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Because the long lens will give people a more mysterious and unpredictable feeling, Chinese are more subtle and will not express their feelings directly.
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The successful use of long shots in foreign films is obvious to all. Domestic TV dramas have learned from the experience of it. The effects of long lenses are manifold. It accounts for the environment and embodies the complete space.
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Because in domestic TV dramas, the use of long shots is more conducive to expressing the storyline, and long shots are also very cost-effective.
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I have to say that domestic dramas have this characteristic, it may be how accurately they film! But we think that's too wordy.
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Long shots can be shot continuously for a long time, so that the shots are more continuous, and it is also good for post-editing.
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There are many documentary TV series in domestic TV dramas, compared to short shots that keep switching to express the psychological activities of the characters, expressions and other details, long shots reflect more of a scene and a big scene where the picture gradually changes, and a large number of long shots can make film and television dramas look more real. And the editing of short shots is too troublesome, so it is better to shoot a long shot instead of a lot of short shots.
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I think the main reason why domestic TV dramas use a lot of long shots is that it saves trouble and money. Finish your work faster.
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Because domestic TV dramas have strict requirements for lenses, they will use a lot of long shots.
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I think the director is to be able to better show the storyline to the audience.
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I think using a long lens can save a lot of costs, and the effect is better.
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Because the thoughts and emotions of the Chinese people are more complex, only long shots can reflect them.
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The main thing is to make this TV series look more realistic.
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Domestic TV dramas use a lot of long shots, which may be because the director wants to express his emotions, but many times the audience can't accept it.
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Domestic TV dramas use a lot of long shots, which can save trouble and money, and hurry up to finish work and eat supper, such TV series are not very good in our opinion.
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Because the long shot will give people a sense of distance, the audience can use their imagination, and the long shot will give people a sense of age.
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The so-called long lens actually refers to a method of shooting. The so-called long shot does not refer to the length of the physical shot, nor to the distance of the object he is photographing, or to the length of time he takes to start and end the shooting. As for how long and how long he should shoot, there is no relative standard, and the general long lens refers to shooting for more than 10 minutes.
The reason why there are not many long shots in TV dramas now, I think it is determined by the market. After all, the current market is a fast food market, and people can't just watch one person's performance for a long time. And it is very difficult to shoot long shots, in such a long time of shooting, all the actors can and cannot make any mistakes, once he makes a mistake, the film not only needs to be completely reshot, but it is also not allowed for the investor, because it will lead to a larger investment of the investor.
And the error rate of long lens shooting is high, so its productivity is also weak. Once the actor makes mistakes frequently, it will lead to the cost of the entire TV series production**. Therefore, filming and film shooting will try to avoid too long shots, let alone a TV series that lasts for dozens of episodes, after all, once they use too many long shots, then both actors and directors have to bear a lot of pressure, so this is why few TV series use long shots now.
And even the long shots in movies are generally only used in documentary films. Because long shots are more than 10 minutes long to have a sense of realism, it is more suitable for documentary films that are not afraid of shooting mistakes.
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Shooting long shots is very time-consuming and labor-intensive, because if a shot is not good, you have to start again, and the actor's mood is not good to maintain for a long time.
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Long shots are too difficult, not only do you need a highly skilled photographer but also an actor to cooperate, and the most important thing is that time needs to be a bit much, you must know that time is money.
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First, it is not easy to shoot, and the results are always unsatisfactory, and it is too time-consuming and laborious to reshoot again and again. The second is that now everyone doesn't shoot, so they are all used to it.
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The long lens is not easy to shoot, and if a place is not good, you have to start again, which is very troublesome, it is better not to do it, it is more worry-free and effort-saving, and it does not affect **.
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Because it is very risky and difficult for the camera team to take too long lenses, and then for the audience, it is uncomfortable to watch and dizzy.
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Filming a film and television drama actually takes a lot of time and energy, and the average director is on the premise of pursuing the plot OK, and saving other time or money is saved.
