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The main ones are: "Sandalwood Punishment", "Life and Death Fatigue", "Breast and Fat Buttocks", "Red Sorghum Family", "Transparent Carrot", "Breast and Fat Buttocks - Supplemental Edition", "Treasure Map", "Forty-One Cannons", "Song of Heavenly Garlic", "Thumb Cuffs", "White Dog Swing Frame", "Mo Yan's Selected Works", "Wine Country", "Herbivorous Family", "White Cotton", "Mangrove", "Moonlight Chop", "Old Gun, Treasure Knife", "Singing Wall", "Commander's Woman", " Testimony of conscience", "The Room in the Keyhole", "What Smells the Best", "Legendary Mo Yan", "Mo Yan's Prose", "Mo Yan's Novella **Selection", "Mo Yan Wang Yao's Dialogue", "Comrades-in-Arms Reunion", "Frog".
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Red sorghum family.
Breast enlargement and fat buttocks. Frog.
Transparent carrots.
Life and death fatigue. Forty-one guns.
White Dog Swing Rack.
Herbivorous family. Wait a minute.
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Main works: "Sandalwood Punishment" and "Life and Death Fatigue".
Breast Fat Buttocks", "Red Sorghum Family", "Touqing Imitation Carrot".
Treasure Map" and "Forty-One Shots".
The Song of Garlic in Paradise" and "Thumb Cuffs".
White Dog Qiuyan Holds a Thousand Frames", "Comrades-in-Arms Reunion", "Frog" and so on.
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Mo Yan's main works include "Rich Breasts and Fat Buttocks", "Frog", "Red Sorghum Family", "Sandalwood Punishment", "Life and Death Fatigue", "Forty-one Cannons" and so on. Among them, "Red Sorghum Family" has been translated into more than 20 languages and distributed around the world, and has been adapted into a film to win international awards; The feature-length "Frog" won the 8th Mao Dun Literature Award in 2011; He was awarded the Nobel Prize in Literature in 2012.
China Women's Daily previously introduced that Mo Yan is a native of Gaomi, Shandong. Born in February 1955, formerly known as Guan Moye, he began to publish works in 1981, a series of vernacular works full of complex emotions of "nostalgia" and "resentment", and is known as a writer of "root-seeking literature".
"Red Sorghum".In order to.
In the twenties and thirties, the Gaomi urban and rural areas of Shandong Province were used as the background, creating a series of images of the most ordinary peasants living on this land, and creating a group of unique, bloody folk heroes who belonged to red sorghum. One depicts China.
The quaint and wild life of a group of peasants in the twenties and thirties and the process of their bloody struggle against the invaders. The plot composition of the film is extremely dramatic, and the freedom of life is celebrated through the creation of characters. Love is true love, and hate is true hate; Great love and hate, great life and great death.
Unlike Mo Yan's previous **, which paid more attention to historical fantasy, it isFrog. The writing, which is closer to historical reality, mainly tells the life of the "aunt" of the rural doctor. The father of "Aunt" is a military doctor of the Bapin Zhengdou Road Army, and he is very famous in the Jiaodong area. The "aunt" inherited the mantle and began to implement the new method of midwifery in the villages, which soon replaced the position of the "old women" in the hearts of women, and used the new method to deliver babies one after another.
The babies delivered by the "aunt" are all over the northeast township of Gaomi, and the babies who can be born at the hands of the "aunt" are also all over the north township of Gaomi Dongqingzao. My aunt practiced medicine while leading her apprentices to implement the family planning policy. Sterilizing a man who has given birth and aborting a pregnant woman who has given birth have become two major events for the "aunt".
**By telling the life experience of an aunt who has been a rural female doctor who has been engaged in obstetrics and gynecology for more than 50 years, it reflects the turbulent history of rural childbirth in New China in the past 60 years, and describes the arduous and complex historical process that the country has gone through in order to control the rapid population growth and implement the national policy of family planning.
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What are Mo Yan's main works?
As the first Chinese Nobel Prize winner in literature, Mo Yan attaches great importance to the ontological significance of literature, and experiential is the most important feature of his rural writing, which is due to his 20 years of rural life, he gets along with the rural society day and night, and its charm and pain have penetrated into the writer's bone marrow, becoming a unique experience. The existence of this kind of belonging is different from the countryside that was rationally cut by intellectuals earlier, so as to show their feelings of worrying about the country and the people and their ambition to help the world; It is also different from urban writers who experience rural life and generally only see the glimpses of rural society, so as to draw some extreme conclusions, on the contrary, it is a kind of profundity from the surface to the inside, he can find that the countryside not only has the hard work of farming but also the joy of harvest; There is not only the well-known numbness and ignorance, but also the sincerity and purity that people do not know.
Mo Yan has been influenced by Latin American magical realism and Western stream of consciousness**, but in his creations, he is more influenced by the Six Dynasties, Tang legends, Ming and Qing notes**, and especially folk oral literature, which makes his style clearly different from magical realism.
Introducing a few of his masterpieces.
1, "Fatigue of Life and Death" is one of Mo Yan's masterpieces. ** describes the 50-year historical development of rural China from 1950 to 2000. Focusing on the heavy topic of land, it explains the relationship between farmers and land, and shows the life of Chinese farmers and their tenacious, optimistic and tenacious spirit since the founding of the People's Republic of China through artistic images of the cycle of life and death.
**Fatigue of Life and Death won the 2nd Dream of the Red Chamber Award and the 1st Newman Award for Chinese Literature.
2. "Red Sorghum Family" is one of the representative works of contemporary Chinese writer Mo Yan. "Red Sorghum Family" is composed of five parts: "Red Sorghum", "Sorghum Wine", "Sorghum Funeral", "Dog Road" and "Strange Death".
Among them, "Red Sorghum" is a classic work that expresses the tenacious vitality of the Gaomi people in the War of Resistance Against Japanese Aggression and is full of blood and national spirit.
"Sandalwood Punishment" is a masterpiece completed by Mo Yan in five years. In this wonderful **, Mo Yan takes the construction of the Jiaoji Railway by the Germans in Shandong in 1900, Yuan Shikai's suppression of the Boxer Rebellion in Shandong, the capture of Beijing by the Eight-Nation Alliance, and the hasty escape of Cixi as the historical background.
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Hello,Mo Yan's main works include long works**: "Red Sorghum Family", "Herbivorous Family", "Forty-one Cannons", "Tan", "Fatigue of Life and Death", "Song of Heavenly Garlic", "Ten".
2. Novella**: "Blonde Baby", "**", "Sorghum Wine", "Sorghum Funeral", "Dog Road".
3. Short story ** collection: "White Dog Autumn High Hunger", "Date with the Master", "Transparent Carrot".
I think there are many masterpieces of Eason Chan when it comes to them, such as"Unparalleled in the World"., "The King of K Song","Your Backpack"., "Ten Years", "Exaggerated", "Love Transfer", "Long Time No See", "Elimination", "Don't Talk","You Listen to Me".Wait a minute. Today, let's briefly talk about some of my favorite songs. >>>More
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