Why do you like to read Song poems? Why do you like Tang poems and Song lyrics?

The poets of the Song Dynasty all have their own characteristic styles, and the poems are popular to read and the feelings revealed are more delicate, which are deeply popular, as if making the reader feel immersive, and the poems are full of poetic and picturesque artistic conception, guiding us to a paradise realm, and to a certain extent, it can also improve our appreciation level and cognitive ability. Arousing our interest in reading poems and lyrics, Song poems are more stylish in comparison, and the meaning is easy to understand and contains a lot of history and culture.

Song poems can truly record the real stories that happened over a period of time, because there were many wars and injustices during the reign of the Song Dynasty, which provided poets with many writing themes, and Song poems are more chronological and representative, which can reflect the living conditions and scenes at that time to a certain extent, leaving strong evidence for future generations to investigate the culture of the Song Dynasty.

Song poems contain a thought-provoking charm, which can make readers have a sense of lingering, and also provides inspiration for current creation, so it seems that the reason why I like Song poems is that I can apply what I have learned to help people better understand ancient culture.

First of all, the feelings of Song Ci are more delicate, in the process of reading, I can deeply experience the feelings of the lyricist at that time, as if I am immersive, I prefer to read some poetic things, and Song Ci is the best choice, neither completely vernacular is bland and boring, nor is it completely jerky, it is a transitional body between the two, for people like us who are not too rich in literary literacy, it is more preferred.

In addition, in my opinion, Song Ci is mostly based on tragic events, most of them talk about resentful women, the country's destruction of itself is difficult to protect the pain, or the disappointment of reality and expectations for the future, etc., I am personally more emotional, so I prefer to read some emotional poems, and I can find the same feeling and resonance in Song Ci

Moreover, the theme of Song Ci is bold and romantic by nature, free and rigorous, and the advantages of poetry are integrated, innovative and full of charm.

Song poetry is different from Tang poetry in that it has another aesthetic style. Tang poetry is a natural poem, Song poetry is a poetry of civilization, Tang poetry is the best, Song poetry is the best to win, only the skills can be learned, the strength can not be learned. Therefore, the ancients learned the Song school more than the Tang school.

Modern people say that there is a difference between the Tang and Song dynasties, but as the predecessors pointed out - there is no one who learns from the Tang Dynasty more than the Song Dynasty. Du Fu has today's status in the rivers and lakes, and he has to rely on the Song people, and those who learn from Du are also Song people. We believe that the merits of Tang poetry cannot be unknown to the Song people.

But a generation has to have its own face.

Personally, I prefer Tang and Song poems, the main reason is the artistic conception, the sense of picture or association contained in it will make people have endless aftertaste.

Sometimes when you encounter a situation, it is not as good as a Tang poem or Song word to describe, someone on the Internet is not someone who says, reading these may not be useful, but when faced with some night scenery, Kaijian someone may only sigh: It's so beautiful, if you understand the poem, you may sigh: Luoxia and the lonely bird fly together, and the autumn water is the same color as the sky.

The leisurely and secluded meaning expressed in Su Shi's "Fixing the Storm" jumped on the paper:

Don't listen to the sound of the forest beating the leaves, why not chant Mingsun Cave and Xu Xing. Bamboo cane shoes are lighter than horses, who is afraid? A cloud of smoke and rain is Ren Ping's life.

The steep spring breeze blows the wine and wakes up, slightly cold, and the mountain is obliquely shining but welcomes. Looking back at the bleak place, there is no wind and rain and no sunshine.

I still like Tang poems very much.

The Tang Dynasty was the prosperous period of poetry in China, and the styles and genres of poetry were diverse and colorful. For example, Wang Wei's idyllic poems are quiet and beautiful, Li Bai's poems are unrestrained and elegant, Du Pu's poems are depressed and frustrated, Bai Juyi's poems are popular and easy, and Li Shangyin's poems are Seiko Xiu. It is a portrayal of the poet's character, temperament, experience, and quality.

The establishment of the Tang Dynasty ushered in the first stage of the development of poetry. Most of the poems of the early Tang Dynasty contained the flamboyant style of the Southern Dynasties, with narrow themes and a lack of true feelings. Wu Zetian period, called"Four masters"Wang Bo, Yang Jiong, Lu Zhaolin, and Luo Bin Wang, they enlarged the scope of poetry expression, and only then did the Tang poems with the tone and horizontal, the atmosphere be magnificent, and the rhythm and style were formally formed.

The poets of the Tang Dynasty had a sense of pride in the country and the nation, and most of them were enthusiastic about fame, ambition, and lofty ambitions, which made their poems not only rich in style, but also more lofty and bright in tone, vigorous and vigorous emotion, and majestic and powerful momentum than the poets of Jian'an. The poets of the Tang Dynasty created many genres, such as Gao Shi and Wang Changling, which were an important school of poetry in Romanticism, and Meng Haoran and Wang Wei represented the landscape idyll, describing the nature of mountains and rivers and the idyllic life of idyllic life, so that the content of mountains and rivers was richer. The Tang Dynasty was the peak of the development of poetry, and the special environment of the prosperous era of the Kaiyuan Dynasty created Li Bai's poems with a wide range of content, rich imagination, unrestrained pride, and flying spirit, which fully expressed the self-confidence and ambition of the people of the Tang Dynasty, and was full of romantic ideals.

