About the conscious flute, about flute learning

The breath method is wrong, and the breath position of the bass, midrange and treble is not the same. It is still recommended that you find a teacher, if you are a beginner, you can blow the long tone for four beats first, slowly extend, start practicing from the scale and arpeggio, and be sure to pay attention to the timbre when blowing. Then find some small etudes, and then you can practice Kohler, which is a long technique, like learning the piano and practicing Czerny.

It is best to practice long notes every day. I was the teacher I found in the 4th grade, and I finished the 9th grade in the 6th grade, and the progress will be obvious if there is a teacher to guide me.

It would be better if there was a teacher.

The reason why the treble can't blow up is because I don't have the strength to exert myself.

I'm a kid, I've been learning flute for about a year, and I've passed the Level 2 exam.

It takes about 1 month to practice the long tone (basic) and you will be done.

I'm already practicing double vomiting now.

It's not impossible to feel the flute, but that can only be a hobby. Buy a copy of Shao Weimin's flute basic course, a special scale, and a famous flute song by Shao Weimin, and practice these three things one by one regardless of the others, and advance one page a week. Then after these exercises, you ask again, don't be afraid of hardship, you must think while practicing.

If you have a problem with me.

F major? You should start blowing in C major, F will make semitones, and beginner fingering will be blind! Let's start with G in C major!

Personally, I think it's better to have a teacher, and there are fewer detours! You can find a flute major student to be a teacher, the level is not inferior, and the fee is low! Best of both worlds!

The pronunciation of the flute is the same as that of the Chinese flute, which belongs to the pronunciation of the edge sound.

To put it simply, when we blow at the mouthpiece, the sound is produced due to the collision of the air flow inside the tube, and the resonance tube resonates. Therefore, the shape of the mouth and the angle of the blow have a direct effect on the timbre. The flute is a 12-tone instrument, and if you press all the sound holes, it produces the lowest note of the flute, and from the lowest end, each sound hole opened, it rises by a semitone.

However, in the upper register, you need to use staggered fingering.

Categories: Culture Arts >> Instrumental Music Vocal Music.

Analysis: flute

Instrument name: flute

Instrument key: C key.

Apply clef: treble clef, notation without transposition.

Practical phonetic call grinding domain: small characters one group c small characters four groups of c.

Structural composition: pipe body (including blowing joint, main section and tail section) and tone key system.

Material: Ordinary type: seamless nickel silver tube, professional type: hard real silver.

Instrument features: and Sidou is fresh and thorough, and the tone is cold. The treble is lively and bright, and the bass is beautiful and pleasant, which is widely used in orchestras and military bands.

The flute has been around for centuries, dating back to ancient Egypt, when it was just a clay pipe with a hole in the top. By Haydn's time (1732-1809), the flute had become a fixture in symphony orchestras. At the beginning of the 19th century, the flute was finalized with the invention of the button mechanism by Theobal Bohm (which was later also used for clarinets, oboes and bassoons, among others).

The flute has a soft and clear timbre and a wide vocal range: the middle and high registers are as clear as the first rays of sunshine in the morning; The bass range is as graceful as the clear moonlight; Moreover, he is good at flowery cavities, and his playing skills are gorgeous and varied, and he often serves as the main melody in the symphony orchestra and is an important solo instrument.

There are many types of flutes, in addition to the common ordinary C flute, there are D-flat and E-flat flutes, G tenor flutes, C bass flutes, etc., but they are less widely used.

1. The lips are naturally closed, hold both ends of the flute with both hands, hold the mouthpiece with the left hand, hold the tail with the right hand, place the blowing hole on the lower edge of the lip, and blow with the blowing hole;

2. When the breath rushes out, only a small gap is allowed to pass the breath, and it becomes a bundle of air columns that blow obliquely under the blowing hole. The principle is like blowing a pen sleeve;

3. In order not to flush the lips apart when the breath is flushed out, and the breath is easy to disperse, the cheek muscles must be hard to keep the outlet of the breath very small;

4. The sound of blowing out is required to be pure and avoid mixed with gas;

5. It is necessary to practice often in front of the mirror, how to align the stomata with the leakage of the limbs, so that the position of the bad sound is correct and impartial, so that all the breath is turned into flute sound.

When the band chose the instrument, I took a fancy to it, and I thought it was very unique, after all, in the wind band, this whole silver and white body looks very unique.

In the fit test, I did feel a tacit understanding, it didn't take much effort to lip sync, and the timbre was also very clear and pleasant, which was really nice (it was said to be a silver voice).

It's love at first sight, at best, it's one of the causes of real learning, and there's a kind of obsession with things, the more I learn, the more I can't let go, so I stick to it all the way, it's too boring to look at the old scores, and I'm confident in an instant, and every time I have mixed feelings, I recall my previous simple thoughts, and I can't make excuses for myself not to stick to my previous efforts.

The flute is really good, as a single ** instrument, it has a wide range, but it is really moving to play the music with it, even if it is a burning song played on the flute, it will become melodious, I like its freshness, I like its company.

