Why do 11 theatrical versions such as Detective Conan have fewer characters?

No, the slogan "there will be a lot of characters" is - the 10th "Detectives' Soul Song", not the 11th, it was not cut, and this is an anime, and it is not a movie, so it was not cut.

If it's the 10th part (the 10th part was not cut), there are a lot of characters on the stage. First of all, not to mention Conan and other protagonists, the popular king Kidd also appeared, and Hattori Heiji and Kazuha also came. Because it has nothing to do with the dark organization, there are no FBI and organization characters in this regard, maybe that's why I feel that there are fewer characters, but on the other hand, the role of the police has been added, which can be regarded as making up for it (except for police officers in other places, the police officers in Tokyo have basically arrived, and even the Kanto region ...... involved.)It also includes police officers with ties to Kidd).

In addition, two detectives appear in the opposite direction, although the white horse detective is disguised, but it is also an appearance. In this way, it is quite a ......

Maybe it's the relationship between the anticipation organization.,So I feel like it's missing some color.,But after all, the theatrical version has little to do with the original comics.,It's not good to increase the main plot.。

In fact, animation is also reduced, some samples are as high as more than 8 hours, but in order to cooperate with the screening, it will be reduced to about 2 hours, especially in the United States.

And the 10th is not to say that there will be most of the characters.

I didn't find this statement in the 11 promotional videos.

Part 11 is a transformation of Conan's theatrical version, which minimizes the reasoning scenes, but experiments with some new techniques (which are new technologies for this formula) and doesn't feel good.

It's not cut, and there are indeed some characters who don't appear, like Hattori and Kidd.

I always feel that the style of this part has changed a lot.

Personally, I think each one has its own characteristics, and the main thing is what you learn from it

Part 11 is trust and tacit understanding. There is an eternal wait.

However, it is true that there is a lot less element of reasoning ...

There was no cut, it just didn't appear.

Which one do you think is the most "" in Detective Conan Theatrical Version? Why?

The Sunflower of Karma Fire seems to be enough to summarize it with a sentence that is not serious! The quality of Detective Conan Conan's theatrical version has plummeted, but we don't expect much development from Detective Conan when we like Detective Conan, and there is also a nostalgia that comes from childhood. Naturally, it seems to be an unrealistic idea that everyone stipulates that it can surpass the previous generation, but at least, with the changes of the times and the improvement of technology, the Detective Conan theatrical version of the anime, which has transformed from suspense reasoning to action movies, should be able to give fans a visual feast and amazement of pose animated blockbusters.

regrets are not reflected in "Sunflowers of Karma". Even compared to previous creations, there are still unsmooth and ugly interfaces, which are not countable, at least a few.

At the level of the storyline, the protagonist is super deified, and the motive for the crime is mentally retarded, these two aspects are actually the drawbacks that Detective Conan has always had, just in front of the Taiben who can't bear to look at it directly, this time it is particularly prominent. In addition, every theatrical version of the anime is indispensable**, every time Detective Conan is in danger, and then finally Conan suddenly emerges with this kind of plot. These things are put together at random, and they have become a common trick used by Detective Conan in theatrical anime today.

If the drama is insufficient, it is natural to make up for it emotionally. Gradually, there is a meaningless sobbing tear-jerking in Xizi, and the old lady in the middle district speaking out of her grief, which once again proves that the director's donkey skills are poor. This is not to criticize Detective Conan's emotional drama for not being good, the point is whether this emotional drama is added for the sake of being able to add drama.

For example, in the fifth "Countdown to Heaven", the heart-to-heart of Xiaolan and Mitsuhiko, Xiaolan and Ayumi have brought a very core effect to these two people, and even to the creation of characters within the three of Kiko, and Mitsuhiko looks very unpretentious for the disbelief and remorse that he likes two people, and his careful thinking that Ayumi always pays attention to Detective Conan. Looking at the theatrical version of the anime in recent years, Yukiko cries too often, not to mention that with the support of the Detective Conan villain system, God blocks God, and Buddha blocks and kills Buddha, which doesn't look so touching and real.

But what should be said is that "Sunflowers of Karma Fire" also has personal advantages, the character creation of the Charry police is very good, and the character setting is more likable. It's interesting to compare the release of Kidd the Thief at the end and the distrust of Kidd the Thief at the beginning.

The quality of Detective Conan Conan's theatrical version is getting worse, but we don't like Conan because we hope for much progress, and there is a nostalgia from childhood. Of course, it seems unrealistic for us to ask it to surpass its predecessor, but at least, with the changes of the times and the improvement of technology, the theatrical version of Detective Conan, which has transformed from suspenseful reasoning to action movies, should be able to give the audience the visual enjoyment and shock of an action animation blockbuster.

The Sunflower of Karma Fire", I think the most unreasonable is this one, I feel that this plot is particularly collapsed, and there is no logic.

The sunflower of karma, because the protagonist is super deified, and the motive for the crime is mentally retarded, which is particularly prominent in front of the script that can't bear to look at it directly, plus every theatrical version of the anime is indispensable**, every time it is Conan who suddenly pops up these plots at the end, it seems that Detective Conan is now very boring in the theatrical version of the anime.

The most ridiculous thing is that the movie version is very sloppy, there is no tense atmosphere, and the picture is also very unclear.