After the Anshi Rebellion, the style of poetry was characterized by depression and frustration, concise language, and rigorous narrative, which truly reflected the decline of the Tang Dynasty.

During the decline of the Tang Dynasty in the late Tang Dynasty, in this last days, a large number of epic poets appeared, and they reflected the gloomy afterglow of the sunset, emitting the sadness of the declining world, and the poems had a deep sentimentality.

Compared with Tang poetry and Song poetry, I prefer Tang poetry. Because Tang poetry was the heyday of China's culture, the poets wrote about them with very far-reaching significance, and at the same time required neatness in battle. I like Tang poems very much.

I like Song Ci.

The beauty of Song Ci needs to be experienced with sincerity and true feelings. The surprise at the first reading is only a superficial intuition, and the expression of true feelings is the charm of the word. If concise language makes poems philosophical, so poems that express one's heart are often not as popular as poems with timeless meanings, then words are not, and the space of words is enough for the lyricist to gallop across and express his personal feelings.

The process of reading words is actually the process of figuring out the emotions of the words, and the beauty of words can only be appreciated by those who understand and know the words.

I prefer Tang poetry a little more, after all, the Tang Dynasty is the economic and political center of the world, the culture is very developed, most of the Tang poems are rhythmic poems and quatrains, neat and beautiful, catchy. The four heroes of the early Tang Dynasty, Li Du and Yuan Bai all have very good works. There are many works of Song Ci that I also like, I mainly like Su Dongbo, Xin Qiji, Fan Zhongyan, etc.

For Liu Yong, Li Qingzhao and other words, I don't like it very much.

Whether it is Tang poetry or Song poetry, they are both precious cultural heritage left by our ancestors, both of which are very good, I like them both. If I had to choose one of the Tang poems and Song lyrics, and it was one of the two, I would have to choose the Song poems. In the Song Dynasty, Su Shi's heroism of "going to the east of the great river", Yue Fei's ambition of "stepping through the lack of Helan Mountain", Lu You's nostalgia of "red crisp hands, yellow vine wine", and Li Qingzhao's poignant "people are thinner than yellow flowers" all made me heartbroken and unforgettable for life.

Tang poems, Song poetry are very good, this is the ancients left us a rich cultural heritage, not allowed cultural heritage, I still like Tang poetry, because he is catchy, easier to resonate with people, his expression is very interesting.

Tang poems and Song poems are good, they are all treasures of the Chinese nation, I think that no matter the poems and words, they express feelings and reflect the spirit of the times.

This question is not accurate, usually a person who likes poetry will like both Tang poetry and Song poetry, because they are different works of different eras, and they all have extraordinary masterpieces.

Everyone knows that bees are picking flowers and making honey, and people's learning should also be well-read and increase knowledge, from this point of view, we should learn poetry, we should like both Tang poetry and Song poetry, and we should have both.

I not only like Tang poetry, but also like Song Ci, because Tang poetry and Song Ci, we have been learning since elementary school, no matter which aspect, I feel that I feel very deeply, benefited a lot, Tang poetry, Song Ci, can let me have a lot of gains.

To my personal liking. I like Tang poems and Song lyrics.

Tang poetry has a unique kind of thinking logic embodiment. Rigorous, very romantic and poetic. And the sentences are very cohesive.

As for Song Ci, he is a more elaborate linguistic logic of Tang poetry acting. It is more poetic and picturesque, and at the same time, there is an innovative development.

In short, Tang poems and Song poems are all treasures of Chinese culture.

Song Ci is a bit of a storyteller, and Tang poems are often allegorical and lyrical, which not everyone can understand. However, Song Ci does not have such a vague meaning, and generally people who understand classical Chinese can read what Song Ci expresses.

Tang poetry and Song poetry have their own merits, and they are both essential parts of Chinese culture, and I like both.

From this point of view, we should like both Tang and Song poems in the study of poetry.

Following the poems of the Tang Dynasty and the Song Dynasty, Yuanqu, which became a flourishing literary force, has its unique charm: on the one hand, Yuanqu inherits the beauty and tactfulness of poetry; On the one hand, the society of the Yuan Dynasty put the scholars in the position of "eight prostitutes, nine Confucians, and ten beggars", with political dictatorship and social darkness, so that the Yuan Qu radiated an extremely dazzling brilliance of battle and revealed the mood of resistance; The sharp edge directly pointed to the social evils, directly denounced the society of "not reading the highest, not being illiterate is the best, and some people praise if they don't know things", and directly pointing to the world style of "everyone is embarrassed, and no one can see the money". The works depicting love in Yuanqu are also more pungent and bold than the poems of the past dynasties.