Wei Wuxian can blow, I want to blow too...

Hehe, it's not too late, especially if you're in college.

I also graduated from junior high school this year and just learned.

The flute is not to say that the sooner you learn it, the better.

Some are six or seven-year-olds.

At this age, the flute must not be blown into the emphysema, ah......

The receptivity of 18 years old will also be much stronger.

As for what brand of flute to use.

If you just want to have fun for three minutes.

Buy a domestic one (Xinghai Jinbao......）

But if you really want to learn it seriously.

It's better to buy a branch (domestic brands are simply misleading for beginners).

A considerable number of people have just learned to choose the Yamaha 211 or the Jeput 511, and the market price is around 2600.

Jeput didn't use it.

The Yamaha 211 was the one I used when I was a beginner.

Very good, there are some other foreign brands.

Love to climb or something, it's good.

I also started studying after the college entrance examination this year, but I bought the flute six years ago. I don't know what the cards are. In the beginning, the fingers are completely twisted, but it is good to practice more.

The main thing is that the qi is not long enough.

ps: You must be patient to learn the flute, and I believe that you will learn it well.

I want Yamaha's handle.

I'm using this.

It's been a long time, it's good, it doesn't matter what you buy, it's maintenance.

Maintenance every few years.

But you're a little late

I disagree with the above two answers. If you want to blow a long sound beautifully, you can't just use vibrato to solve it. Any one of the notes is there for the whole tune.

A long note is not a single tone, especially a long note across measures. This is just a small example. Long notes are often used as endings, transitioning phrases or accompaniments.

Solo is not without accompaniment. For example, in Mozart's Concerto for Flute and Harp in C major, there is a long note of 16 beats, which is treated in intensity and vibrato according to the harp's performance. For the performance of long notes like this, the pitch should be ensured in the first place.

This is important. Secondly, the timbre changes are made according to the band. Then it should be processed according to the **in** thread.

Therefore, long notes are often the most difficult place to express a piece of music.

For the pronunciation, if you want to have the feeling of big beads and small beads falling on the jade plate, you need to work together with your breath and tongue. The tongue should be light and fast, and the breath should be sufficient and in harmony with the tongue. This exercise is actually very difficult, because the requirements for breath are relatively high.

The practice of the tongue should be practiced in single, double, and triple spitting, and each should be practiced in combination with high, medium, and low, ascending and descending. When pronouncing the sound, the tongue and the intake position will be further back than when blowing the long sound, so you should pay attention to it when practicing. In the double vomiting exercise, the "t" and "k" should be practiced separately.

For example, for a song, use "t" first, and then "k". Then there's the breath. The same etude, without using the tongue, only the breath, with the stomach to give the breath one by one, should have the same effect as when blowing with the tongue.

This can make the stomach sore for a while. But be patient.

If you don't lose the rhythm, it is recommended to use the scale to practice voicing.

The breath is pure. It doesn't have to be like the first floor. If you don't realize it, it's useless to do anything.

If you can do a good job of pronouncing without the tongue, the breath will be found. You can sit down and practice for a while. Try to support your stomach with your breath, and when you feel the sides of your belly, the side is the position of the waist.

When you feel that outward swelling, you find it. Practice more, find a good position and stand up again, find that position. When blowing, the stomach still swells outward, even if it is blowing.

When you blow, your stomach should be deflated, and if you still feel bloated, you need to press down with the diaphragm. A lot of people don't know where the partition is. In fact, if you have the feeling that it is still swollen outward when you blow, you are already using it.

I'd be glad if you would like to talk to me. Hope you can get help from this.

I'll put it succinctly.

Whether you play a medium and long note, of course, depends on the requirements of the tune. Some require a crescendo, some require a crescendo, and some require a vibrato. If it's a single note, I think it's okay to have a stable pitch and a stable breath.

If you want clarity and rhythm, you have to control it with your tongue. Uh......To put it bluntly, it is to "tu" first when venting. When blowing clean and clean notes, each note should be blown with "tu". Use your tongue to control the length of the outlet.

Lack of breath? Either you're getting too much air, or you're having too little lung capacity. For the first reason, hold a toothpick in the middle of your lips and try to open your lips as thick as you breathe. For the second reason, you can practice swimming, blowing up balloons, or something.

The flute is the main high-pitched melodic instrument in modern orchestral and chamber music, and is a cylindrical pipe with several sound holes. The early flute was made of ebony or coconut wood, and modern materials mostly use metal, such as ordinary nickel silver alloy to professional silver alloy, 9k and 14k gold, etc., post-90s middle school students mostly use the flute head sterling silver or sterling silver flute, the more popular brands are Aipan, Atas and Jeept, and there are also performers who use special glass flutes. The timbre of a traditional wooden flute is rounded, warm, and delicate, while the timbre of a metal flute is brighter and broader.

Flutes of different materials are chosen entirely according to the player's preferences. However, one flute should be used uniformly in the band to get the most harmonious and full acoustics.