-
Judging by historical dramas. Difference. From the perspective of watching movies, I like the five sons of the Zhu family.
You see, the old head of the village, Zhu Tou, is worried about his life, and the eldest son is shrewd but soft-hearted. Tie Hanhan's second son, and the third son's city is deep. All of them are not worry-free.
But it's also this down-to-earth way (besides, the emperor of the Ming Dynasty was originally transparent, so it looks weird). only makes this drama interesting, in addition to the acting skills of the old drama bones, line skills, so the low scores and high scores are artificial, and some people are willing to give low scores that are different from the plot in his heart, but in terms of actors and highlights, this is a good drama, costumes, props and makeup, all of which are movie-level (the screenwriter can go to death and change it randomly) in the end. The most unexpected thing is the legendary emperor Zhu Qizhen, Zhang Yixing's acting skills, the progress is too great Eyes, movements, in short, this is a good drama that can be savored.
In addition, I like the drama of the Ming Dynasty 1566 I have watched it many times, and it is much better than the Qing drama There are also mountains and rivers and bright moons are about to come out, and Emperor Jiajing played his ancestor Zhu Yuanzhang, think about it.
-
I didn't look at it when Lao Zhu died, I thought there was any plot, and I didn't shoot any plot well. The king of Han plotted a rebellion and framed the crown prince Lao Zhu and found out that he didn't say anything. There are only two people in Gong Dou, what else can the queen be like?
The filming of war scenes is not as good as Zhu Yuanzhang and Kangxi Dynasty who I watched before. It has always been said that the second and third sons have unparalleled combat power, but the entire Northern Expedition has always been the grandson's face. Lao Zhu gets angry at every turn, and the reasons for his anger are almost the same, which seems too redundant.
These five performances are quite interesting, but not to mention historical facts, the logic before and after is not right. I can't look at it at all, and I won't say much.
-
This drama is good in the front and bad in the back. Even if it is an adaptation, it must be based on history. But this drama is not based on history, it is too dark Zhu Qiyu!
There is also the indiscriminate alteration of historical figures. Like Sanyang and Empress Dowager Zhang, they were already dead before the Tumubao Incident, but in the play, they survived until after the Battle of Beijing, which is a failure. If it is really the plot in **, then the author of ** seems to be also a historical illiterate.
-
I think it's because the historical TV series Daming Fenghua doesn't respect history, although the actors are very good, but there is a gap between the plot and history, so the score is only.
-
At the beginning, the hype was relatively strong, which made the public think that it must be good-looking, and the expectations may be too high, but later I found that there was a big problem with the editing, it couldn't connect to the plot, and the plot was relatively dragged, so many people abandoned the show, and the score was relatively low.
-
Actually, the front and middle are all good. The key is that in the later stage, if this drama dies by Zhu Yawen's Emperor Xuanzong, it will be at least 8 points. The Yongle Emperor in front, Mr. Wang can really hold it up, and even the Han King Zhao Wang is the best acting actor.
To be honest, it's not that Tang Wei has no acting skills, and there is still a gap between him and Teacher Wang and Teacher Liang. Slowly, she was holding up the situation in the later stage.
-
Because the plot, costumes and props have not caught the audience's attention, the audience's requirements are very high now, the acting skills are not very good, and the competitive pressure of various TV series is also very high, but overall, this drama is still very good.
-
Daming Fenghua may have become bad for the final male protagonist, and the second female has been squeezing the female first, so the Douban score is only, which does not meet everyone's expectations for the ending.
-
I think 45 episodes ago, the drama of the five sons of the Zhu family was very good and attractive, and I stayed up late to watch the drama. After 45 episodes, Zhu Zhanji's son Zhu Qizhen began to Zhu Qiyu ascended the throne in the end, and then came back to regain the throne after Zhu Qizhen was captured. I don't want to say how much difference there is between the plot and the official history, after all, it's a TV series, and it needs to add a bit of fiction.
Anyway, the old drama bones watched it with relish. The plot is basically abandoned later. Let me score it, 8 points for the first 45 episodes, and the most points for the last 5 episodes.
-
Although the acting skills of the actors in the TV series "Daming Fenghua" are remarkable, some places make people look boring, and the Douban score is not surprising.
-
How to say it, the actors in this play acted very well, but it is also a bunch of good actors who are blind to the nonsense in this script, good actors (6 points) + bad scripts (points), and now there are only scores!
-
Because Tang Wei acted. Sharp-beaked monkey gills, how can you afford such a big script! It's a pity.
-
Because the main actors are not good, the supporting roles are actually really good, the directors Zhang Ting and Tang Wei are too bad, and they have ruined a good drama, with a maximum score of 4 points.
-
Now that the cultural level of the Chinese is generally improved, there are very few historical blindness, "Daming Fenghua" has even tampered with basic historical facts, and has not made up a lot of content, and those who can watch this drama can be regarded as very persevering.
-
Except for a few old drama bones and hardware configurations, nothing else is interesting! The young ones rely on their faces and don't have any acting skills to speak of. The whole plot is terrible, and the existence of many things that are not logical is really incomprehensible.
