Neon Clothes and Feathers is a song about something

"Song of Neon Clothes and Feathers".The author isTang Xuanzong Li Longji

The "Neon Dress and Feather Song" is "The Dance of the Neon Dress and Feather".

Chinese court music and dance in the Tang Dynasty. According to legend, it was made by Tang Xuanzong Dengluoyang Sanxiang Station and Wangnu Jishan (in fact, it was adapted from the "Brahmin Song").

Until now, it is still worthy of a bright pearl in the history of dance. It was Tang Xuanzong who was Taoism.

The song composed is used to key the disturbance in the Taiqing Palace.

It is played when sacrificing Lao Tzu. The content of the dance music shows the life of Xianzhen in the upper realm, and there are Taoist mythological scenes such as "Manuscript Dan Shangyuan Point Ring Moves Calyx Green, Queen Mother Swings Trick Don't Feiqiong" and so on.

Songs**

The Song of the Neon Clothes and Feathers describes the myth of Tang Xuanzong's yearning for the gods and going to the Moon Palace and seeing the fairy, and its dance, music, and costumes all focus on depicting the ethereal fairyland and the image of the dancing fairy, giving people an immersive artistic feeling.

Bai Juyi. There is a poem "The Song of the Dance of the Ni Dress and Feather Clothes and the Micro Style", which makes a detailed description of the structure and dance posture of this piece: the whole song has a total of 36 sections, with three parts: scattered prelude (6 sections), middle prelude (18 sections) and Qu Po (12 sections), integrating song, dance and instrumental performance.

The 36 sections of the song show the fairy stories of Chinese Taoism.

The above content reference: Encyclopedia - Neon Clothes and Feather Song.

"Song of Neon Clothes and Feathers".The author isTang Xuanzong Li Longji

Ni Dress Feather Song, also known as Ni Dress Feather Cloth Manuscript Dan Dance.

It is a Tang Dynasty court dance music, known as a rare treasure in the history of ancient Chinese dance, the author is Emperor Xuanzong of the Tang Dynasty. "The Song of Ni Clothes and Feathers" describes the myth of Tang Xuanzong yearning for immortals and going to the Moon Palace to see fairies.

Creative background: In the legend, some say that Tang Xuanzong created "Ni Clothes and Feather Clothes Song" after looking at his daughter mountain, and some say that Tang Jian disturbed Xuanzong to play in the fairy mountain, and "Ni Clothes and Feather Clothes Song" is the fairy song he got from the fairy mountain, and the second kind of fairy song is more widely accepted.

According to the "Mystery Record".

Waiting for the record and reputation, there is a high road that led Tang Xuanzong to the Moon Palace, and on the Moon Palace, Tang Xuanzong listened to the fairy music played on the Moon Palace.

Because the emperor himself is good at music, he silently remembered it in his heart, and when he returned to the mortal world, Tang Xuanzong compiled the recorded "Ni Clothes and Feather Clothes Song" into court music and passed it down.

The above content reference: Encyclopedia - Neon Clothes and Feather Song.

"Neon Clothes and Feather Song" is a great song composed by Tang Xuanzong. Its content describes the myth of Tang Xuanzong Li Longji going to the Moon Palace to see the fairy. The dancer's top is embroidered with white feathers, and the lower body is dressed in a cloud-like skirt, like a fairy from the upper realm descending to earth, full of romantic reedism and trembling, and the artistic conception is in line with the myth of the Moon Palace.

The absorption of foreign ** in "The Song of Neon Clothes and Feathers" has aroused people's novel feelings, showing the unpredictable realm pursued by the author.

Big curve structure

According to the records of the Chinese and Tang Dynasty poet Bai Juyi's "Song of Ni Clothes and Feather Clothes" and "Weizhi", the whole song is divided into 36 sections, which are composed of three parts: loose prelude, middle prelude, and song breaking. The six parts of the loose sequence are all free-rhythmic loose plates, played solo or in turns by instruments such as chime, flute, zheng, and flute, without dancing or singing.

The middle sequence is a slow lyrical section, with several changes from slow to fast in between. It has singing, dancing, and instrumental accompaniment. Qu Po 12 sections, also known as dancing all over, mainly dance, at the beginning, there is a loose board caused, called "into the break".

The tune is soothing, and then there is a transition section called "Void Urge" that transitions to Allegro. At the end of the piece, the tempo slows down again, and finally the instrument plays a long and the dancers slowly close down.