Where is the commentary on the Romance of the Three Kingdoms 20

You can go and watch "Zhou Zexiongpin Three Kingdoms".

The classic commentaries of the Romance of the Three Kingdoms include Yuan Kuocheng and Shan Tianfang. Speaking of the commentary of "Romance of the Three Kingdoms", there are people who like it here, Yuan Kuocheng and Shan Tianfang. But Mr. Yuan's Three Kingdoms Commentary has the most charm and plot.

Compared with Shan Tianfang, there is more historical background, which is self-evident after listening. Yuan Kuocheng has an important feature of storytelling, that is, he tells stories according to people. The so-called storytelling means that Mr. Yuan Kuocheng is good at choosing a bibliography according to his own conditions and characteristics.

The Romance of the Three Kingdoms is a classic character in storytelling"Romance of the Three Kingdoms" is a classic of Yuan Lao, creating a precedent for new storytelling. In 2015, Yuan Kuocheng died of heart failure at the age of 86. Shan Tianfang specially wrote a message of condolence to mourn Mr. Yuan Kuocheng, and the payment was "Apprentice Nephew Shan Tianfang"; Tian Lianyuan said that Mr. Yuan was "superior to other peers"; Liu Lanfang also said:

We can all be regarded as the heirs and inheritors of Mr. Yuan. It can be seen that they all call themselves the juniors of Yuan Lao.

The classic commentary "Romance of the Three Kingdoms" mainly talks about:"Romance of the Three Kingdoms" can be roughly divided into five parts: the Yellow Turban Uprising, Dong Zhuo's Rebellion, the Heroes Competing for the Deer, the Three Kingdoms, and the Three Kingdoms Returning to the Jin Dynasty.

It tells the story of the political and military struggle between the three kingdoms of Wei, Shu and Wu in the late Eastern Han Dynasty and the political and military struggle between the three kingdoms. It reflects the transformation of various social struggles and contradictions in the Three Kingdoms era, summarizes the historical changes of this era, and shapes a group of heroes of the Three Kingdoms.

The influence of "Romance of the Three Kingdoms":

The artistic achievements of "Romance of the Three Kingdoms" are more important in the military and political depiction and character building. ** is best at describing wars and can write about the characteristics of each war. Attention should be paid to describing the application of different strategies and tactics under specific conditions and guiding the development of subjective initiative in operations, rather than spending the main pen and ink on a simple contest of strength and martial arts.

For example, the battle of Guandu, the battle of Chibi, the battle of Yiling, etc., the way of writing each war also changes with the characteristics of the war, and while writing about the war, other activities are also written, as the prelude to the war, the aftermath, or the auxiliary means of the war, so that the tense and intense, thrilling war is expressed with tension and relaxation, and the slowness is slow.

The main content of the classic commentary "Romance of the Three Kingdoms" This book is divided into three volumes, namely "The Wind and Cloud of the Late Han Dynasty", "The Red Cliff Soldiers" and "The Dispute of Dingzu", which reproduces the union and battle scenes between Wei, Shu and Wu from the end of the Eastern Han Dynasty to the Three Kingdoms period.

This book respects history and refers to various approved texts, giving people a sense of "high platform education"; While depicting the plot and portraying the characters, reasonable and well-founded comments and discussions are interspersed among them, especially the criticism, perfunctory and verbal support, which not only has popular colloquialism, but also maintains the style of the original work.

According to the book, the analysis of the book, the rules are strict, the spirit is grand, and it sounds like a talent.

About the Author:

Lian Kuoru (1903-1971) was a famous storytelling artist and opera activist. A native of Beijing, Manchu, formerly known as Bi Lianshou. He began his career as a storyteller in 1927.

He was open-minded, studious, had a strong memory, studied hard, and created his own unique performance style, and people praised him for "seeing and outperforming others".

At the end of the 30s of the last century, he continuously broadcast the "Eastern Han Dynasty" on the commercial radio station in Beijing, and had the reputation of "thousands of households listening to commentaries, and the streets and alleys are as wide as ever". In addition, he also broadcast "Three Kingdoms", "Water Margin", "Western Han Dynasty", "Sui and Tang Dynasties", "Ming Yinglie" and other commentaries on the radio, all of which are rigorous and have distinct and agile characters.

There is also Li Xinquan, a traditional book commentary, which is different from the adapted ** storytelling. It's exciting!

Shan Tianfang's "Romance of the Three Kingdoms".

"Romance of the Three Kingdoms" takes the rise and fall of Wei, Shu and Wu as clues, depicts the history of the hundred years from the end of the Han Dynasty to the unification of the Jin Dynasty, describes the political and military struggles within the ruling group and between the three kingdoms of Wei, Shu and Wu, reflects the turbulent social conditions at that time, and shapes Zhuge Liang, Cao Cao, Zhou Yu, Guan Yu, Zhang Fei and many other characters.

It shows a clear pro-Liu anti-Cao orthodoxy and Confucian benevolence. At the same time, it also rebukes the heroic chaos and the harsh government of tyrants, and entrusts the people's desire for a benevolent government and social stability.

The subject of the reaction:

The Romance of the Three Kingdoms reflects a wealth of historical content, with character names, geographical names, and major events basically the same as those of the Three Kingdoms. The character is also replayed on the basis of the fixed image left by "Three Kingdoms", which is also the routine of historical romance. Historical romance** is mostly between the virtual and the real, and the main reality is heavy on the virtual; Taking into account the ancient and the modern, criticizing the past and judging the present; A story that tells the love of the two dynasties, a character, and the sex of the two dynasties.

On the one hand, "Romance of the Three Kingdoms" reflects the real history of the Three Kingdoms and takes care of the needs of readers who want to understand the real history; On the other hand, according to the actual situation of the Ming Dynasty society, the characters of the Three Kingdoms were exaggerated, beautified, and scandalized to a certain extent, giving readers some inspiration, taking into account the readers' desire to increase their knowledge and the needs of the rulers to consolidate their rule. It not only reflects the true face of the history of the Three Kingdoms, but also reflects many social contents of the Ming Dynasty.