The war scenes are either simply replaced by narratives, and they are filmed well, what does the director think when they are so poorly filmed?
-
The previous storyline is very good, but it's a pity that the starring role is too greasy and the heroine's appearance and voice are easy to get out of the picture, and the later plot is a bit pediatric like a drama and it's not, so that the audience doesn't know that it's very disturbing!
-
The costumes, props, and actors are all very good, but the plot is too detached from history, which makes people feel very awkward, and Zhu Zhanji is very disgusting like a eunuch neurosis.
-
Tang Wei is too out of place, other actors have very good acting skills, and they are very involved in watching the play, but as soon as they arrived at Tang Wei's shot, they didn't watch it. It's too dramatic, bringing the audience's emotions out of the plot.
-
Disrespectful history, random adaptation, bad plot! Mistaken people ......
-
I didn't watch it as a historical drama, I passed the time to watch it, and I thought it was good for the costumes and props or something, but the heroine felt super out of the play as soon as she opened her mouth, and she felt that she was not on the same channel as other actors.
-
The plot is not substantial, and the plot is advanced only by mouth.
-
In a female emotional drama dressed as a historical drama, some plots and historical comparisons have been a bit magical. However, when the emperor ascended the throne, he wore a black crown robe, which was still praised.
-
Tang Wei acted too badly! The man's drama is good, but the heroine is too bad, and one person destroys a drama. The male lead actor is going offline one after another, and I am going to give up the show.
-
I love watching historical dramas, but I can't watch this one after watching it for a few minutes, it's all high, be content!
-
A good drama was ruined by Tang Wei's acting skills: bluntly reciting lines, contrived expressions, and eunuch voice. What a pity!
-
Doing this kind of drama in the name of a historical drama will disappoint the audience.
-
"Daming Fenghua" is not real history, and the specific explanation is as follows:
1. The Yongle pro-campaign that reversed the victory and defeat.
In Daming Fenghua", Zhu Di, the Yongle Emperor of the Ming Dynasty, personally conquered the Mongolian tribes and was one of the key plots. In the play, the Ming Dynasty army encountered stubborn resistance from tribes such as the Tatars and Warats and got bogged down. However, in history, Zhu Di personally conquered Mongolia 5 times in his life, and has always maintained brilliant achievements and never fallen into trouble.
Second, the firearms of the early Ming Dynasty that were not backward.
There is a plot in "Daming Fenghua", the Ming Dynasty asked the Portuguese to train the Ming army to use firearms, which is inconsistent with historical facts.
On the one hand, the level of firearms in the early Ming Dynasty was actually not inferior to that of Europe. In the process of Zhu Yuanzhang's unification of the whole country, firearms played an important role, so Zhu Yuanzhang attached great importance to the development of firearms, and successively set up the Baoyuan Bureau, the Ordnance Bureau, the Military War Bureau and other departments to manage the manufacture of firearms.
3. The Guanning Iron Horse of "Crossing".
"Daming Fenghua" also appeared in the history of the Ming Dynasty a famous army - Guanning Iron Cavalry. In fact, the Guanning Iron Cavalry was established in the late Ming Dynasty, which is the same as the Portuguese coming to China in the early Ming Dynasty in the play.
"Daming Fenghua" drama review
Different from other historical dramas, the play avoids the heavy and sad perspective, and focuses on the Zhu family, showing the traditional Chinese family culture through the interesting daily interactions and getting along between the generations of the Zhu family, complex emotional entanglements and redemptions.
In the grand historical background, the "Ming Dynasty family" discussed state affairs in the court, and the slapstick and laughter in life were restored one by one, and the Zhu family was not only a condensation of the traditional Chinese family, but also observed the real life of society.
-
"Daming Fenghua" is obviously a large-scale female main court drama under the cover of historical dramas.
In fact, to put it bluntly, before the broadcast, the producer used the historical drama as a signboard, used Tang Wei, who was in contact with the TV series for the first time, to attract traffic, and also used the sisters to marry a husband to create a topic, and the audience attracted was naturally ready to watch the drama, but they saw a magic historical drama, and it would be strange not to give a low score.
But in fact, the positioning of "Daming Fenghua" is a drama of a big heroine, but the scene of the emperor's mental trick of the five sons of the Zhu family in the middle is too much to steal the limelight. The heroine Tang Wei's sense of existence is very weak, and it even makes people dance a little.
With the farewell of all powerful actors, heralding the beginning of the second half of the plot, Zhu Qizhen played by Zhang Yixing also appeared. These have pushed Tang Wei to the rhythm of the big heroine, and on the other hand, they have also caused a vacuum in the acting skills of "Daming Fenghua".
But the drama "Daming Fenghua" gives people a strange feeling, it is not a common type. It is not like many costume dramas, completely alternate history; There is no kind of drama that starts from history completely, and it is so serious that it is impossible to get close.
Seeing Zhu Di's drama during his lifetime, there are many interesting places. It provides cutting-edge imagination and interpretation of many historical events.
For example, Emperor Zhu Di reinterpreted and shaped the figure from the perspective of today's historical achievements. Let's see a visionary and ambitious king who makes amends for his guilt through martial arts.