These are enough to make Yuanqu maintain its artistic charm forever. But in contrast, the circulation of Yuan Song is by no means as wide as that of Tang and Song poems, which is the reason why people are unfamiliar with the style of Yuan Song. It has a little more ethnic flavor, but this is more than gold.

It is not very accepted by people, so it is not very popular after the Tang Dynasty and the Song Dynasty. No one is good and no one is bad. It depends on what you prefer, I like the form of the word, and how euphemistic it is without losing its boldness.

If you know enough about the history and humanities of Yuanqu, you may also like it.

I like both, whether it is Tang poetry or Song poetry, it is very beautiful, it is a very literary culture, and I am really helping you look forward to adoption

Song Ci is a literary style that expresses the true feelings of the people of the Song Dynasty. Because the people of the Song Dynasty regarded poetry and prose as elegant art and words as popular art, they wrote those very noble words that showed morality and open-mindedness into poems and prose: "The worries of the world first, and the joy of the world after the world", and wrote the truth and private love words into the words:

The bright moon building is high and recess alone, and the wine enters the bowels of sorrow, turning into lovesick tears"; "The sorrow has been broken and there is no reason to get drunk, and before the wine arrives, it will become tears first. The residual light is turned off and the pillow is extinguished, and the taste of lonely sleep is exhausted. It's all about this, and I have no plan to avoid it."

It's hard for you to believe that its author is the straight man of steel who writes "don't like things, don't feel sorry for yourself".

In contrast, I prefer Song Ci, which has a stronger sense of rhythm, modulation and frustration, and catchiness. Tang poetry is rigorous, and the expression techniques and art forms are more mature and perfect. Of course, they are all traditional Chinese cultural heritage, they are all essences, and modern people should understand a little bit of traditional culture, not able to write, can read, and can understand and enjoy.

When will the bright moon be there

My favorite Song lyrics are "Xijiang Moon: Night Walk in the Yellow Sand Road" by eliminating the rot and abandoning the disease:

Xijiang month. The bright moon is not frightening, and the breeze chirps cicadas in the middle of the night. The fragrance of rice flowers says that there is a good year, and the sound of frogs is heard. Seven or eight stars in the sky, two or three points of rain in front of the mountain. In the old days, on the edge of the forest of the Maodian Society, the road turned to the river bridge and suddenly saw it.

I especially like this song. The whole poem is written about very ordinary scenes, like the bright moon, the breeze, the rice flowers, and the sound of frogs, but after the clever combination of the lyricist, it reveals a kind of harvest joy. The whole poem has a strong sense of imagery, and when you read it, you can always think of the unique idyllic scenery of summer nights.

A cut of plum and red lotus fragrance remnants of jade in autumn.

The red lotus fragrance remnants of the jade in autumn. Lightly untie Luo Shang and go on the Lanzhou alone. Who in the clouds sends the brocade book, when the goose word returns, the moon is full in the west building.

The flowers float and the water flows freely. One lovesickness, two sorrows. There is no way to eliminate this situation, so I frowned, but I was in my heart.

The three lines at the end of this poem are famous sentences that have always been praised by people. Wang Shizhen pointed out in "Flowers and Plants" that these three sentences came from Fan Zhongyan's "Royal Street Travel", "They all came to this matter, and there was no plan to avoid each other", and the two sentences of Mingren Yu Yan's "Sauvignon Blanc" "There is nowhere to say when it is the turn of acacia, and there is a trace between the eyebrows" is good at stealing Li Qingzhao's words. This shows that although poetry creation is not analogized, it can be used to transform the sentences of predecessors, make them take on a new look, and integrate them into their own works.

Successful pointification is always better than the blue, not only changing the original sentence, but also higher than the original sentence. Li Qingzhao's transformation is a successful example, Wang Shizhen also believes that although the model sentence is self-produced by Li Ju, Li Ju is "**". Compared with this bridge-liquid ratio, the model sentence is relatively flat and straight, and it cannot catch people's eyes in the artistic effect; Li Ju is ingenious, and uses two sentences such as "only the eyebrows are lowered, but the heart is on the heart" to replace the flat and straightforward description of "between the eyebrows, there is no plan to avoid each other", giving people a sense of freshness.

Here, "eyebrows" correspond to "heart", "caixia" and "buthang" are undulating, the sentence structure is very neat, and the expression of the forest is also very ingenious, so it has a greater artistic appeal. Of course, sentences are inseparable from the article, and these two four-character sentences are only an organic part of the whole poem, and they are not unique. It relies on the accentuation of the whole article, especially because it complements each other with the other two equally ingenious four-character sentences "one lovesickness, two sorrows".

At the same time, the article is also inseparable from the sentence, and the whole article is vibrated by these eye-catching sentences. Li Tingji's "Commenting on the Poetry of the Grass Hall" calls this word "transcendent and eye-catching", and the reason why readers are particularly attracted by its artistic charm is that this is why.