharmacy" are both noun phrases, and Pingqian is Pingping to Pingping; "Su" and "nourish" are both verbs, which are relatively stable; "Flower shadow" vs. "moss" is a noun phrase and a relative defeat.
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Anonymous users2024-02-09This is a poem of landscape seclusion, which has been passed down as a famous poem in the Tang Dynasty of Jisen. In the Qing Dynasty, Bo Shimu was more respected by the "Shen Yun Hui Xun School", and the same as the "Title Poshan Temple Hou Zen Courtyard" and Chang Jian's representative works.
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Anonymous users2024-02-08Su Wang Changling lived in seclusion.
Qingxi is unfathomable, and there are only lonely clouds in the hidden place. Loose hands auspicious dew micro moon, clear light is still Jun potato lead. "The shadow of the thatched pavilion is the shadow of the flowers, and the moss pattern of the pharmacy. Yu also thanked him when he went, and the west sedan chair fought the mountain and the cranes.
This is a five-character poem.
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Anonymous users2024-02-07Su Wang Changling's seclusion translates to the unfathomable water of Qingxi, and the only place of seclusion is lonely clouds. The bright moon in the middle of the pine forest is slightly dewed, and the clear light is sprinkled like Langjun. The shadow of the thatched pavilion flowers is sleepy, and the spring travel garden of the peony garden breeds moss.
I also want to reject the world and get along with the cranes of the West Mountain.
Su Wang Changling lived in seclusion.
Author Chang Jian, Tang Dynasty.
Qingxi is unfathomable, and there are only lonely clouds in the hidden place.
The pine dew is slightly moony, and the clear light is still the king.
"The shadow of the thatched pavilion is the shadow of the flowers, and the moss pattern of the pharmacy.
Yu also thanked him when he went, and the cranes in the West Mountain.
Biography of the character
Changcha Tangjian is a poet from Xingzhou in the Tang Dynasty, with few words, and has traveled to Chang'an for a long time. In the fifteenth year of Kaiyuan (727), Jinshi. Tianbao is middle-aged and Xuyi Lieutenant.
After seclusion in the West Mountain of Ezhu. A lifetime of frustration, Geng Jie is self-controlled, and there is no dignitary in friendship. and Wang Changling have written remuneration.
Its poetic conception is clear, the language is refined and natural, and the art is unique.
Yin Fan's "Collection of Heroic Spirits of Heyue" is the first column of Chang Jian's poems, commenting: "The poems are like the first time to pass through the village, but they are looking for a wild path, a hundred miles away, and they return to the avenue." Therefore, its purpose is far away, and its prosperity is secluded; Good sentences come from along, but they are about the meaning.
and cited sentences such as "Songji dew and micro moon, Qingguang is still the king" ("Su Wang Changling's Hidden Place") and other sentences, calling it "police policy"; You recommend "The Tomb of the Hanging General", thinking that it is better to narrate grief and grievances than Pan Yue.
His poems are mainly about pastoral and landscape, and his style is close to that of Wang and Meng. He is good at using concise and concise brushstrokes to express a quiet and quiet artistic conception. Such poems often reveal indifference.
In fact, he is not completely oblivious to reality, he has feelings, expectations, and accusations, which is especially obvious in the poems of Biansai, which account for a considerable proportion of the celebration stool. There is "Chang Jian Ji". The poems are mainly written about landscapes and pastorals, and the choice of words is exquisite, and the realm is far away.
Chang Jian's poems seem to be the beginning of Tongzhuang, but looking for a wild path, hundreds of miles away, Fang returns to the avenue. Its purpose is far-reaching, and its prosperity is secluded. Good sentences come and go, only the meaning is expressed. Reduced to a lieutenant, the scholar is sad. A volume of poems.
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Anonymous users2024-02-06Su Wang Changling lived in seclusion in Changjian Tang Dynasty
Qingxi is unfathomable, and there are only lonely clouds in the hidden place. The pine dew is slightly moony, and the clear light is still the king. "The shadow of the thatched pavilion is the shadow of the flowers, and the moss pattern of the pharmacy.
Translation: The clear stream flows into the unfathomable Shimen Valley, and the secluded place is only accompanied by lonely clouds. The pine forest is slightly exposed to the moonlight, and this quiet moonlight seems to be sent just for you.
The shadow of the flowers in the night of the thatched pavilion seems to have fallen into a dream, and the courtyard planted with medicinal herbs is full of moss marks. I also want to quit the burden of the world like him and go to the Luanhe group in the West Mountain.
Notes: Measure: A "pole".
Seclusion: A place of seclusion. Yui:
Only. Jude: Still, still.
Su: A metaphor for the quiet night and the shadow of the flowers like sleeping in the world. Pharmacy:
Peony garden. Zi: Growing.
Yu: Me. Xie Shi:
Leave the tiredness of the world. Luanhe: In ancient times, it often referred to the birds of the immortals.
Swarm: with ......Together.
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