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It is very difficult to shoot such a shot, not only the shooting, but also the cooperation of the actors.
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Long shots are too difficult, not to mention that there are a few movies that take one shot to the end, which does require too much effort, manpower and material resources. It's much more convenient with a short lens, although the effect is a little bit worse.
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Nowadays, most of the film and television are hoping to spend the least cost to get the maximum profit, but the long shot not only has high requirements for the actor's acting skills, but also is time-consuming and laborious to shoot.
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The efficiency and ratings of modern TV dramas are the most important, and it is difficult and long to shoot long shots, and directors are reluctant to take such a big risk.
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First of all, the application of long shots has been long-term and deep-rooted, recalling a series of shots from one street to another without dodging, I feel that as the actor's heart walks, interpreting the character's face, his limbs, and the confused eyes, hesitating steps. The coherence of this series goes with the flow. It's an aesthetic, it's violent, it's tactful.
Secondly, the long shot of modern people is wandering in the sloppy scumbag set, you say it looks good, right? There is no major point over and over again, imagine that you let me follow the camera through the cornfield again and again, so what am I trying to do! You don't have wild play, you don't have a strange circle cornfield, just let me follow, so why should I go with you?
Usually in this case, I don't care how the plot develops behind it, I will assume that it is a failed long take, which leads to a failed film. In fact, you can shoot at any angle of 360 degrees, and you don't necessarily have to be obsessed with this good, then I will use it bad, this is not good, then I will abandon it all, this is the barren point, the sad point. If you put a little care, it's actually not that troublesome.
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In fact, long lenses are not a problem, and if used well, they can even be shot very cool. To shoot a good long shot, it is necessary to integrate the efforts of many parties, first of all, the director's control of the entire picture and rhythm, the coordination of the camera and the scene, the actors' line skills and acting skills, and these 3 points have not been found outstanding in domestic dramas in recent years. And the long shots of domestic TV dramas are really only long, and they are point-to-point.
I've always felt that China's shooting skills are very inhumane, like dead, without a sense of flexibility, usually watching the comparison between CBA and NBA feels very obvious, and it is even more prominent when it comes to TV dramas.
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The production cycle of an episode of an American drama is at least one week, and the pre-shooting and post-production of an episode of a national drama are only one episode every three days on average (which is quite fine); The layman of the national drama guides the insider, and the investors of the big gold chain brainstorm all kinds of brainstorming, and if the filming is detailed, it is said that we work slowly. Take a historical-themed drama I filmed a few years ago as a typical example (it was broadcast last year, and the response was not bad after the broadcast of pure reputation), the investment is average, 6000w, two domestic first-line actors are used, and half of the investment is taken away from the salary (not counting the positive, second, and second-class actors, they are all very familiar at a glance). Then the producer was greedy in all kinds of open and secret, and the funds really spent on production were only 1000w; A group of one or two hundred people, the pre-shooting alone took nearly three months; Coupled with the large part of the costume and scenery art, how much money can I really leave for the Lingyun Shadow Group?
The shooting quality is passable, people say that the director and actors are strong, and the shooting quality is average, and people can say that the photography is too rubbish; The meat is all eaten by you, and we squatted in the corner to drink soup and worried about being scolded! There are thousands of shots in an episode of several American dramas, various scheduling positions of actors, and the contrast between multiple scenes is large, and people are willing to spend this time; Count the hundreds of shots in an episode of a domestic drama, in order to be fast, there is basically no scheduling, walk two steps and stand there or sit and start chattering, as if you are shooting**; At this time, if you are a photographer, if you always tell the director in a play, this is not good, that is too hard, you see that people will still look for you to shoot in the next play! But the good visuals are all made of money and time, and nothing bad is good.
It's not that we're blind in photography, it's not that we can't see good or bad, it's that you don't have the right to speak regardless of money. No! Anyway, I'm standing behind the machine, and no one knows me!
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