Even this play is set in the scene where Zhu Di meets Jianwen, making a new interpretation of the reconciliation between the two emperors. Although many historical details are missing, the overall pattern is relatively avant-garde, which seems to explain some of the conjectures of the Jinbei Tomb in Ningde, Fujian.
But these are enough to compare the deconstruction of the "Yongzheng Dynasty" and the highlights of shaping the Yongzheng Emperor, and in the end they only paved the way for his granddaughter Sun Ruowei.
After that, the plot turns straight and is completely caught in the struggle of the big heroine's palace. For the sake of the eldest lady Mary Su, these characters, Zhu Gaoxu, Zhu Zhanji, Hu Shanxiang, and Zhang Yan, have all been completely subverted. Hu Shanxiang is even more black, a queen known for her virtue in history, in order to straighten out Sun Ruowei, she has become an endless villain, and Zhu Gaoxu even has dog blood.
In order to straighten out Sun Ruowei's governance, Zhang Yan's historical achievements were all added to Sun Ruowei. He also fabricated a large number of people with no historical basis to frame Zhang Yan.
If you only look at the role creation of the big heroine's palace fighting drama, these are all okay. The more the audience can't guess the development of the plot, the more successfully they can grasp the direction of the plot. This is also the essence of the Down's Code of Conduct. But the so-called historical drama is clearly not suitable.
The main reason for this problem is that there is speculation that the writers and directors want to include too many elements in the show.
If you can't include all the selling points, it's easy to create unparalleled and contradictory. It is like containing all the elements of the Ming Dynasty for nearly 300 years, and even the Guanning Iron Horse also appears in the play.
-
"Daming Fenghua" is not a historical drama, it is a costume drama about the history of the Ming Dynasty. Some of the plots and character relationships in the play are apocryphal and inconsistent with history, but this drama is generally told according to the story of the early years of the Ming Dynasty. This drama is starring Tang Wei and Zhu Yawen, with Sun Ruowei as the protagonist of the story, telling the story of the country creating a prosperous era in the early Ming Dynasty and Sun Ruowei going through five emperors and six dynasties.
1. The story synopsis of "Daming Fenghua" Sun Ruowei is an orphan of the Battle of Jingjing, who was later rescued and grew up in the rivers and lakes. When he grew up, Sun Ruowei assassinated the emperor's grandson, Zhu Zhanji, and later witnessed a political rebellion in Jinling City. After a lot of things, she decided to give up her personal hatred and assist Zhu Zhanji to ascend to the throne.
She has experienced five emperors and six dynasties, and has saved the Ming Dynasty from danger many times with her own bearing and wisdom, witnessing the development and decline of an era.
2. The daily life of the five sons of the Zhu family This drama is different from the historical drama in that its atmosphere is more joyful and avoids the tone of pain and sadness. In the early stage of the story, most of them focused on describing the daily happy life of several generations of the Zhu family, which also attracted wide attention from the audience. The five sons of the Zhu family often fight daily in the palace and have complex emotional entanglements, and Zhu Zhanji often fights with his grandfather Zhu Di, father Zhu Gaochi, uncle Zhu Gaochu, and Zhu Gaosui, which also shows the traditional Chinese family culture and reflects the real social life.
Third, it integrates the historical backgroundThis drama is not a historical drama, because many of its plots are made up, such as the relationship between Hu Shanxiang and her adoptive mother, the relationship between Hu Shanxiang and the King of Han and other details. However, it still has many advantages, such as the general trend of its historical background is relatively correct, interspersed with events such as Zheng He's trip to the West, the compilation of the Yongle Grand Canon, Zhu Di's personal expedition to attack Wara, Zhu Gaochi's serious illness and ascension to the throne, Zhu Zhanji's personal expedition, and Zhu Qizhen's capture are interspersed in the play, which can not only reflect the realism of history, but also make the audience look more relaxed.
The ratings of this show are still good, dear readers and friends, have you all watched it?
Because the plot in front is more warm and compact, many plots will feel a bit dragging and a bit illogical in the back.
Let me talk about my opinion:
1. The acting skills of the new generation of actors cannot be compared with the acting skills of the older generation before (even if they belong to the same age group). Take Li Xiaoyao as an example, which young actor do you think can perform Hu Ge's state at that time? >>>More
Trillion brilliant primitive accumulation of capital.
His capital is composed of a combination of blood and violence to buy power, ruthless enough, yin enough, and domineering enough. There is a line in the play that he is a character who has not been born for hundreds of years. The greater the benefits, the closer the evils, he saw clearly the loopholes in China's economic development during the reform period, and the dream of the black economy to become a transnational economy was shattered in many acts of injustice. >>>More
Because there is not enough market competition, because there are too few dubbed dubbed comedies now, even less than in the 90s. There are still many viewers who are willing to watch comedies with good dubbing, rather than just watching subtitles. If there is a revelation, a smarter domestic TV station can buy some British and American comedies from the 70s and 80s, do dubbing and then broadcast it, which can be equally effective.
It would be nice if she made a TV series.