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The play is called "Fenhe Bay", the earliest acting, when Xue Rengui sang about his previous experience, there was a large section of singing, and the lyrics were as follows: He lives in Longmen, Jiangzhou County, and Xue Rengui has no relatives and no neighbors.
When he was young, his father died early and his mother died, leaving Rengui with no other body.
As the saying goes, marriage leads to a line, and Liujiazhuang recruited relatives.
Your father hated you and me so much that he drove you and me out of the court.
Neither husband nor wife went to ** "running water").
Temporarily stored in the broken tile cold kiln.
befriended his brothers, Zhou Qing and others, and crossed the sea to conquer the east to level the thieves.
The joy was swept away, and the protector drove back to Beijing.
Three days ago, I repaired the book of the king and came back to visit Liu Yingchun.
If my wife refuses to believe it, come and come, count, count and go to eighteen springs.
Xue Rengui sang in front, and Liu Yinghuan sat with his back to the audience at this time, which is the attention of the old play. After Qi Rushan watched Mei Lanfang and Tan Xinpei's performance, he wrote a long letter to Mei Lanfang, in which he analyzed the plot for Mei Lanfang, thinking that the husband talked to his wife, and the wife didn't react at all? And according to his own understanding, what Xue Rengui sings every sentence is, what kind of corresponding performance should Liu Yinghuan make to cooperate with Xue Rengui.
Mei Lanfang thinks that this is very right, and she will add her own actions in the future, and the audience is very welcome. This performance is of far-reaching significance in the history of Peking Opera, breaking the dogma of "singing in Tsing Yi and doing in Hua Dan", and laying the foundation for opening up a new industry of "flower shirts" in the future.
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It turned out that Xue Pinggui was singing, and Wang Baochuan was sitting on the back.
Mei Lanfang felt that Wang Baochuan should react to Xue Pinggui's words, so she added a few figures.
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Xu Yanzhen in "Zhan Puguan" (also known as "Zhongyi Festival"), Ma Yi's daughter in "Nine Watches" (also known as "Ma Yi Savior"), and Chen Xingyuan in "Erdu Mei" (also known as "Falling Garden").
Yue Yun's sister in "Yuejiazhuang", Cheng Ying's wife in "Searching for Orphans and Saving Orphans", and Jiang Qiulian in "Spring and Autumn Match".
Yao Menglan in "Empty Valley Fan"; Xu Ji in "Picking Silk"; Liu Yingchun in "Fenhe Bay".
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In 1941, on the day Hong Kong fell into the hands of the Japanese invaders, Mei Lanfang grew a mustache, and within a few days, a thick black mustache hung on his face, which the famous painter Feng Zikai called "an incomparably exquisite masterpiece made by the hand of God". The youngest son Baozhen asked curiously, "Dad, why don't you shave?"
Mei Lanfang replied: "I have a mustache, can the Japanese devils still force me to act?" Soon, Mei Lanfang returned to Shanghai, lived in the Plum Blossom Poetry House, closed her doors, often painted under the lamp in the study, and lived by selling paintings and pawning year after year.
Several theater owners in Shanghai, seeing that his life was becoming increasingly embarrassing, rushed to invite him to come out to act, but they were all politely declined. Feng Zikai praised it and said: "In the vast history, how many 'excellent lings' broke their jobs for the sake of patriotism?
However, how could the Japanese invaders and Wang Puppet ** let go of such a big man with world influence as Mei Lanfang, they kept asking Mei Lanfang to come back to perform for the Japanese army, and after Mei refused repeatedly, they even took out torture tools and nitrate water to intimidate him. Of course, none of these can shake the master's patriotism, Mei Lanfang did not hesitate to damage his body, and used injections and fever to resist the conspiracy of the enemy to force him to perform. Song Qingling, Guo Moruo, He Xiangning, and Ouyang Yuqian all made speeches of solidarity, and the masses also sent letters to support Mei Lanfang's patriotic actions.
Mei Lanfang was moved to tears when she saw that the people of the whole country appreciated and supported him so much, and excitedly said to her wife Fu Zhifang: "I, Mei Lanfang, am no longer a lone swallow!" ”
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Mei Lanfang only did not want to be used by the Japanese during the Anti-Japanese War and did not want to sing for the Japanese, so she had a clear ambition and did not appear on the stage.
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Because Mr. Mei Lanfang is patriotic.
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Mei Lanfang went to study drama with a teacher when she was young, and the master said that he had a pair of dead fish eyes, gray and sluggish. It's not a material for learning drama at all, and it refuses to be taken in.
The lack of talent did not discourage Mei Lanfang, but prompted him to be more diligent. He feeds the pigeons, looks up at the sky every day, and follows the flying pigeons with his eyes, chasing after them; He raised goldfish, and every day he looked down at the bottom of the water, and his eyes followed the swimming goldfish.
Later, Mei Lanfang's eyes became like a pool of clear autumn water, shining brightly, with affection in her veins, and finally became a famous Peking Opera master.
Nowadays, "reform and innovation" is probably one of the hottest topics in the Peking Opera industry. The author recently conducted an interesting experiment, using "opera reform" and "opera innovation" as keywords to search for content, and found more than 110,000 relevant entries. Among so many articles about the innovation of opera, the name that appears most frequently is probably Mei Lanfang. >>>More
The story of Mei Lanfang's beard is to not perform for the Japanese invaders, and it should be highlighted in the text, Mr. Mei Lanfang's noble character and the spirit of not fearing the Japanese invaders, in the annotations, these sentences that show the moral style are marked, which is more conducive to children's learning. >>>More
Mei Lanfang's learning process is as follows: >>>More
Mei Lanfang Memorial Hall Address: Mei Lanfang Memorial Hall, No. 9, Huguosi Street, Xicheng District, Beijing, is a typical two-courtyard courtyard, covering an area of 716 square meters, which is the residence of Mr. Mei Lanfang for the last 10 years of his life. >>>More
The two yellow guide plates are full of clouds and mist, and the two yellow loose plates are like next to the Milky Way Bihan. Where is the ethereal spring love? A smoky moon is not cool. >>>More