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Luo Ping (1733-1799) was a painter of the Qing Dynasty. The word is a fu, and the number is two peaks. His ancestral home is She County, Anhui Province, and his ancestors moved to Yangzhou.

The youngest of the "Eight Monsters of Yangzhou". At the age of 24, he studied poetry and painting under Jin Nong, and at the age of 30, he emerged in the Yangzhou painting world. In the 36th year of Qianlong in the Qing Dynasty (1771), Luo Ping brought his paintings to Beijing to pay homage to celebrities, and his 8 "Ghost Fun Pictures" attracted the most attention.

The following year, he returned to the south and was hindered by heavy snow in Tianjin, sorted out Jin Nong's poems, and made a postscript. In the thirty-eighth year (1773), he passed through Tai'an, met several friends, stayed for several months, and returned to Li the following year. 42 At the age of 46, he traveled to Shandong, Jin, Henan, Hubei and other places.

At the age of 47, he went to Beijing for the second time. During this period, he once painted centipedes, Guanyin, Du Fu and Han Yu, and also made finger paintings. After roaming outside for nearly 10 years, he returned to China because of shyness.

After returning to China, he still made a living selling calligraphy and paintings. In the forty-ninth year of Qianlong (1784), at the request of the place, a large mural was made for Chongning Temple, and the characters of the immortal Buddha in the painting were vivid and vivid, and it was said to be a famous place, which no longer exists. In the fifty-fifth year of Qianlong (1790), Luo Ping and his young son Yun Zhangsan went to Beijing.

His calligraphy and paintings were not only purchased by dignitaries and nobles, but also bought by Koreans in Beijing with a lot of money. At that time, he had a lot of income, but because of his extravagance, he needed to be funded by others to return to his hometown after 8 years. After returning home, he made "Plum Blossom Chronicles".

He died in the fourth year of Jiaqing (1799).

The former residence is at No. 46, Mida Lane, Yangzhou City, Jiangsu Province. Luo Ping (1733-1799) was the last in the "Eight Eccentrics of Yangzhou", but his painting ability was both good at others, and he found his own way and had a unique style. Luo Ping called his residence in Yangzhou "Zhucao Shilin".

The house sits in the north and faces south, which is the traditional courtyard structure of Yangzhou. The east side of the house and the flower hall are separated by a long corridor, the original hexagonal small door in the corridor communicates, now this door is closed, and the east side of the house has been changed. Langxi is a garden, which is well preserved.

There are two study rooms at the north end of the park, and it is said that this room is the "fragrant leaf grass hall", and the original pond in front of the hall is there. Half of the pavilion is built in the southwest of the study according to the wall, the original late Qing Dynasty gold and stone calligraphy and painting master Wu Rang's title "tired bird's nest" pavilion, the west of the half pavilion has three small rooms facing the east guest seat, and the short corridor is connected. Luo Ping, his wife and children are all good at painting plums.

The Mei School of Painting has lived in this house for decades. The former residence of Luo Ping was designated as a municipal cultural relics protection unit in 1962 and restored in 1986.

Zhong Kui's Marrying Sister Artist: Luo Ping.

Name: Luo Ping made Zhong Kui's marriage sister in 1782.

Material, shape: silk.

Size: 98-83cm

Introduction: Commentary: Ren Yin Xia May, Luo Ping, a Taoist from Liangfeng.

Remarks: Original old mounting.

I know this, it's Luo Ping, one of the eight monsters in Yangzhou in the Qing Dynasty, "Zhong Kui Marries Sister" picture, let's be specific.

It must have been Luo Ping, but I can't see it on the Internet, I have a book that I have.

One of the eight strange things in Yangzhou in the Qing Dynasty, Luo Ping's "Zhong Kui Marrying Sister" picture.

Isn't it this??

The work of the Bada Shanren.

Check it out for yourself.

Hello subject:

The name of the painting is: "The Cat and the Boy".

Here is a screenshot:

I don't know o you can scan this **.

！！It was posted by a blogger on Weibo.

French 19th-century painter Paul Delaroche

Oil painting "The Execution of Lady Jane Grey".

Lady Jane Grey is the "Queen of the 9th" in British history. During the Tudor period, Edward VI, the son of Henry VIII, fell ill and died in July 1553 after a seven-year reign. Originally, after him, the most likely to succeed to the throne was his half-sister Mary, but before Edward VI's death, John Dudley (Duke of NorthUmberland), who was very ambitious at the time, encouraged him to amend his will and give the throne to his maternal niece, John Dudley's daughter-in-law, Lady Jane Grey, whose royal blood came from her maternal grandmother, Mary Tudor, the sister of Henry VIII.

Lady Jane Grey, who was only 17 years old at the time, ascended to the throne but her legitimacy to the throne was challenged by many, and the events that followed were highly dramatic. Tracy Borman's new book, Elizabeth's Women, doesn't give a direct description of Lady Jane Grey, but focuses on two sisters, Mary and Elizabeth, who both have the right to the throne.

When Mary received the news, she knew that it would be bad luck to stay in London, and fled London overnight. After fleeing to Norfolk, northwest of London, she began to gather the soldiers and nobles who supported her and prepared to fight back to London. Tracy Borman commented

Mary's stubbornness won her the victory", and she firmly believed that she was the rightful heir to the throne. Elizabeth, meanwhile, hid in Hatfield, north of London, and watched the situation unfold.

Me and the Village (oil on canvas), Chagall (France).

Chagall came to Paris, France in 1910 to participate in the activities of the Cubists and the Parisian painters, which was a prolific period for his creation, and he used the boiling power of his body to combine the shapes of the modern world with the theories of Fauvism and Cubism.

Created in his second year in Paris, I and the Village is a methodical way of depicting real life in different time and space, using imagination and memories to conceive the image. For him, reality always contains a projection of the past and the future, so the image of the picture is from several aspects. His characters and landscapes are beyond the rigid rules, and every detail retains the truthfulness of life, complete freedom and as beautiful and elegant as possible.

This painting is full of memories of childhood, deep affection for hometown, and love for life. He used a surreal method of expression, with Fauvist and Cubist influences, but mainly his own unique creations.