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Original text] The poet is also the place of ambition, in the heart is the ambition, and the speech is the poem. Emotions are in the middle and actions are in words, words are insufficient, so sighs, sighs are insufficient, so eternal songs, eternal songs, do not know the dance of the hand, and the foot is also.
Emotions come from the sound, and the sound becomes the sound. The sound of governing the world is peaceful, and its politics are peaceful; The voice of the troubled times is angry, and its government is obedient; The voice of the dead country mourns and thinks, and its people are in distress. Therefore, it is gaining and losing, moving the heavens and the earth, feeling ghosts and gods, and not close to poetry.
The first king thought that he was a husband and wife, became filial piety, kindness, beautification and education, and changed customs.
Therefore, the poem has six meanings: one is the wind, the second is the fu, the third is the comparison, the fourth is the xing, the fifth is the elegance, and the sixth is the song. On the weather, under the wind stabs, the main text and admonish, the person who speaks is not guilty, and the person who hears it is enough to quit, so it is said that the wind, as for the decline of the king's road, the abolition of etiquette and righteousness, the loss of politics and religion, the foreign government of the country, the family customs, and the change of wind and elegance.
The history of the country is clear about the traces of gains and losses, the abolition of hurting people, the harshness of mourning and the punishment of politics, chanting emotionally, and reaching the wind on it, reaching the incident and nostalgic for its old customs. is affectionate, and the nature of the people is also; Stop at etiquette and righteousness, and the zes of the first kings are also. It is the affairs of a country, the foundation of a person, and it is called the wind; Speaking of the world's things, the wind of the four directions, is said to be elegant.
The elegant one, the righteous also, said that the king's government is abolished. There are big and small politics, so there are small and big Yayan. The praiser, the description of beauty and virtue, is also known to the gods for its success.
It is said that the four beginnings, the poetry is also the end.
Basic introduction: Mao's poems refer to the ancient text "Poems" compiled and annotated by Mao Heng of Lu and Mao Chang of Zhao in the Western Han Dynasty, which is now popular in the world. As the first collection of poems in the history of Han literature, the Book of Songs has a total of 305 articles, and each of Mao's poems has a small preface to introduce the content and meaning of this article.
Under the first article of the book, "Guan Ju", in addition to the small preface, there is also a general preface, called "The Great Preface to Poetry", which is the first monograph on ancient Han poetry. Zheng Xuan, a scholar of the Eastern Han Dynasty, once wrote a "note" for "The Biography of Mao", and Kong Yingda wrote "Mao's Poetry Justice" in the Tang Dynasty.
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The Preface to Mao's Poems mainly reflects the following literary insights:
1. The characteristics of poetry: the unity of emotions and the trinity of poetry, music and dance.
2. The relationship between poetry and society and the social role of poetry: the communication between poetry and government and the method of "poetry education".
3. Principles and methods of poetry creation: "emotion, stop at etiquette" and "the main text and admonish".
4. The genre and expression of poetry: "six meanings" theory.
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The Preface to Mao's Poems mainly reflects the following literary insights:
1. The characteristics of poetry: the unity of emotions and the trinity of poetry, music and dance.
2. The relationship between poetry and society and the social role of poetry: the communication between poetry and government and the method of "poetry education".
3. Principles and methods of poetry creation: "emotion, stop at etiquette" and "the main text and admonish".
4. The genre and expression of poetry: "six meanings" theory.
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